domino harvey wrote:Blu-Rays are simply novelties at this point. The possibility of recouping, much less making money is the number one concern and reason why we won't be seeing anything materialize. Go peruse the DVDTalk forum right now, where posters are bragging about how they have stopped buying regular DVDs and are just waiting for everything to come out on Blu-Ray. Imagine Criterion releases Seven Samurai Blu-Ray. Average consumer who buys Crits at Borders sees a Criterion Blu-Ray and figures, "Well, I guess I better wait on this copy of Pierrot le fou until it comes out on Blu-Ray." Even if Criterion were by some magical chance to release a title or two in Blu-Ray, they will never be concurrently releasing new titles in both formats, and they would lose some degree of sales from shoppers wishing to "wait" for a Blu-Ray of each month's new releases-- sales poison.
Thats already happened, wether Criterion likes it or not.
I have, currently, a ridiculously large collection of unwatched DVDs (and an even larger collection of favourites that I could rewatch ad nauseum) so I can certainly wait on something like, say, The Leopard (which would obviously benefit from HD, and for which a master exists) a few more months or years until Studio Canal or some other HD studio releases it (besides, there's a copy at the university library...)
There are exceptions, of course; "The Complete Mr Arkadin" and "F for Fake" which interest me more as an analysis of Orson Welles than for the films themselves; I have happily bought in SD and have no interest in seeing HD. Older titles, like Haxan, which are unlikely to be much improved by HD I'll still buy from Criterion (but, as Herr Shreck has pointed out on numerous occasions, there's dismally few of those) and certainly the eclipse Ozu set, which I bought as a relatively cheap and convenient way to get into one of my most-overlooked directors (also, I am pleased to note, Early Spring (which I'm in the middle of watching) preserves the soft-greys one associates with Japanese cinema and could not be improved by HD)
Someone else, not sure who, completely summed up my own approach to HD & DVD buying... I'm really only likely to buy the most niche titles now, which I'm certain will never be released on HD and couldn't be much improved anyway.
Also, I've said it before and I'll say it again in bigger letters;
Criterion needn't EXCLUSIVELLY release on HD
Here's my understanding of the costs/work involved in getting a movie released on DVD & Bluray (or, heck, DVD, Bluray and HDDVD. HDDVD did start off as the 'film-lovers' format with all those classics (as opposed to Bluray) Criterion could certainly throw HD users a bone)
Criterion negotiates rights to SD (as usual) and HD releases.
Criterion makes the necessary agreements with Bluray partnership, etc. (and possibly HDDVD)
Criterion assembles some extras (as usual)
Criterion cleans up their HD master (as usual)
Criterion prints off (or sends off a computer file to be pressed, or whatever) Bluray disk (and possibly HDDVD disk; extras on one disk movie on the other to accomodate space differences)
Criterion downconverts HD master to NTSC (as usual) does a little more fine-tuning with sharpness, contrast, etc. (as usual)
Criterion sens off NTSC disks to be pressed (as usual)
Perhaps I'm missing some details there, but my main point is that there is absolutely no reason why Criterion can't release in both SD & HD (rather than just HD, as some people seem to assume)
Heck, can you folks think of a single release from any studio that has been exclusively HD?