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Licensor Information
Warner Bros. Home Entertainment
Directed by: Howard Hawks
Featuring: Katharine Hepburn, Cary Grant, Charles Ruggles, Walter Catlett, Barry Fitzgerald, May Robson, Fritz Feld, Leona Roberts, George Irving, Tala Birell, Virginia Walker, John Kelly
Screwball sparks fly when Cary Grant and Katharine Hepburn let loose in one of the fastest and funniest films ever made—a high-wire act of invention that took American screen comedy to new heights of absurdity. Hoping to procure a million-dollar endowment from a wealthy society matron for his museum, a hapless paleontologist (Grant) finds himself entangled with a dizzy heiress (Hepburn) as the manic misadventures pile up—a missing dinosaur bone, a leopard on the loose, and plenty of gender-bending mayhem among them. Bringing Up Baby’s sophisticated dialogue, spontaneous performances, and giddy innuendo come together in a whirlwind of comic chaos captured with lightning-in-a-bottle brio by director Howard Hawks.
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Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
1.37:1
Audio Options:
English PCM Mono 1.0
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Video Essay, Interview, Documentary, Audio Interview, Theatrical Trailer, Booklet
- Audio commentary from 2005 featuring filmmaker Peter Bogdanovich
- New video essay on actor Cary Grant by author Scott Eyman
- New interview about cinematographer Russell Metty with cinematographer John Bailey
- New interview with film scholar Craig Barron on special-effects pioneer Linwood Dunn
- New selected-scene commentary about costume designer Howard Greer with costume historian Shelly Foote
- Howard Hawks: A Hell of a Good Life, a 1977 documentary by Hans-Christoph Blumenberg featuring the director’s last filmed interview
- Audio interview from 1969 with Cary Grant
- Audio excerpts from a 1972 conversation between Howard Hawks and Peter Bogdanovich
- Trailer
- An essay by critic Sheila O’Malley and the 1937 short story by Hagar Wilde on which the film is based
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