HerrSchreck wrote:I would need to be hospitalized for Incipient Joy if Peixoto's Limite came from MoC or CC.. or anybody decent for that matter. I'm tired of weeping with ecstacy over my cruddo copy... (god that score...)
Don't know which version you've seen, but some brief comments on the new resto of "Limite", as shown in Cannes last year and on arte TV a few weeks ago. The print is still in pretty bad condition, with one sequence missing entirely and some others having the worst instances of nitrate decomposition I think I ever saw. The rest is badly battered, too. If the film had lain around unhelped for some more years I'd say it would have been forever lost, at least parts of it. As to the music: this new resto follows the original plans as laid out by Peixoto, i.e. classical music by Debussy, Ravel, Satie and others. For the soundtrack, they tried to get recordings from the time, by Koussevitsky and others, so the sound is naturally 'bad' for the most part, but it fits the images completely.
A truly magnificent film clearly deserving to be released by MoC, but I'd say it would require a lot of courage for them to release it in the state it is and will forever be in, probably. Kino seems a more likely candidate, it would be a real highlight of an "Avantgarde Vol.3" set, for example.