godardslave wrote:
Can anyone outline or provide the contents page of the book? So we can see the exact details?
The book opens with a quote from Keaton's autobiography. Then there is a preface from MOC's Nick Wrigley called "About This Box Set". This is followed by a list of the DVD contents with cast and production info. Several pages are devoted to excerpts of Keaton's recollections from a November 1958 interview.
The bulk of the book is called 'A Roundtable On Buster Keaton". It consists of e-mail correspondence conducted during March and April 2006 between Jean-Pierre Coursodon, Dan Sallitt and Brad Stevens. Their credentials are displayed at the beginning of the section. Their discourse covers the films in this set. Some of it is highly informative and some of it reeks of over analysis. Overall, though, its a very worthy exercise.
The last pages are another excerpt from Keaton's autobiography, an article on the fate of the famous Italian Villa built by Keaton, a selected bibliography and the DVD credits. Throughout the book, there are some wonderful photographs of Keaton and company, some rarely seen.
It is evident that a lot of work went into this.
As to the quality of the films themselves they are progressively transferred from the same sources as the French Arte set of 2001 with new intertitles and some newly discovered footage to make this set as comprehensive as possible. Joseph McBride's six commentary tracks are also a nice addition. These alone make the collection a very important release.
I do have a few issue with the quality of the new transfers, however. Despite being progressive where the Arte set was interlaced, the bit rate of the new DVD's is actually lower than the Arte release. This could be attributed to improved compression technology since the release of the Arte set but it also means that the data on the DVD's do not fill up the discs and, in fact, take up less space than the interlaced Arte set. IMO, it would have been beneficial to up the bit rate as some of the titles actually look less sharp than the Arte. There are a few exceptions. Cops, for instance, looks a lot better. By comparison, Neighbors looks about the same and The Playhouse, to my eye, shows slightly more detail on the Arte version.
To sum up, this is the collection of Keaton shorts to own if you don't already have the Arte set. For those that do, the book and commentaries may be a reason to upgrade.