Licensor Information
Studio Canal
Directed by: Jacques Tati
Featuring: Jacques Tati
In Jacques Tati's Trafic, the bumbling Monsieur Hulot, outfitted as always with tan raincoat, beaten brown hat, and umbrella, takes to Paris's highways and byways. For this, his final outing, Hulot is employed as an auto company's director of design, and accompanies his new vehicle (a camper tricked out in all sorts of absurd gadgetry) to an auto show in Amsterdam. Naturally, the road is paved with modern-age mishaps. This late-career delight is a masterful demonstration of the comic genius's expert timing and sidesplitting visual gags, and a bemused last look at technology run amok.
Streaming Options
19179.
+12912
Release Information:
Technical Specifications
Format:
DVD
Discs:
DVD-9 (2 Discs)
Total: 2 Discs
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
French Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Theatrical Trailer, Documentary, Interview, Television Program, Booklet
- In the Footsteps of Monsieur Hulot (1969), a two-hour documentary tracing the evolution of Jacques Tati's beloved alter ego
- Interview from 1971 with the cast of Trafic, from the French television program Le journal de cinéma
- "The Comedy of Jacques Tati," a 1973 episode from the French television program Morceaux de bravoure
- Trailer
- Booklet featuring an essay by film critic Jonathan Romney
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Kate Elmore
Artwork: Jason Hardy
Release Notes on Restoration
Trafic
Trafic is presented in its original aspect ratio of 1.37:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. The picture has been slightly windowboxed to ensure that the maximum image is visible on all monitors. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm interpositive. Thousands of instances of dirt, debris, and scratches were removed using MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest possible bit rate for the quantity of material included.
The soundtrack was mastered at 24-bit from a 35mm magnetic track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on surround sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.

