Thank you so much, Michael, for starting the thread! This is one of my favourite films of all time.
All of the Korean women I met frowned or otherwise displayed expressions of disapproval when I mentioned my admiration for Kim Ki-Duk and for this film in particular. One of them told me that this is THE film that got the public nailing Kim Ki-Duk as a misogynist. She, however, did not endorse this public accusation; she simply said that she found the film excruciatingly sad.
Unfortunately, I have not talked to any non-Korean woman who has seen this film to its entirety. After I showed my best friend the magnificent opening sequence (that I can watch over and over again), she was confused and disconcerted by its attempt to drive the audience towards some kind of sympathy with the protagonist, who, according to my friend, was an asshole. I am glad I did not force her to sit through the whole thing.
Did any of you Vancouver folks manage to see this at Cinematheque back in March? It was combined with
Anatomy of Hell into the best double-bill ever. Too bad I had both DVDs by that time, otherwise I would have had the pleasure to experience audience reaction.
After all, I have to thank Henrik for his
review that got me into blind-buying the Tartan DVD.
[spoiler]I always think that the final portion of the film, after some vocalizing and stabbing, is the fantasy of our dying (or dead) protagonist. Kim Ki-Duk also acknowledges this interpretation in his commentary. On the other hand, the absurd ending (if it is real) can also represent the absurdity of true (?) love.[/spoiler]