The Films of 2026

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beamish14
Joined: Fri May 18, 2018 7:07 pm

Re: The Films of 2026

#126 Post by beamish14 »

The convergence of Matchbox the Movie, Ben Affleck’s Animals, Other Mommy, and The Social Reckoning this weekend seems to indicate that October has become the new February with dumping critically excoriated films. Universal apparently wouldn’t even lift their critic embargo on Other Mommy until the day of its release.
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therewillbeblus
Joined: Tue Dec 22, 2015 7:40 pm

Re: The Films of 2026

#127 Post by therewillbeblus »

Wild Horse Nine is, finally, a film from Martin McDonagh that doesn't feel overwritten while retaining the best parts of his sense of humor. This is also his least-plotted hangout movie, and handily his best work since In Bruges, if not his best film period. But it's not really his film, is it? Because 95% of the reason this thing works at all is John Malkovich, delivering what must be the richest, most lived-in comic performance I've seen, that's somehow a career-best in a body of work full of gems. I don't know if the role was tailor-made for him, but it doesn't matter because Malkovich makes this character his own, using all his unique attributes to serve as a perfect vehicle for McDonagh's acidic wit while elevating the character into someone wholly original and wonderful, even if at a cost and too late. Rockwell and Buscemi do their jobs, but this movie is completely carried on Malkovich's back and he deserves the Oscar for all of these reasons and more
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therewillbeblus
Joined: Tue Dec 22, 2015 7:40 pm

Re: The Films of 2026

#128 Post by therewillbeblus »

The Joyless Economy is a brilliant experimental narrative work, essentially one hour of a woman recounting an affair and its effects on her life via voiceover while images of discs from her physical media collection are shown on screen, which play a significant role in the chemistry igniting the affair. This might sound uninteresting to you, and I don't blame such a reaction - but the cumulative effect is powerful. The story eventually leads to sincere emotional responses that provoke a personal relationship to the broad experiences being covered, and I found myself deeply moved and fully glued to this film in its back half. What a remarkable achievement of storytelling, utilizing the medium's visual aid to superimpose original context to elevate the material
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Grand Wazoo
Joined: Thu Jun 21, 2007 6:23 pm

Re: The Films of 2026

#129 Post by Grand Wazoo »

therewillbeblus wrote: Sun Oct 18, 2026 4:57 pm The Joyless Economy is a brilliant experimental narrative work, essentially one hour of a woman recounting an affair and its effects on her life via voiceover while images of discs from her physical media collection are shown on screen, which play a significant role in the chemistry igniting the affair. This might sound uninteresting to you, and I don't blame such a reaction - but the cumulative effect is powerful. The story eventually leads to sincere emotional responses that provoke a personal relationship to the broad experiences being covered, and I found myself deeply moved and fully glued to this film in its back half. What a remarkable achievement of storytelling, utilizing the medium's visual aid to superimpose original context to elevate the material
Seconding The Joyless Economy, as it sounds austere and impenetrable given its semi-experimental roots but becomes utterly hypnotic once it hooks you. I saw it with a friend whose tastes could be described as "normie as hell" and they were enthralled. Not sure what it says about me that I own a majority of the discs shown on screen.
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Lowry_Sam
Joined: Mon Jul 05, 2010 7:35 pm
Location: San Francisco, CA

Re: The Films of 2026

#130 Post by Lowry_Sam »

I had seen the trailer in theaters and the listings seemed to indicate an October release, however the new Ali G Wazzit movie hasn’t screened anywhere in the SF Bay area & I am noticing it’s been scrubbed from theater’s “Coming soon” listings where I had seen it a month ago. Has Sascha Cohen been cancelled?
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Matt
Joined: Tue Nov 02, 2004 4:58 pm

Re: The Films of 2026

#131 Post by Matt »

It's basically being dumped. Buried deep in an article about this weekend's releases, Variety says:
“Ali G: Who Iz I?” is only playing in 125 theaters for two days before moving to Prime Video on a to-be-determined date.
A two-day theatrical release is brutal. It's not even playing in my state or any neighboring state! I don't think he's been cancelled so much as being considered no longer relevant or interesting.
beamish14
Joined: Fri May 18, 2018 7:07 pm

Re: The Films of 2026

#132 Post by beamish14 »

