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Dau has screened at Venice to extremely polarized reviews: some critics (Peter Bradshaw) loved it, some (Siddhant Adlakha) thought it was a misfire, and some (Sonya Vseliubska) refused to even engage with it as a film and exclusively pilloried Khrzhanovsky for the various manipulations or purported abuses he committed during production. All make it sound like a mad, compelling experiment. Nanako Tsukidate didn't hate it, though, which is quite a strong endorsement.