I think The Tin Star is a prime candidate for a spine #. Anthony Mann, Henry Fonda, and another western? what's not to like? Or maybe something like Last Train to Gun Hill (Kirk Douglas and Anthony Quinn) or Gunfight at the OK Corral or Will Penny. There are some excellent westerns that have gone bye bye...but Tin Star is clearly the choice imo. It's practically begging to be rescued and treated right.

If Criterion did pick up more Paramount titles, hopefully they grabbed some of the still MIA titles. Paramount has had Looking for Mr.Goodbar for sale for awhile on itunes..a real dvd/blu would be nice.

Maybe they could work on a disc of Handle with Care while they are prepping Something Wild?

Still waiting on Love With the Proper Stranger. While Medium Cool was released on dvd, it's been OOP forever any you can never find it for less than $50 and would make an excellent Criterion.

Maybe I'm wrong but hasn't Michael Mann made a director's cut of The Keep? If it's any good it might be worth licensing. (That's if Criterion has any interest in early Mann.)

They also licensed a bunch of films to Lionsgate at the start of the year. Lionsgate released blu editions of Hard Rain, Drop Zone, The Phantom and My Bloody Valentine (MBV in 2009). All junk titles but Paramount's definitely embraced licensing to third parties. Wouldn't be surprised if your guess of "25" wasn't far off.

Worth taking a look at this list: http://www.paramount.com/studio/library ... te-library

My Guesses:
THE QUIET MAN
TELL ME THAT YOU LOVE ME, JUNIE MOON
COME BACK TO THE FIVE AND DIME, JIMMY DEAN JIMMY DEAN
HEARTBREAK KID (Elaine May)

And finally, they'll license PRETTY BABY to feature in a three-film Louis Malle set with BLACK MOON and ZAZIE DANS LE METRO titled "A YOUNG GIRL'S BOX."

I think the version of The Heartbreak Kid listed on the Paramount site is the remake and not May's original. If you look at Sleuth and Stepford Wives, they only have the remakes listed. Should be noted that the Paramount disc of the original Stepford Wives is OOP too. They could have lost the rights to this one...

Speaking of which, Criterion HAS to have Sleuth and Heartbreak Kid (and maybe now Stepford Wives?) They have been out of print for ages and they are popular enough titles that I don't see them not being able to find a distributor all these years but I could definitely see Criterion sitting on them for years on end like they have with other titles. I remember people asking Criterion about Heartbreak Kid a few times back in the fall. I don't think they ever answered any of the inquires, so who knows. I actually think all three films are wonderful, so their absence from the market is disappointing.

Interesting that Paramount is now listing the Republic titles as their own. Wonder if that Lionsgate deal finally expired. Come on Johnny Guitar!

Sleuth and the Heartbreak Kid are two of the best films of the 70s and absolutely should be more widely available in R1

Studio Canal appears to have rights to Don't Look Now in Europe at least. Does that mean anything?

Back in the fall Criterion had said on Facebook that A New Leaf was one of the titles they asked Paramount for but the studio wouldn't let them have it. I hope they were referring to the original deal with Paramount from back in 2006. Hopefully they would be more open now to licensing it out?

Pretty sure that all three of these have reverted back to Bristol Meyers Squibb. Criterion should certainly snap up the licenses.

That Paramount site lists The Man Who Knew Too Much. The '56 version was, of course, produced by Paramount, but later sold to Universal. I'm wondering if the site actually refers to the '34 version. It is common for studios to buy the rights to a film outright when doing a remake. They may have bought the '34 version in order to make the '56 and retained the rights to it. In any case, that would be a fun Criterion.

Does anyone have any clue on what's going on with Paramount?

I really hope Criterion picks up "The Apprenticeship of Duddy Kravitz". There's so many great Mordecai Richler supplements that they could use.

For what it's worth, May's THE HEARTBREAK KID is listed as being owned by Paramount on iTunes.

In addition to what's already been said, I'd like to see Criterion license THE STERILE CUCKOO.

A very quick look-through suggests that pre-1950 Republic titles are not on the list. JOHNNY GUITAR is all well and good, but I want me a nice, clean copy of THE LADY AND THE MONSTER.

Heartbreak Kid and Sleuth are Palomar titles, if that means anything.

Here, here. One of my favorite perfs from Martin Donovan.

Borzage's MOONRISE (1948) is on there.

So are Robert Rossen's Body and Soul from 1947, and Ophuls's Caught and Mark Robson's Champion, both from 1949. I know that a lot of the early Republic stuff (serials especially) fell in to the public domain.

There may be a couple more titles from that first Paramount wave than I thought. Ian has reminded me that in May of last year Noir City Sentinel said, "The File on Thelma Jordon (1950), directed by noir maestro Robert Siodmak and too-long neglected, has been licensed to Criterion Collection and will get top-shelf treatment. No word yet on a release date." We also had word that they had picked up Costa-Gavras's The Confession. If those get announced, I'll assume that they were part of the earlier deal rather than a sign of something new.

I'll never understand why Criterion keeps passing on Frankenheimer's Seconds

As I said, it was a very quick look, mostly checking for Some of the company's less reputable titles (I have a weakness for their horror films that defies logic).

That list confirms that Paramount don't own Brando's 'One-Eyed Jacks' (even though they once released it on laserdisc). I suspect it must be owned by the Brando Estate, although it seems to have been allowed to lapse into the public domain. I wonder if there's any chance of Criterion licensing it from them? It would probably need considerable restoration work.

How is it possible for a public domain film to be "owned"?

MyNamePedantic.