In Which We Serve | This Happy Breed | Blithe Spirit | Brief Encounter
Licensor Information
ITV Global Entertainment
Featuring: Noel Coward, Robert Newton, Rex Harrison, Trevor Howard, John Mills, Celia Johnson, Constance Cummings, Bernard Miles, Amy Veness, Kay Hammond, Stanley Holloway, Margaret Rutherford, Joyce Carey, Kay Walsh, Hugh Wakefield, Cyril Raymond, Alison Leggatt, Everly Gregg, Richard Attenborough, Marjorie Mars, Margaret Barton
In the 1940s, the wit of playwright Noël Coward and the craft of filmmaker David Lean melded harmoniously in one of cinema’s greatest writer-director collaborations. With the wartime military drama sensation In Which We Serve, Coward and Lean (along with producing partners Ronald Neame and Anthony Havelock-Allan) embarked on a series of literate, socially engaged, and enormously entertaining pictures that ranged from domestic epic (This Happy Breed) to whimsical comedy (Blithe Spirit) to poignant romance (Brief Encounter). These films created a lasting testament to Coward’s artistic legacy and introduced Lean’s visionary talents to the world.
Details by Film
In Which We Serve
Year: 1942
Time: 114
Aspect Ratios
1.37:1
Audio
English PCM Mono 1.0
Streaming Options
30150.
+27760
Stream
Rent
Buy
This Happy Breed
Year: 1944
Time: 111
Aspect Ratios
1.37:1
Audio
English PCM Mono 1.0
Streaming Options
31697.
+25906
Rent
Buy
Free with Ads
Blithe Spirit
Year: 1945
Time: 96
Aspect Ratios
1.37:1
Audio
English PCM Mono 1.0
Streaming Options
28314.
+24601
Stream
Brief Encounter
Year: 1945
Time: 86
Aspect Ratios
1.37:1
Audio
English PCM Mono 1.0
Streaming Options
4806.
+2209
Stream
Rent
Buy
Release Information:
Technical Specifications
Format:
Blu-ray
Discs:
BD-50 (4 Discs)
Total: 4 Discs
Regions:
A (Blu-ray)
Aspect Ratio:
1.37:1
Audio Options:
English PCM Mono 1.0
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: , Booklet
- New interview about the film with No
- New interview about the film with No
- New interview about the film with No
- Audio commentary by film historian Bruce Eder
- A booklet featuring new essays by Ian Christie, Terrence Rafferty, Farran Smith Nehme, Geoffrey O'Brien, and Kevin Brownlow
- A Profile of
- Interview with cinematographer-screenwriter-producer Ronald Neame from 2010
- Episode of the British television series The South Bank Show from 1992 on the life and career of Coward
- New interview about the film with Noël Coward scholar Barry Day
- Audio recording of a 1969 conversation between actor Richard Attenborough and Noel Coward at London
- Trailers
- Trailer
- A Profile of “Brief Encounter,” a short documentary from 2000 on the making of the film
- Trailer
- David Lean: A Self Portrait, a 1971 television documentary on Lean
- Trailer
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In Which We Serve
This Happy Breed
Blithe Spirit
Brief Encounter
Picture
Audio
Supplements
Artwork
Release Notes on Restoration
In Which We Serve
In Which We Server is presented in the aspect ratio of 1.37:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. For the DVD edition, the picture has been slightly windowboxed to ensure that the maximum image is visible on all monitors. The new restoration was created in $K resolution on an Oxberry 6400 liquid-gate scanner at Cineric, New York, from the original nitrate negative and sections of the nitrate fine-grain master.
The monaural soundtrack was restored from a sound print made from the original nitrate track negative. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.
The monaural soundtrack was restored from a sound print made from the original nitrate track negative. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.
This Happy Breed
This Happy Breed is presented in the aspect ratio of 1.37:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. For the DVD edition, the picture has been slightly windowboxed to ensure that the maximum image is visible on all monitors. This new high-definition digital transfer was created at Technicolr Creative Services, London, on a Spirit Datacine from the restoration internegative, which was produced from the original YCM negatives.
The monaural soundtrack was restored from a sound print made from the original nitrate track negative. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.
The monaural soundtrack was restored from a sound print made from the original nitrate track negative. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.
Blithe Spirit
Blithe Spirit is presented in the aspect ratio of 1.37:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. For the DVD edition, the picture has been slightly windowboxed to ensure that the maximum image is visible on all monitors. This new high-definition digital transfer was created at Technicolor Creative Services, London, on a Spirit Datacine from the restoration internegative, which was produced from the original YCM negatives.
The monaural soundtrack was restored from a sound print made from the original nitrate track negative. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.
The monaural soundtrack was restored from a sound print made from the original nitrate track negative. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.
Brief Encounter
Brief Encounter is presented in the aspect ratio of 1.37:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. For the DVD edition, the picture has been slightly windowboxed to ensure that the maximum image is visible on all monitors. The new restoration was created in 4K resolution on a Spirit Datacine at Cineimage, London, from the best surviving safety negatives. Pixel Farm's PFClean was used for flicker correction.
The monaural soundtrack was restored from a sound print made from the original nitrate track negative. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.
The monaural soundtrack was restored from a sound print made from the original nitrate track negative. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.

