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Festival Circuit 2026

Posted: Thu Feb 12, 2026 4:59 pm
by rrenault
I wasn’t sure where else to bring this up, but there’s apparently been quite a bit of hoopla about Wim Wenders dodging questions on Israel-Palestine at the opening of this year’s Berlinale.

There’s a lot of “fuck Wenders, this will now be his legacy” reactions on Twitter.

Re: Waning One-Time Art House Titans

Posted: Thu Feb 12, 2026 6:33 pm
by beamish14
rrenault wrote: Thu Feb 12, 2026 4:59 pm I wasn’t sure where else to bring this up, but there’s apparently been quite a bit of hoopla about Wim Wenders dodging questions on Israel-Palestine at the opening of this year’s Berlinale.

There’s a lot of “fuck Wenders, this will now be his legacy” reactions on Twitter.
The guy already buried himself with his unwavering support of Serbian nationalist Peter Handke. His comments about Do the Right Thing at Cannes ‘89 show that he’s always been pretty out of touch

Re: Waning One-Time Art House Titans

Posted: Thu Feb 12, 2026 6:42 pm
by Never Cursed
The question as phrased was as follows: “My question is, in light of the German government’s support of the genocide in Gaza and its role as the main funder of the Berlinale do you as a member of the jury support this selective treatment of human rights?” I've made my beliefs on the issue clear elsewhere, and I'm not saying it was a particularly brave or impressive move to duck the question and argue for cinema's political neutrality (which I myself don't believe in), but in what world would Wenders give a useful response to it? It's incredibly hostile.

Re: Waning One-Time Art House Titans

Posted: Thu Feb 12, 2026 7:29 pm
by Zot!
beamish14 wrote: Thu Feb 12, 2026 6:33 pm His comments about Do the Right Thing at Cannes ‘89 show that he’s always been pretty out of touch
Other criticisms may stand, but unless I misunderstand Lee threatened to beat Wenders (the Jury president) with a baseball bat when he didn't win. And while I have strong feelings on the conflict, I would agree that a jury announcing their prejudices is not a good start to the proceedings. Todd Haynes might have been happy to support Johnathon Glazer speaking out, but that didn't stop him from chairing the Berlinale jury last year.
Speaking of Lee, I don't think he's done anything of note since the turn of the millennium, though I know he has his defenders.

Re: Waning One-Time Art House Titans

Posted: Thu Feb 12, 2026 7:34 pm
by beamish14
Zot! wrote: Thu Feb 12, 2026 7:29 pm
beamish14 wrote: Thu Feb 12, 2026 6:33 pm His comments about Do the Right Thing at Cannes ‘89 show that he’s always been pretty out of touch
Other criticisms may stand, but unless I misunderstand Lee threatened to beat Wenders (the Jury president) with a baseball bat when he didn't win. And while I have strong feelings on the conflict, I would agree that a jury announcing their prejudices is not a good start to the proceedings. Todd Haynes might have been happy to support Johnathon Glazer speaking out, but that didn't stop him from chairing the Berlinale jury last year.
Speaking of Lee, I don't think he's done anything of note since the turn of the millennium, though I know he has his defenders.
Lee’s comments were, I believe, from a Playboy interview about 3 years later, and I think the interviewer was clearly gunning for him to say something incendiary.

Not that Lee is a saint himself, of course. He made some really terrible comments about interracial couples while promoting Jungle Fever

Festival Circuit 2026

Posted: Fri Feb 13, 2026 1:34 pm
by rrenault
Never Cursed wrote: Thu Feb 12, 2026 6:42 pm The question as phrased was as follows: “My question is, in light of the German government’s support of the genocide in Gaza and its role as the main funder of the Berlinale do you as a member of the jury support this selective treatment of human rights?” I've made my beliefs on the issue clear elsewhere, and I'm not saying it was a particularly brave or impressive move to duck the question and argue for cinema's political neutrality (which I myself don't believe in), but in what world would Wenders give a useful response to it? It's incredibly hostile.
But when Juliette Binoche was vocally supportive of Palestine and honored the slain journalist at Cannes this past spring, does Wim Wenders really have a legitimate excuse for "not wanting to be political" at a peer European film festival?

