Licensor Information
Rialto Pictures
Directed by: Claude Sautet
After hiding out in Milan for nearly a decade, fugitive gangland chief Abel Davos (Lino Ventura) sneaks back to Paris with his children despite a death sentence hanging over his head. Accompanied by appointed guardian Eric Stark (Jean-Paul Belmondo, fresh off his star turn in Breathless) and beset by backstabbing former friends, Abel begins a journey through the postwar Parisian underworld that’s both throat grabbing and soul searching. A character study of a career criminal at the end of his rope, this rugged noir from Claude Sautet (Un coeur en hiver) is a thrilling highlight of sixties French cinema.
Streaming Options
Rent
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.66:1
Audio Options:
French Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Documentary Excerpt, Interview, Theatrical Trailer, Booklet
- Excerpts from Claude Sautet ou la magie invisible, a 2003 documentary on the director by writers N. T. Binh and Dominique Rabourdin
- Interview with Classe tous risques novelist and screenwriter José Giovanni
- Archival interview footage featuring actor Lino Ventura discussing his career
- Original French and U.S. release trailers
- Booklet featuring new essays by director Bertrand Tavernier and N. T. Binh, a reprinted interview with Claude Sautet, and a 1962 tribute by Jean-Pierre Melville
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Eric Skillman
Producer: Johanna Schiller
Producer: Alexandre Mabilon
Restoration Information
Classe tous risques
Restoration by:
TF1 Studio
Year: 2008
Scanned at: High-Definition Digital
Restored at: High-Definition Digital
Sources:
35mm Fine-grain master positive
35mm Original camera negative
Release Notes on Restoration
Classe tous risques
Classe tous risques is presented in the aspect ratio of 1.66:1. On standard 4:3 televisions, the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the left and right to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from the original 35mm camera negative and a 35mm fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest possible bit rate for the quantity of material included.
The soundtrack was mastered at 24-bit from the 35mm optical optical track print and the original 17.5mm magnetic tracks, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical optical track print and the original 17.5mm magnetic tracks, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.

