Monterey Pop | Jimi Plays Monterey | Shake! Otis at Monterey
Licensor Information
The Monterey International Pop Festival Foundation
Directed by: D.A. Pennebaker
On a beautiful June weekend in 1967, at the height of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade’s spirit and ushering in a new era of rock and roll. Monterey would launch the careers of Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few among a wildly diverse cast that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic vérité style, D. A. Pennebaker captured it all, immortalizing moments that have become legend: Pete Townshend destroying his guitar; Hendrix burning his. The Criterion Collection is proud to present the most comprehensive document of the Monterey International Pop Festival ever produced, featuring the films Monterey Pop, Jimi Plays Monterey, and Shake! Otis at Monterey, along with every available complete performance filmed by Pennebaker and his crew.
Details by Film
Monterey Pop
Year: 1967
Time: 78
Aspect Ratios
1.33:1
Audio
English Dolby Digital Surround 5.1
English DTS 5.1
Streaming Options
26614.
+28210
Stream
Jimi Plays Monterey
Year: 1986
Time: 49
Aspect Ratios
1.33:1
Audio
English Dolby Digital Surround 5.1
English DTS 5.1
Streaming Options
18502.
+9053
Shake! Otis at Monterey
Year: 1989
Time: 19
Aspect Ratios
1.33:1
Audio
English Dolby Digital Surround 5.1
English DTS 5.1
Streaming Options
Release Information:
Technical Specifications
Format:
DVD
Discs:
DVD-9 (3 Discs)
Total: 3 Discs
Regions:
6/5/4/3/2/1 (DVD)
4/6/5/3/2/1 (DVD)
1/6/5/4/3/2 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Surround 5.1
English DTS 5.1
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included:
- Audio commentary by Festival producer Lou Adler and D.A. Pennebaker
- Audio commentary by music critic and historian Charles Shaar Murray
- Two hours of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, the Byrds, Country Joe and the Fish, the Electric Flag, Jefferson Airplane, Al Kooper, the Mamas and the Papas, Laura Nyro, the Paul Butterfield Blues Band, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who
- Video interview with Lou Adler and D.A. Pennebaker from 2002
- Theatrical trailer for Jimi Plays Monterey
- Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby
- Video excerpt of Pete Townshend discussing Jimi Hendrix
- Photo-essay by photographer Elaine Mayes
- Two audio commentaries by music critic and historian Peter Guralnick: the first on Otis Redding's Monterey performance, song by song, and on Redding before and after Monterey
- Original theatrical trailer
- Interview with Phil Walden, Redding's manager
- Radio spots
- Monterey Pop Festival scrapbook
Forum Member Statistics
Sign-in with your forum account to rate this release
Monterey Pop
Jimi Plays Monterey
Shake! Otis at Monterey
Picture
Audio
Supplements
Artwork
Release Notes on Restoration
Monterey Pop
Monterey Pop, Jimi Plays Monterey, and Shake! Otis at Monterey are presented in their original theatrical aspect ratios of 1.33:1. These new high-definition digital transfers were created on a Spirit Datacine. For Monterey Pop, the transfer was made from the original 16mm A/B camera reversal original and the 35mm duplicate negative; for Jimi Plays Monterey and Shake! Otis at Monterey, the 35mm duplicate negatives were used. All transfers were supervised by director D.A. Pennebaker. The soundtracks were remixed by Eddie Kramer from the original analog 8-track tapes made at the concerts by Wally Heider and conformed to picture by Ted Hall at POP Sound. To further enhance the image, the MTI Digital Restoration System was used to remove thousands of instances of dirt, debris, and scratches. The soundtracks were mastered at 24-bit: audio restoration tools were used sparingly to reduce clicks, pops, hiss, and some crackle.
Jimi Plays Monterey
Monterey Pop, Jimi Plays Monterey, and Shake! Otis at Monterey are presented in their original theatrical aspect ratios of 1.33:1. These new high-definition digital transfers were created on a Spirit Datacine. For Monterey Pop, the transfer was made from the original 16mm A/B camera reversal original and the 35mm duplicate negative; for Jimi Plays Monterey and Shake! Otis at Monterey, the 35mm duplicate negatives were used. All transfers were supervised by director D.A. Pennebaker. The soundtracks were remixed by Eddie Kramer from the original analog 8-track tapes made at the concerts by Wally Heider and conformed to picture by Ted Hall at POP Sound. To further enhance the image, the MTI Digital Restoration System was used to remove thousands of instances of dirt, debris, and scratches. The soundtracks were mastered at 24-bit: audio restoration tools were used sparingly to reduce clicks, pops, hiss, and some crackle.
Shake! Otis at Monterey
Monterey Pop, Jimi Plays Monterey, and Shake! Otis at Monterey are presented in their original theatrical aspect ratios of 1.33:1. These new high-definition digital transfers were created on a Spirit Datacine. For Monterey Pop, the transfer was made from the original 16mm A/B camera reversal original and the 35mm duplicate negative; for Jimi Plays Monterey and Shake! Otis at Monterey, the 35mm duplicate negatives were used. All transfers were supervised by director D.A. Pennebaker. The soundtracks were remixed by Eddie Kramer from the original analog 8-track tapes made at the concerts by Wally Heider and conformed to picture by Ted Hall at POP Sound. To further enhance the image, the MTI Digital Restoration System was used to remove thousands of instances of dirt, debris, and scratches. The soundtracks were mastered at 24-bit: audio restoration tools were used sparingly to reduce clicks, pops, hiss, and some crackle.