Re: Waning One-Time Art House Titans

Posted: Fri Feb 13, 2026 2:12 pm
by MichaelB
It seems to me, not least from the aggressive tone of the question, that pretty much anything that Wenders said in response would have invited a hostile reaction from somebody. And why on earth should it make the tiniest difference if someone else said something different at a different festival?

Re: Waning One-Time Art House Titans

Posted: Fri Feb 13, 2026 2:19 pm
by rrenault
The Berlinale as an institution had already been in hot water, given its treatment of No Other Land, so someone was inevitably going to use this platform to try to redress those grievances, given pro-Palestinian sentiments are practically criminalized in Germany.

In short, it's Wenders cowardice people take umbrage with.

The question could essentially be paraphrased as "why won't you guys with the platform you have, as the jury of a major film festival, have some courage and speak truth to power?", given Binoche was willing to do so at Cannes, so in a sense, I guess it was aggressive, yes.

P.S. I'm a fan of some of Wenders' films.

In a sense, you could argue Wenders was being bated into putting his foot in his mouth, yes, and granted, plenty of other directors, who are probably still cherished by those now wanting to boycott Wenders, would have acted similarly in such a situation, but how would, say, Godard or Pasolini have responded to such a question. It's just food for thought.

It's okay to bring directors you admire as artists to task for bas politics.

The weird thing is I could have sworn several months back seeing Wenders featured among folks who signed a letter or other in support of Palestine, and either it's been completely airbrushed from the internet that he signed such a letter or I'm just living the Mandela effect.

Re: Waning One-Time Art House Titans

Posted: Fri Feb 13, 2026 2:58 pm
by Never Cursed
rrenault wrote: Fri Feb 13, 2026 1:34 pm
Never Cursed wrote: Thu Feb 12, 2026 6:42 pm The question as phrased was as follows: “My question is, in light of the German government’s support of the genocide in Gaza and its role as the main funder of the Berlinale do you as a member of the jury support this selective treatment of human rights?” I've made my beliefs on the issue clear elsewhere, and I'm not saying it was a particularly brave or impressive move to duck the question and argue for cinema's political neutrality (which I myself don't believe in), but in what world would Wenders give a useful response to it? It's incredibly hostile.
But when Juliette Binoche was vocally supportive of Palestine and honored the slain journalist at Cannes this past spring, does Wim Wenders really have a legitimate excuse for "not wanting to be political" at a peer European film festival?
Binoche did a good thing, and I agree with her sentiments far more than those of Wenders, but notably she did so entirely of her own volition and without the prompting of journalists asking her hostile questions in front of cameras. As stated above, I don't really buy the "I'm not political, films aren't political" response either, but that's the kind of response you get when you phrase a political query as a "gotcha" that would make him look like either a hypocrite or a frothing Zionist (neither of which are necessarily true). My point is that the question is practically designed to make him look like a coward unless he pulled a May '68, decried the government, and resigned as a juror on the spot. If he took that action, I would applaud him, but it's difficult to blame him for not doing so.

Godard and Pasolini owned their (in the former's case, shifting) politics for the entirety of their lives in a way that Wenders has not. It may have cost Pasolini his own life, and as much as I admire Godard, he spent his life ill-at-ease with his own sometimes contradictory opinions and sentiments in a manner that takes incredible force of will. I don't think it would help anything to judge every art-house director, or every director, by the standard of two proud Marxists.

Honestly, as far as art-house directors putting themselves in hot water this past week, Jia Zhangke's comments have been far more personally embarrassing than Wenders'.

