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Licensor Information
Studio Canal
Directed by: Jean-Luc Godard
Dissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne Renoir (Anna Karina), and leaves the bourgeoisie behind. Yet this is no normal road trip: genius auteur Jean-Luc Godard’s tenth feature in six years is a stylish mash-up of consumerist satire, politics, and comic-book aesthetics, as well as a violent, zigzag tale of, as Godard called them, “the last romantic couple.” With blissful color imagery by cinematographer Raoul Coutard and Belmondo and Karina at their most animated, Pierrot le fou is one of the high points of the French New Wave, and was Godard’s last frolic before he moved ever further into radical cinema.
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4874.
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Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
2.35:1
Audio Options:
French PCM Mono 1.0
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Interview, Video Essay, Documentary, Theatrical Trailer, Booklet
- New video interview with actor Anna Karina
- A “Pierrot” Primer, a new video program with audio commentary by filmmaker Jean-Pierre Gorin
- Godard, l’amour, la poésie, a fifty-minute French documentary about director Jean-Luc Godard and his work and marriage with Karina
- Archival interview excerpts with Jean-Luc Godard, Anna Karina, and actor Jean-Paul Belmondo
- Theatrical trailer
- A booklet featuring a new essay by critic Richard Brody, a 1969 review by Andrew Sarris, and a 1965 interview with Jean-Luc Godard
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Picture
Audio
Supplements
Artwork
Release Credits
Producer: Abbey Lustgarten
Artwork: steve chow
Release Notes on Restoration
Pierrot le fou
Pierrot le fou is presented in its original aspect ratio of 2.35:1. Black bars at the top and bottom of the screen are normal for this format. Supervised by cinematographer Raoul Coutard, this high-definition digital transfer was created on a Spirit Datacine from the original 35mm negative, and color corrected on a Specter Virtual Datacine. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using the MTI’s DRS system and Pixel Farm’s PFClean system, while Digital Vision’s DVNR system was used for small dirt, grain, and noise reduction.
The monaural soundtrack was remastered at 24-bit from the 35mm optical track print. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated AudioCube’s integrated workstation.
The monaural soundtrack was remastered at 24-bit from the 35mm optical track print. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated AudioCube’s integrated workstation.