for reference, the old description:
Matt wrote: Thu Oct 12, 2006 9:07 pm
DIRECTOR-APPROVED SPECIAL EDITION
- New, restored high-definition digital transfer, supervised and approved by director Terrence Malick, editor Billy Weber, and camera operator John Bailey
- New Dolby Digital 5.1 soundtrack (with DTS-HD Master Audio on the Blu-ray edition)
- Audio commentary featuring Weber, art director Jack Fisk, costume designer Patricia Norris, and casting director Dianne Crittenden
- Audio interview with actor Richard Gere
- Video interviews with Bailey, cinematographer Haskell Wexler, and actor Sam Shepard
- PLUS: A booklet featuring an essay by critic Adrian Martin and a chapter from director of photography Nestor Almendros’s autobiography
and the new one, which is rather different:
2K digital restoration, supervised and approved by director Terrence Malick, editor Billy Weber, and camera operator John Bailey, with 5.1 surround DTS-HD Master Audio soundtrack
Audio commentary featuring Weber, art director Jack Fisk, costume designer Patricia Norris, and casting director Dianne Crittenden
Audio interview with actor Richard Gere
Interviews with Bailey, cinematographer Haskell Wexler, and actor Sam Shepard
English subtitles for the deaf and hard of hearing
PLUS: An essay by critic Adrian Martin and a chapter from director of photography Nestor Almendros’s autobiography
Cover by Lucien S. Y. Yang
I sincerely doubt the old master (which was used by Criterion, Imprint, and Paramount on their respective Blurays) was a 2K restoration. it was clearly a DVD-era "high definition" master that definitely shows its age now. a 2K restoration would certainly look better than that, but what do I know. I've watched that particular master countless times and am very ready for the bump this UHD is gonna give it
still one of Criterion's best ever efforts in terms of extras and packaging too. the full on Andrew Wyeth cover is top notch, and literally every extra is terrific - the commentary is one of the best crew/technical ones ever, I wish Gere's interview was longer, Bailey and Wexler break down the look of the film real well, and it's a treat to hear Sam Shepard. Adrian Martin going on to expand on his essay with his commentary for Imprint is the only thing I wish was somehow ported over, but I don't mind having that edition sit on my shelf, if just cause it keeps the more original artwork.
this and
Wings of Desire represent two of my very top movies being upgraded by Criterion in the same year, I'm very grateful. somehow both beat
The 400 Blows!