Saffron Hill Films
Posted: Tue Apr 29, 2014 3:06 am
I couldn't find a thread for this UK label, but they deserve one on the strength of their release of Joachim Lafosse's Our Children.
It's a great film, and seems to be well-served by the HD transfer on this BluRay, but the recommendation really comes for the extras they've supplied on the disc. There's a good, concise interview with Lafosse and two 'bonus shorts' which turn out to be the gorgeous half-hour Before Words (a day in childcare from the perspective of two- or three-year old Cedric) and the hour-plus Private Madness, Lafosse's harrowing first feature. I don't know if a trilogy was ever intended, but this film is very much in the tradition of Private Property and Private Lessons. The trilogy idea kind of collapses when you realize that the original French titles don't share the striking similarity they have in English, but they all deal with ordinary 'natural' relationships that turn toxic when somebody oversteps their boundaries (and the same thing applies to Our Children, really). Private Madness, which is the roughest and rawest of Lafosse's films that I've seen, actually plays a little like a ghost story: a couple with a young child move into an isolated farmhouse, but they find it already inhabited by a malevolent presence. The presence assaults and unnerves the adults, but it soon becomes clear that what it's really after is the son. . . The twist is that the presence isn't some long dead spook, but the woman's ex-husband, who's refused to move out of the house and is becoming increasingly unhinged. The transfer is a solid one of a battered source, but it's great to see the film and great to see Saffron Hill going the extra mile with this release.
It's a great film, and seems to be well-served by the HD transfer on this BluRay, but the recommendation really comes for the extras they've supplied on the disc. There's a good, concise interview with Lafosse and two 'bonus shorts' which turn out to be the gorgeous half-hour Before Words (a day in childcare from the perspective of two- or three-year old Cedric) and the hour-plus Private Madness, Lafosse's harrowing first feature. I don't know if a trilogy was ever intended, but this film is very much in the tradition of Private Property and Private Lessons. The trilogy idea kind of collapses when you realize that the original French titles don't share the striking similarity they have in English, but they all deal with ordinary 'natural' relationships that turn toxic when somebody oversteps their boundaries (and the same thing applies to Our Children, really). Private Madness, which is the roughest and rawest of Lafosse's films that I've seen, actually plays a little like a ghost story: a couple with a young child move into an isolated farmhouse, but they find it already inhabited by a malevolent presence. The presence assaults and unnerves the adults, but it soon becomes clear that what it's really after is the son. . . The twist is that the presence isn't some long dead spook, but the woman's ex-husband, who's refused to move out of the house and is becoming increasingly unhinged. The transfer is a solid one of a battered source, but it's great to see the film and great to see Saffron Hill going the extra mile with this release.