Licensor Information
Universal Studios Home Entertainment
Directed by: Allen Baron
Swift, brutal, and black-hearted, Allen Baron’s New York City noir Blast of Silence is a sensational surprise. This low-budget, carefully crafted portrait of a hit man on assignment in Manhattan during Christmastime follows its stripped-down narrative with mechanical precision, yet also with an eye and ear for the oddball idiosyncrasies of urban living and the imposing beauty of the city. At once visually ragged and artfully composed, and featuring rough, poetic narration performed by Lionel Stander, Blast of Silence is a stylish triumph.
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Documentary, Gallery, Theatrical Trailer, Booklet, Comic Book
- Requiem for a Killer: The Making of “Blast of Silence”
- Rare on-set Polaroids
- Locations revisited in 2008
- Theatrical trailer
- A booklet featuring an essay by film critic Terrence Rafferty
- A four-page graphic-novel adaptation of the film by acclaimed artist Sean Phillips (Criminal, Sleeper, Marvel Zombies)
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Eric Skillman
Producer: Susan Arosteguy
Artwork: Sean Phillips
Release Notes on Restoration
Blast of Silence
Blast of Silence is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. The picture has been slightly window-boxed to ensure that the maximum image is visible on all monitors. This new digital transfer was created from a composite 35mm fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from a 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from a 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.