Matt wrote: Sat Oct 24, 2026 2:38 am It's basically being dumped. Buried deep in an article about this weekend's releases, Variety says:
“Ali G: Who Iz I?” is only playing in 125 theaters for two days before moving to Prime Video on a to-be-determined date.
A two-day theatrical release is brutal. It's not even playing in my state or any neighboring state! I don't think he's been cancelled so much as being considered no longer relevant or interesting.
The original Ali G film didn’t really get a theatrical release outside of Europe. Beyond the interview with Buzz Aldrin, I don’t think the original shows have produced any significant pop culture footprint, and BaronCohen’s recent projects have all fared terribly
Zot!
Joined: Wed Jan 20, 2010 4:09 am

Re: The Films of 2026

#133 Post by Zot! »

Lowry_Sam wrote: Sat Oct 24, 2026 12:05 am Has Sascha Cohen been cancelled?
He’s famously the lead in the new Tarantino play. I imagine Ali G is just old hat.
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bdsweeney
Joined: Mon Apr 07, 2008 11:09 pm

The Films of 2026

#134 Post by bdsweeney »

therewillbeblus wrote:Wild Horse Nine is, finally, a film from Martin McDonagh that doesn't feel overwritten while retaining the best parts of his sense of humor. This is also his least-plotted hangout movie, and handily his best work since In Bruges, if not his best film period. But it's not really his film, is it? Because 95% of the reason this thing works at all is John Malkovich, delivering what must be the richest, most lived-in comic performance I've seen, that's somehow a career-best in a body of work full of gems. I don't know if the role was tailor-made for him, but it doesn't matter because Malkovich makes this character his own, using all his unique attributes to serve as a perfect vehicle for McDonagh's acidic wit while elevating the character into someone wholly original and wonderful, even if at a cost and too late. Rockwell and Buscemi do their jobs, but this movie is completely carried on Malkovich's back and he deserves the Oscar for all of these reasons and more
This is what I was hoping for. I was really taken with In Bruges’ soulful darkness, but everything from McDonagh since has ranged from meh to downright awful. But In Bruges clearly showed that the man has talent hidden in there somewhere, and I’ve been waiting for a sign of its return.
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colinr0380
Joined: Mon Nov 08, 2004 8:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

Re: The Films of 2026

#135 Post by colinr0380 »

beamish14 wrote: Sat Oct 24, 2026 4:17 am The original Ali G film didn’t really get a theatrical release outside of Europe. Beyond the interview with Buzz Aldrin, I don’t think the original shows have produced any significant pop culture footprint, and Baron Cohen’s recent projects have all fared terribly
I am no Ali G fan really, but the main moment from his series that I most enjoyed was that time he interviewed an increasingly frustrated Gore Vidal and ends with getting him confused with Vidal Sassoon, so had to keep asking him questions about hairdressing! That name mix-up of course was the entire joke though. Diane Morgan has basically taken over that dumb interviewer persona now with her Philomena Cunk character.
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thirtyframesasecond
Joined: Mon Apr 02, 2007 5:48 pm

Re: The Films of 2026

#136 Post by thirtyframesasecond »

A Republican politician is already threatening to sue SBC over his presence in the film. I think the complexity of the character (a white kid from Staines affecting a Jamaican accent, inspired by Tim Westwood) was something you could get away with twenty odd years ago but in this climate, it's trickier. Plus SBC is very pro Israel, has been accused of sexual harassment and his divorce from Isla Fisher didn't appear particularly amicable. Fundamentally though, it's hard to see how the Ali G character would really be funny now.
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thirtyframesasecond
Joined: Mon Apr 02, 2007 5:48 pm

Re: The Films of 2026

#137 Post by thirtyframesasecond »

colinr0380 wrote: Sat Oct 24, 2026 6:03 am
beamish14 wrote: Sat Oct 24, 2026 4:17 am The original Ali G film didn’t really get a theatrical release outside of Europe. Beyond the interview with Buzz Aldrin, I don’t think the original shows have produced any significant pop culture footprint, and Baron Cohen’s recent projects have all fared terribly
I am no Ali G fan really, but the main moment from his series that I most enjoyed was that time he interviewed an increasingly frustrated Gore Vidal and ends with getting him confused with Vidal Sassoon, so had to keep asking him questions about hairdressing! That name mix-up of course was the entire joke though. Diane Morgan has basically taken over that dumb interviewer persona now with her Philomena Cunk character.
Speaking of Gore Vidal, his appearance on the BBC in their coverage of the 2008 US presidential election is terrific - https://youtu.be/F6sTpilBjMc?is=zsZTuIf4CncSpSOb
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