Re: Waning One-Time Art House Titans

Posted: Fri Feb 13, 2026 2:59 pm
by Zot!
Binoche's comments were specifically addressing an individual whose film was actually being played at Cannes but was killed, and her comment sounded like a remembrance of a fallen comrade and not a fiery condemnation of anything. Von Trier jokingly fired some early shots there previously at a presser (as a competitor - not a member of the jury) and has been vilified ever since...so that gives you some idea why Wenders may wish to avoid saying anything at all in a festival setting. Also, it is avoiding the obvious to consider that the political "climate" in France isn't different than Germany on this topic.

Re: Waning One-Time Art House Titans

Posted: Fri Feb 13, 2026 3:17 pm
by bad future
Never Cursed wrote: Fri Feb 13, 2026 2:58 pm Honestly, as far as art-house directors putting themselves in hot water this past week, Jia Zhangke's comments have been far more personally embarrassing than Wenders'.
I hadn't heard of a recent Jia controversy -- after some searching of questionable success, is it to do with him suggesting he might use some kind of AI to make a short film? I'm wary of AI in general but he is definitely someone I'd trust to do something interesting with it, incorporating the medium and its artifice into the message. But I may be too optimistic, or have still not seen the actual embarrassing comments.

Re: Waning One-Time Art House Titans

Posted: Fri Feb 13, 2026 3:24 pm
by Never Cursed
Yes, it's about him (potentially) using AI, which as an artist I do think is worse than publicly waffling on Palestine

Re: Festival Circuit 2026

Posted: Fri Feb 13, 2026 8:08 pm
by hearthesilence

Re: Festival Circuit 2026

Posted: Sun Feb 15, 2026 9:47 pm
by thirtyframesasecond
Bit tedious that everything now is seen through the prism of the Israel-Palestine conflict, so I am not surprised that filmmakers or other artists want to avoid the trap of the questioning. But they're damned if they do, damned if they don't.

Re: Festival Circuit 2026

Posted: Wed Feb 18, 2026 3:32 pm
by thirtyframesasecond
Bardem, Swinton and McKay are three of 91 signatories of a letter criticising Berlin for "silence" on Gaza - https://variety.com/2026/film/global/ja ... 236665382/

Ethan Hawke avoids answering questions on this topic during the press conference for his new film at Berlin.

Re: Festival Circuit 2026

Posted: Wed Feb 18, 2026 11:59 pm
by beamish14
thirtyframesasecond wrote: Wed Feb 18, 2026 3:32 pm
Ethan Hawke avoids answering questions on this topic during the press conference for his new film at Berlin.
Never pegged him for being so spineless, but I guess he doesn’t want to get onto the rumored blacklists that multiple studios have activated regarding supporters of Palestine

Berlin Fest is in a shitty position due to the German government attacking German nationals who condemn Israel

Re: Festival Circuit 2026

Posted: Thu Feb 19, 2026 6:34 am
by Lowry_Sam
thirtyframesasecond wrote: Sun Feb 15, 2026 9:47 pm Bit tedious that everything now is seen through the prism of the Israel-Palestine conflict
It wasn't that long ago that people were making the same complaint about Me-Too, which also came about because nothing was being done about sexual harassment & assault within the industry.

For starters it's not a conflict, but a genocide (theft of land, systematic extermination of the people living on that land & the erasure of their culture) that has been going on for decades. Second, the unending stream of depravity by Israel that the world has witnessed has surpassed what anyone would ever have guessed by those who claimed "never again" at the end of WWII. Berlinale is the venue to make such cultural criticism as the German government (along with the US, the UK & Russia) are the most responsible for it (just as Cannes would be an appropriate venue to make a statement about Algeria or Vietnam).

Re: Festival Circuit 2026

Posted: Thu Feb 19, 2026 10:16 am
by rrenault
Lowry_Sam wrote: Thu Feb 19, 2026 6:34 am
thirtyframesasecond wrote: Sun Feb 15, 2026 9:47 pm Bit tedious that everything now is seen through the prism of the Israel-Palestine conflict
It wasn't that long ago that people were making the same complaint about Me-Too, which also came about because nothing was being done about sexual harassment & assault within the industry.

