This is a weird movie - after all Cowboys & Aliens have nothing in common. This was a blind buy that I wasn't sure if I would like. I bought it at Best Buy while on sale and with there trade up program so it was only $14 out the door, glad I didn't pay more. How could you go wrong with Han Solo / Indiana Jones and 007 / James Bond in a movie where Spielberg and Ron Howard are involved among others. The PQ is good although dark and weird colors in a few places but the AQ is awesome. I found the Alien attacks exciting while much of the plain western parts a little slow or boring. This should have been a lot better, I didn't hate it but was disappointed on what I would expect from all the stars attached. It might not be anybody's fault but just the fact you are merging two things that have nothing to do with each other like cowboys and aliens. As for extras we get a dvd and a digital copy. There are 2 hours of normal extras included, a making of feature and conversations with Jon Favreau which is great but should have had a play all button. Watching him interviewed the one other thing that I can't understand is why a macho actor like Harrison Ford ever got a piercing - WHY - WHY - WHY.

Just edited to knock extras down half a point as my digital copy has turned into a 11 hour download instead of being on the same disc as the dvd copy.

The analysis of sex and free will in Cabin In The Woods is quite entertaining. I can only imagine what they'd make of Damsels In Distress.

this game is so good so funny gory too with alot of swearing and skimpy outfit i love it she next larry croft only she teenage cheerleader.........................................................

Leisure Suit Larry Croft?

The movie makes a brief appearance in the 1984 war film Red Dawn. When the protagonists return to their hometown occupied by the Soviet army, they walk by the "Serf" town cinema. The theater marquis says "All Saturday Come, Alexander Nevsky, Admission Free."

The horror of Rebecca slides imperceptibly from beneath the comic weirdness. Maxim de Winter bullies, manipulates and insults Fontaine's character, but she's too naive to notice. In a scene of pseudo-revelation which Olivier cannily acts with overt staginess, de Winter declaims his ex as a lying, cheating, malicious flibbertigibbet who taunted him that she was pregnant with another man's baby. He mumbles insincerely: "I suppose I went mad for a moment – I suppose I must have struck her." She tripped, hit her head and died. A doctor then claims Rebecca was dying of cancer and unable to have children. So … it was OK to kill her accidentally because she was going to die anyway? In the novel it's even more nasty. Hitchcock shoots this sordid tale with light, slick cynicism.

As de Winter's cronies collude to absolve him, a beautiful fire ravages Manderley, representing Rebecca's rage at being so slandered. The house's charred remains are the perfect image of a great woman destroyed by smears, stories and sabotage.

Boring as Hell. And Shut Up about "required" Film Classics. I've seen more Classics then you'll know. I went to Film School. YAWN. (By the way, nice "pants" about 22 minutes in.)

The music has power and fullness, elegantly supporting additional audio elements. Soundtrack selections also carry good instrumentation and respectful placement. Dialogue is handed a solid frontal position, with richly emotional tones and confrontational sharpness, also processing Stone's use of chaos well, with clusters of voices carrying subtle reactions and lines. Verbal shrillness isn't felt. Surrounds are useful, capturing the community feel with verbal expanse and a nice handle on echo.

You left out the link.

The review of the Born on the Fourth of July Blu on Bluray.com is my new favorite thing. The audio section in particular is gold/has to be a pisstake.

I simply have to put Bidisha's headslapping, point missing take on Rebecca into this thread. Presumably she is trying to make a case that the first Mrs de Winter is some sort of proto-feminist icon?