This release can only be found in the following box set: Monsters and Madmen
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Licensor Information
Gordon Films
Directed by: Robert Day
In this interstellar cautionary tale, brash U.S. Navy test pilot Dan Prescott, hungry for fame, rockets himself beyond Earth’s atmosphere, only to become encrusted with cosmic dust and return a blood-drinking monster.
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Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Interview, Theatrical Trailer, Radio Advertisement, Booklet
- Audio commentary by producer Richard Gordon and writer Tom Weaver
- New video interviews with director Robert Day and costar Maria Landi
- Original theatrical trailers
- Radio spots
- A booklet featuring new essays by Bruce Eder and Michael Lennick
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Eric Skillman
Producer: Mark Walkow
Artwork: Darwyn Cooke
Release Notes on Restoration
First Man Into Space
First Man into Space is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm fine-grain print. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.