For starters it's not a conflict, but a genocide (theft of land, systematic extermination of the people living on that land & the erasure of their culture) that has been going on for decades. Second, the unending stream of depravity by Israel that the world has witnessed has surpassed what anyone would ever have guessed by those who claimed "never again" at the end of WWII. Berlinale is the venue to make such cultural criticism as the German government (along with the US, the UK & Russia) are the most responsible for it (just as Cannes would be an appropriate venue to make a statement about Algeria or Vietnam).
Pretty much this.^^

On a different note, what are some early Palme d’or predictions?

I’m surprised there hasn’t been a Lusophone or Spanish-language Palme winner since the 1960s…

Viridiana is the only ever Hispanophone Palme d’or winner.

Re: Festival Circuit 2026

Posted: Thu Feb 19, 2026 10:29 am
by MichaelB
Lowry_Sam wrote: Thu Feb 19, 2026 6:34 amIt wasn't that long ago that people were making the same complaint about Me-Too, which also came about because nothing was being done about sexual harassment & assault within the industry.
I've highlighted the most significant difference between that example and the present situation.

Re: Festival Circuit 2026

Posted: Mon Feb 23, 2026 12:00 am
by Captain Paranoia
Honestly while I cannot defend Berlinale and their handling of the situation, I don't think the gunpoint approach to questioning people about the conflict (clearly with the intention of fueling headlines for the press and in turn inciting loud reactions one way or the other - similar case goes with Michelle Yeoh being questioned about the extreme immigration crackdown in America) is helpful especially in these sort of scenarios. I will say it's hypocritical to claim Berlinale isn't political when as recent as 2023 the festival opened with a video call from Zelensky in discussion of Ukraine.

As for Wenders I don't necessarily agree with his sentiment yet I wonder on whether or not he was sincere and if he should be given the benefit of the doubt about such. The charitable belief is that he (alongside the rest of the jury) had to deliver an indifferent statement lest the festival deal with the German government's hostile crackdown and restrictive handling of critics of Israel (something that should not be underestimated). He has delivered statements to the contrary in the past (as for his films they speak for themselves). I definitely don't think this should color his reputation and overall legacy in the end.

For what it's worth, out of curiosity if he's expressed his viewpoints on the conflict elsewhere, I discovered an interview from two years back. In that interview, Wenders laments the destruction of Palestine (specifically in discussing a project that dealt with Palestine that he was forced to revise amidst the conflict).

Re: Festival Circuit 2026

Posted: Mon Feb 23, 2026 1:18 am
by cantinflas
From an Australian perspective, I loved Warwick Thornton's response during his Wolfram press conference
Wolfram is a decidedly political film. It has a good deal to say about white oppression in Australia, opening with a shocking scene of black children carting buckets of rocks for white tungsten prospectors. Deborah Mailman anchors the film as a grieving mother who, having been forced into a relationship with an abusive white man, has lost her children; Errol Shand is the disruptor, a vile outcast who takes pride in mowing down any black people who have the bad luck to be in his field of vision.

Thornton says, however, that simply being at the festival as an Indigenous filmmaker is the statement he wants to make.

“I don’t think, I do,” he said at the film’s press conference on Tuesday (Berlin time). He pointed to the three other Indigenous Australians on the podium with him.

“What’s really clear is that we’re Aboriginal. Our families have lasted 200 years through colonisation, murder, rape, poisoning, genocide and stolen generations, trying to breed the black out of us. Us being here is a political statement … We don’t need anything more than that. We’re an embarrassment, but we’re the best embarrassment.”

Re: Festival Circuit 2026

Posted: Mon Feb 23, 2026 3:24 pm
by rrenault
Captain Paranoia wrote: Mon Feb 23, 2026 12:00 am Honestly while I cannot defend Berlinale and their handling of the situation, I don't think the gunpoint approach to questioning people about the conflict (clearly with the intention of fueling headlines for the press and in turn inciting loud reactions one way or the other - similar case goes with Michelle Yeoh being questioned about the extreme immigration crackdown in America) is helpful especially in these sort of scenarios. I will say it's hypocritical to claim Berlinale isn't political when as recent as 2023 the festival opened with a video call from Zelensky in discussion of Ukraine.

