Return to the 80s once again with two comedy-horror hits we know you'll howl for. 1985's original TEEN WOLF (starring Michael J Fox) and its follow-up, 1987's TEEN WOLF TOO (starring Jason Bateman) will both be coming out later this Summer as Collector Editions!
No other details to report at this time but extras, newly-illustrated artwork and specs are currently in the works and will be revealed at a later date.
I'm glad I've waited on Teen Wolf, one of my childhood's favourites! \:D/
Hope it's a new 2K scan!
NEW Audio Commentary With Rob Galluzzo (Writer/Director Of THE PSYCHO LEGACY) And PSYCHO (1998) Editor Amy Huddleston
Audio Commentary With Director Gus Van Sant, Anne Heche And Vince Vaughn
Psycho Path: The Making Of Psycho
Theatrical Trailers
Still Gallery
I suppose my hope for a Christopher Doyle interview was the biggest of pies in the sky, but I'm still a little disappointed.
Fans of vintage Spanish films take note: We have a new Blu-ray double-feature coming this Summer featuring two 1974 films from the Director of The Blind Dead Series!
THE NIGHT OF THE SORCERERS: A group of explorers arrive in Africa to study the wildlife in the same area where a brutal native ritual occurred in 1910. All is tranquil until night falls and distant drumming draws one of the female members of the group to investigate the jungle. From there, a nightmare will be awakened … a nightmare of zombie natives and scantily-clad vampire women who prowl the moonlight jungle in search of fresh blood and more victims to sacrifice.
THE LORELEY'S GRASP: In a town by the Rhine river, young women are turning up dead … savagely torn to pieces and their hearts missing. Concerned that whatever beast is doing these horrible murders will end up attacking the female students, a nearby school for women hires a hunter to find and kill the creature. The hunter will soon find out that this is no ordinary beast that craves human hearts, but rather a deceptive, alluring and mysterious being – The Loreley – who is already looking for another heart to use in a gruesome ancient ritual.
A Shock To The System coming July 4th. Kind of interested in how this will turn out. I watched it on Hulu last year, and for some reason all the cursing was edited out.
Shout is release a Fargo steelbook in August. Same special features as the remastered disc with the only "new" special feature, "Interview With The Coen Brothers And Frances McDormand", being an old extra from the DVD that MGM didn't carry over to their Blu-ray(s).
We are very excited to announce the release of Fargo as a limited-edition Steelbook® , out this August!
Limited to 10,000 units, this Steelbook® of the Academy Award winning Coen Brothers classic features brand new artwork from The CRP Group on the front and back! What’s more, if you pre-order directly from ShoutFactory.com you will get an exclusive rolled poster of the new artwork! See below for full list of bonus features and pre-order now at: http://bit.ly/FargoSteel" onclick="window.open(this.href);return false;.
• Audio Commentary With Director Of Photography Roger A. Deakins
• “Minnesota Nice” Featurette
• Interview With The Coen Brothers And Frances McDormand
• American Cinematography Article
• Original Advertising Gallery
• Still Photo Gallery[/qoute]
They are also doing limited edition steelbooks for three of their John Carpenter releases
**LIMITED-EDITION 5TH ANNIVERSARY STEELBOOKS**
It's hard to believe at times, but our brand is now five years old...and what a ride it has been! Our gratitude and thanks go out to everyone of you who has supported our releases and continue to do so.
Naturally, we wanted to celebrate this milestone with something cool that would be true to our retro roots and would make a big splash. As you already know, we've been very successful with our John Carpenter films so we looked to some of our older releases of his for inspiration. We then remembered the question we posed sometime years ago to you about your thoughts on Steelbook® packaging, and the response was extremely strong. So, we married the two ideas to come up with the following special offer:
- Carpenter’s classic ESCAPE FROM NEW YORK, THE FOG and THEY LIVE are being reissued in a limited-edition Steelbook® packaging. Only 10,000 of each are being produced and once they're gone, they're gone! Official Release Date for all three is 8/1/17, but will ship two weeks early if you order directly from us.
- The cohesive and conceptual artwork you see pictured on all three come to us conceived by artist Nathaniel Marsh (Carrie, The Thing deluxe piece). If you order directly from our site, your packaging will also include a 28.5” x 16.5”rolled lithograph of the illustration, while supplies last. The litho will not be available through any other retailer.
- Steelbooks will be shrinkwrapped. The Blu-rays included inside will have the same content (but with different disc label art) that is currently available in their respective Collector Edition releases.
- To our overseas fans, we regret to inform that we only have US & Canadian territory rights for these films so will be unable to ship internationally from our site unfortunately.
Scream Factory announced that they are going to release:
After Midnight (1989)
The Spell (1977)
The Resurrected (1991)
A Quiet Place in the Country (1968)
I'm not complaining, but A Quiet Place in the Country is kind of an odd one for this label, no? Glad to finally get Dan O'Bannon's The Resurrected on Blu.
beamish13 wrote:I'm not complaining, but A Quiet Place in the Country is kind of an odd one for this label, no? Glad to finally get Dan O'Bannon's The Resurrected on Blu.
Yeah, I was thinking that Arrow would've gotten A Quiet Place in the Country - seems right up their alley.
Possibly my favourite awful movie of all time. Nearly every single thing is so spectacularly wrong it's just mesmerising. Who thought this was a good idea? Who thought this was a good idea? Who thought any of this was a good idea?
Aerosmith's cover of "Come Together" isn't that bad, taken on it's own apart from the movie. Pretty sure this was a Robert Stigwood production, and since he also produced the film version of Tommy he figured this was a logical next step. Apply cocaine and voila.
I'd love to hear a Michael Schulz commentary on this. He'd turned down Grease, likely because it was essentially a white version of his own Cooley High. When Robert Stigwood came back to him, he jumped at it. The hubris that the Bee Gees and Peter Frampton exhibited while promoting it is so laughable in retrospect, and I wonder what kind of self-reflexivity most of the involved parties would apply towards it today.
