Details by Film
Marius
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Fanny
César
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Marius
Adapting his hit play Marius for the screen two years after its stage premiere, Marcel Pagnol turned his inimitable creative energies to the new medium of sound cinema, in a felicitous collaboration with the Hungarian-born director Alexander Korda, soon to be a leading light of British filmmaking. Young Marius and Fanny begin to recognize that their lifelong friendship has blossomed into romance, but their hopes of marriage are left unrealized when Marius cannot overcome his longing to go to sea, against the wishes of his adoring father, César, but with Fanny’s selfless encouragement. Pagnol and Korda bring a keening lyricism to this tale of lovers torn between devotion and the restless urge for adventure, a conflict that begins to shape their destinies in ways they could never predict.
Fanny
The delicate romanticism of The Marseille Trilogy’s opening installment encounters harsh reality in this sequel, which picks up moments after Marius has left his would-be wife, Fanny, for a sailor’s existence. Soon after his departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius’s father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse. By turns moving and disarmingly funny, this portrait of heartbreak and its aftermath is buoyed by Pagnol’s openheartedness toward his characters, and by director Marc Allégret’s vivid and assured depiction of colorful Marseille.
César
In the final chapter of The Marseille Trilogy, Marcel Pagnol returns his compassionate gaze to his weathered characters as they discover the possibility of reconciliation and the durability of love. Leaping forward twenty years, the trilogy continues with the death of Fanny’s husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty. The only film in the trilogy written expressly for the screen and directed by Pagnol, César resolves the protagonists’ star-crossed destinies with the garrulous wit and understated naturalism that have made this epic love story a landmark of humanist filmmaking.
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Supplements
- New introduction by filmmaker Bertrand Tavernier
- Segments from Marcel Pagnol: Morceaux choisis, a 1973 documentary series on Pagnol’s life and work
- Marseille, a short 1935 documentary about the Marseille harbor produced by Pagnol
- New interview with Nicolas Pagnol, grandson of writer-director Marcel Pagnol
- Archival interviews with actors Orane Demazis, Pierre Fresnay, and Robert Vattier
- Pagnol’s Poetic Realism, a new video essay by scholar Brett Bowles
- French television clip from 2015 about the restoration of the trilogy
- Theatrical rerelease trailer
- An essay by film critic Michael Atkinson and excerpts from Pagnol’s introductions to his plays and screenplays