As for Wenders I don't necessarily agree with his sentiment yet I wonder on whether or not he was sincere and if he should be given the benefit of the doubt about such. The charitable belief is that he (alongside the rest of the jury) had to deliver an indifferent statement lest the festival deal with the German government's hostile crackdown and restrictive handling of critics of Israel (something that should not be underestimated). He has delivered statements to the contrary in the past (as for his films they speak for themselves). I definitely don't think this should color his reputation and overall legacy in the end.

For what it's worth, out of curiosity if he's expressed his viewpoints on the conflict elsewhere, I discovered an interview from two years back. In that interview, Wenders laments the destruction of Palestine (specifically in discussing a project that dealt with Palestine that he was forced to revise amidst the conflict).
To play devil's advocate, why should film industry professionals be allowed off the hook for political cowardice, especially when said cowardice is coming from a place of self-interest("I don't want to get on the wrong side of the folks with the most power and influence, lest I lose my industry connections, etc.")? Also, while it's true people took a gunpoint approach to questioning, the Berlinale was frankly asking for it and already in hot water given both Germany's staatsräson and the No Other Land frenzy a couple years back.

Re: Festival Circuit 2026

Posted: Mon Feb 23, 2026 5:15 pm
by domino harvey
“Off the hook” implies there is a requirement for artists to align with a specific worldview that conveniently appears to be the one you hold

Re: Festival Circuit 2026

Posted: Mon Feb 23, 2026 5:26 pm
by Never Cursed
rrenault wrote: Mon Feb 23, 2026 3:24 pm To play devil's advocate, why should film industry professionals be allowed off the hook for political cowardice, especially when said cowardice is coming from a place of self-interest("I don't want to get on the wrong side of the folks with the most power and influence, lest I lose my industry connections, etc.")? Also, while it's true people took a gunpoint approach to questioning, the Berlinale was frankly asking for it and already in hot water given both Germany's staatsräson and the No Other Land frenzy a couple years back.
Wim Wenders ≠ the Berlinale ≠ the German state. While I feel little need to defend Wenders' actions, directing contempt towards him as though he were the problem actor does nothing except allow the German state to escape criticism. In analogous terms, while I am sure the French state is engaged in similarly contemptuous activities, I do not feel the need to ask French filmmakers whose livelihoods depend upon public arts support whether they "support a selective treatment of human rights."

Re: Festival Circuit 2026

Posted: Mon Feb 23, 2026 6:37 pm
by beamish14
Captain Paranoia wrote: Mon Feb 23, 2026 12:00 am Honestly while I cannot defend Berlinale and their handling of the situation, I don't think the gunpoint approach to questioning people about the conflict (clearly with the intention of fueling headlines for the press and in turn inciting loud reactions one way or the other - similar case goes with Michelle Yeoh being questioned about the extreme immigration crackdown in America) is helpful especially in these sort of scenarios. I will say it's hypocritical to claim Berlinale isn't political when as recent as 2023 the festival opened with a video call from Zelensky in discussion of Ukraine.

As for Wenders I don't necessarily agree with his sentiment yet I wonder on whether or not he was sincere and if he should be given the benefit of the doubt about such. The charitable belief is that he (alongside the rest of the jury) had to deliver an indifferent statement lest the festival deal with the German government's hostile crackdown and restrictive handling of critics of Israel (something that should not be underestimated). He has delivered statements to the contrary in the past (as for his films they speak for themselves). I definitely don't think this should color his reputation and overall legacy in the end.

For what it's worth, out of curiosity if he's expressed his viewpoints on the conflict elsewhere, I discovered an interview from two years back. In that interview, Wenders laments the destruction of Palestine (specifically in discussing a project that dealt with Palestine that he was forced to revise amidst the conflict).

Yeoh’s husband is all over the Epstein emails, so methinks she already wants to lay low