I agree that Kubrick's films have their humor. Some HAL moments are funny, and The Shining can be hilarious (Torrance going stir-crazy, his interactions with the barkeep, the scenes Person outlined, etc.). But EWS? I chuckle at the Alan Cumming scene now and then, but nothing else really. How is it his funniest?chaddoli wrote:Every conversation involving HAL is hysterical. The Shining? Are you kidding? That film is unbelievably funny - probably his darkest comedy.
And Eyes Wide Shut, his best film, is also his funniest.
Stanley Kubrick
- dave41n
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- Tom Hagen
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Exactly. There may be moments of dark humor and irony in Kubrick's films, but that alone does not mean that they approach a comedic narrative. If people want to find revisionist meanings in The Shining or Eyes Wide Shut, they are free to do so. But calling them comedies seems pretty ludicrous to me.dave41n wrote: But EWS? I chuckle at the Alan Cumming scene now and then, but nothing else really. How is it his funniest?
- Cinephrenic
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- Highway 61
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- Person
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I don't recognise genres. I get the feeling that most filmmakers don't either, ie. "the film I am about to direct is a comedy/thriller". Genre labelling is just a short-hand to appease the nose-pokery of people lacking in imagination - studio execs, journalists, critics.
Some films are explicitly called "comedies", yet I don't find then funny AT ALL and sometimes I can't even conceive of anyone finding funny. But then there are scenes in films that are not intended to be funny to anyone, but old weirdo here laughs out loud at sorts of incongruous stuff in films.
Some films are explicitly called "comedies", yet I don't find then funny AT ALL and sometimes I can't even conceive of anyone finding funny. But then there are scenes in films that are not intended to be funny to anyone, but old weirdo here laughs out loud at sorts of incongruous stuff in films.
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moviscop
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I came on to make a comment on how Eyes Wide Shut was my second favorite Kubrick film after 2001, but it looks like someone else loves it as well. I find the film extremely dark and beautiful.chaddoli wrote:And Eyes Wide Shut, his best film, is also his funniest.
My favorite shot in this film is when Cruise enters the main room of the cult and every face is looking at him. This is by far, one of the best framed shots in Kubrick's filmography.
- MyNameCriterionForum
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As with all "journalism" this "information" is subject to doubt until actually proven, but if the words "EXCLUSIVE footage of Stanley Kubrick's award winning films will be shown to the public for the first time at this year's Childwickbury Arts Fair. ...outtakes and cut scenes from the late director's masterpieces." are accurate, then what are we to believe of the endlessly-repeated "fact" that Kubrick destroyed all outtakes and unused footage for his films?
I mean, WTF?
I mean, WTF?
- miless
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- glaswegian tome
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- Antoine Doinel
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A fascinating article about digging through Kubrick's personal archives.
- ArchCarrier
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- Oedipax
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Cool promo made for Channel 4's upcoming Kubrick retrospective. Just wish it was being shown at 1.37:1... *ducks flying debris* 
- miless
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I totally agree about the 1.37 ratio. I kept all of my original full-screen DVD's, whilst purchasing the restored boxed set, just because I prefer them in that ratio. the atmosphere is so eerie, especially in The Shining and Eyes Wide Shut.Oedipax wrote:Just wish it was being shown at 1.37:1... *ducks flying debris*
- Antoine Doinel
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- Felix
- Joined: Fri Nov 24, 2006 5:48 pm
- Location: A dark damp land where the men all wear skirts
For UK viewers, Jon Ronson's programme about Kubrick's boxes is on More4 tonight at 2200 and repeated Thursday lunchtime, same channel. I don't really go for Kubrick but in this he is a man after my own heart. He also had a library full of nothing but books on Napoleon...Antoine Doinel wrote:A fascinating article about digging through Kubrick's personal archives.
- Magic Hate Ball
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His description of a day during production of 2001 makes me feel jealous:Antoine Doinel wrote:a peek at Stanley's letters.
Stanley Kubrick wrote:I get up at 7.00am hit the studio by about 8.15 and begin a day that generally ends about 8.30pm. I go home, say goodnight to the children, have dinner, work on the novel (a spin-off of 2001: A Space Odyssey) and go to bed around midnight. I do this seven days a week.
- Mr Sausage
- Has Risen from the Grave
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- Felix
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- dadaistnun
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A look at some of the props.
It's been nearly ten years since I've seen Full Metal Jacket, but I don't recall seeing the head.The machete shown above belonged to Adam Baldwin's character, Animal Mother, who in the original script used it to hack off a dead female sniper's head. The decapitation wasn't shown in the film, but the head was.
