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Licensor Information
Paramount Home Entertainment
Directed by: Terrence Malick
One-of-a-kind filmmaker-philosopher Terrence Malick has created some of the most visually arresting films of the twentieth century, and his glorious period tragedy Days of Heaven, featuring Oscar-winning cinematography by Nestor Almendros, stands out among them. In 1910, a Chicago steelworker (Richard Gere) accidentally kills his supervisor, and he, his girlfriend (Brooke Adams), and his little sister (Linda Manz) flee to the Texas panhandle, where they find work harvesting wheat in the fields of a stoic farmer (Sam Shepard). A love triangle, a swarm of locusts, a hellish fire—Malick captures it all with dreamlike authenticity, creating a timeless American idyll that is also a gritty evocation of turn-of-the-century labor.
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Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
1.78:1
Audio Options:
English DTS-HD MA Surround 5.1
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Audio Interview, Interview, Booklet
- Audio commentary featuring Billy Weber, art director Jack Fisk, costume designer Patricia Norris, and casting director Dianne Crittenden
- New audio interview with actor Richard Gere
- Video interviews with John Bailey, cinematographer Haskell Wexler, and actor Sam Shepard
- A booklet featuring a new essay by critic Adrian Martin and a chapter from director of photography Nestor Almendros’s autobiography
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Supplements
Artwork
Release Credits
Producer: Kim Hendrickson
Artwork: Lucien S. Y. Yang
Restoration Information
Days of Heaven
Restoration by:
The Criterion Collection
Paramount Pictures
Year: 2006
Scanned at: High-Definition Digital
Restored at: High-Definition Digital
Sources:
35mm Interpositive
Release Notes on Restoration
Days of Heaven
Days of Heaven is presented in the filmmaker’s preferred aspect ratio of 1.78:1. On standard 4:3 televisions, the image will appear letterboxed. On widescreen televisions, the image should fill the screen. Created from a 35mm interpositive struck from the 35mm A/B roll original negative, this high-definition digital transfer was supervised by director Terrence Malick, original camera operator and renowned cinematographer John Bailey, and editor Billy Weber. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI’s Film’s DRS system; flicker was removed with Pixel Farm’s PFClean system; and Digital Vision’s DVNR system was used for small dirt, grain, and noise reduction.
The surround soundtrack was remastered at 24-bit from the original 4.1 magnetic track. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.
The surround soundtrack was remastered at 24-bit from the original 4.1 magnetic track. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.