Rififi

Edition no. 115

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Licensor Information
Gaumont
Directed by: Jules Dassin
After making such American noir classics as Brute Force and The Naked City, the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light. Rififi is the ultimate heist movie, a mélange of suspense, brutality, and dark humor that was an international hit, earned Dassin the best director prize at the Cannes Film Festival, and has proven wildly influential on the decades of heist thrillers that have come in its wake.
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Release Information:


Technical Specifications

Format:
Blu-ray
DVD
Discs:
BD-50 (1 Disc)
DVD-9 (1 Disc)
Total: 2 Discs
Regions:
A (Blu-ray)
1 (DVD)
Aspect Ratio:
1.37:1
Audio Options:
English Dolby Digital Mono 1.0
French Dolby Digital Mono 1.0
French PCM Mono 1.0
Resolution:
480p/29.97
1080p/24
Subtitles:
English

Supplements

Types of Supplements Included: Interview, Gallery, Theatrical Trailer, Booklet
  • Interview with director Jules Dassin from 2000
  • Set design drawings by art director Alexandre Trauner
  • Production stills
  • Trailer
  • Booklet featuring an essay by J. Hoberman

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Release Credits

Producer: Issa Clubb

Release Notes on Restoration

Rififi
Rififi is presented in its original aspect ratio of 1.37:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35mm original camera negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI's DRS, while Digital Vision's Phoenix was used for small dirt, grain, noise management, jitter, and flicker.

The original monaural soundtrack was remastered at 24-bit from a 35mm optical track print. Clicks, thumps, hiss, and hum were manuallt removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.
Rififi
Rififi is presented in its original aspect ratio of 1.37:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35mm original camera negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI's DRS, while Digital Vision's Phoenix was used for small dirt, grain, noise management, jitter, and flicker.

The original monaural soundtrack was remastered at 24-bit from a 35mm optical track print. Clicks, thumps, hiss, and hum were manuallt removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.