- MyNameCriterionForum
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Conversely, I've read (I'm sorry -- I forget where -- one of his bios?) that on Full Metal Jacket he was routinely hours late every morning... Of course, take anything you read about Kubrick with a grain of salt.Mr_sausage wrote:He works a twelve hour day and then goes home to work on a novel? I guess I'm not surprised, but it's still an astonishing amount of energy.
She was NOT decapitated in the film.dadaistnun wrote:It's been nearly ten years since I've seen Full Metal Jacket, but I don't recall seeing the head.The machete shown above belonged to Adam Baldwin's character, Animal Mother, who in the original script used it to hack off a dead female sniper's head. The decapitation wasn't shown in the film, but the head was.
- Galen Young
- Joined: Sat Nov 13, 2004 12:46 am
In the spirit of having just watched the wonderful short documentary Stanley Kubrick's Boxes, it inspired me to offer up few more titles to add to the book list at the beginning of this thread.
Depth of Field: Stanley Kubrick, Film and the Uses of History - edited by Geoffrey Cocks, James Diedrick, Glenn Perusek
(University of Wisconsin Press, 2006)
The Wolf at the Door: Stanley Kubrick, History & the Holocaust - Geoffrey Cocks (Peter Lang Publishing, 2004)
Stanley Kubrick Kinematograph Nr. 20 (Deutsches Filmmuseum Frankfurt am Main, 2004) www.stanleykubrick.de
Stanley Kubrick: A Film Odyssey - Gene D. Phillips (Popular Library, Big Apple Film Series, 1975)
Filmguide to 2001: A Space Odyssey - Carolyn Geduld (Indiana University Press, 1973)
The Making of Kubrick's 2001 - edited by Jerome Agel (Signet, 1970)
In an essay by Anthony Frewin in the Taschen Archives book, he writes - (quoting Kubrick)
EDIT: forgot a few more books pertaining to 2001 --
Are We Alone? The Stanley Kubrick Extraterrestrial-Intelligence interviews - edited by Anthony Frewin (Elliot & Thompson, 2005)
Hal's Legacy: 2001's Computer as Dream and Reality - edited by David G. Stork (The MIT Press, 1997)
Stanley Kubrick's 2001: A Space Odyssey -- New Essays- edited by Robert Kolker (Oxford University Press, 2006)
Depth of Field: Stanley Kubrick, Film and the Uses of History - edited by Geoffrey Cocks, James Diedrick, Glenn Perusek
(University of Wisconsin Press, 2006)
The Wolf at the Door: Stanley Kubrick, History & the Holocaust - Geoffrey Cocks (Peter Lang Publishing, 2004)
Stanley Kubrick Kinematograph Nr. 20 (Deutsches Filmmuseum Frankfurt am Main, 2004) www.stanleykubrick.de
Stanley Kubrick: A Film Odyssey - Gene D. Phillips (Popular Library, Big Apple Film Series, 1975)
Filmguide to 2001: A Space Odyssey - Carolyn Geduld (Indiana University Press, 1973)
The Making of Kubrick's 2001 - edited by Jerome Agel (Signet, 1970)
In an essay by Anthony Frewin in the Taschen Archives book, he writes - (quoting Kubrick)
Oh god, what I would give to see all those hours of behind the scenes footage of Full Metal Jacket!Anthony Frewin wrote:For critical studies of his own films he [Stanley Kubrick] valued those by Gene D. Phillips and Michel Ciment and thought that Carolyn Geduld's little book on 2001 "probably one of the most perceptive things written about it." He admired Vincent LoBrutto's biography for the industry that went into it and said "this tells me things about me and my family I never knew."
EDIT: forgot a few more books pertaining to 2001 --
Are We Alone? The Stanley Kubrick Extraterrestrial-Intelligence interviews - edited by Anthony Frewin (Elliot & Thompson, 2005)
Hal's Legacy: 2001's Computer as Dream and Reality - edited by David G. Stork (The MIT Press, 1997)
Stanley Kubrick's 2001: A Space Odyssey -- New Essays- edited by Robert Kolker (Oxford University Press, 2006)
Last edited by Galen Young on Thu Jul 24, 2008 3:31 pm, edited 1 time in total.
- Banana #3
- Joined: Sat Nov 17, 2007 10:32 pm
Why has the family apparently abandoned all of the footage? From what was seen in A Life in Pictures, there was plenty of it.
I mean, they have a different perspective on Kubrick than the rest of us, but can't they at least be merciful and make something of it, at least going so far as to complete Making Full Metal Jacket?
I mean, they have a different perspective on Kubrick than the rest of us, but can't they at least be merciful and make something of it, at least going so far as to complete Making Full Metal Jacket?
- Cobalt60
- Joined: Sat May 14, 2005 12:39 am
In case anyone is interested, Taschen is reprinting their big Kubrick coffee table book in a smaller format but with the same page count (no DVD this time)
- Antoine Doinel
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