Salò, or the 120 Days of Sodom

Discuss releases by the BFI and the films on them
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sky
Joined: Mon Jan 15, 2018 1:09 pm

Re: Salò, or the 120 Days of Sodom

#51 Post by sky »

Hello,

Is there any chance Salo will get a new release for region B? Criterion and BFI blu ray releases are both superior to any previous dvd, no doubt about that, but from the two mentioned above - Criterion blu ray has a much more natural look, its sharper and not so much affected by various digital processing. I compared multiple screenshots and it is pretty clear that BFI version has this additional veil/shroud of digital manipulation and loss in detail. The problem - Criterion is region A locked, so no chance for me to get it on my system. Perhaps BFI would look into this in the future and would make another attempt at Salo?

Im asking this, because I dont want to make a double purchase. I was planning to buy the BFI version, because it has amazing extras and the entire package is excellent + you can now get it at half of the original price, since its a pretty old release. The only concern I have is the actual quality of the transfer, which is still good, having in mind the movie itself, how and when it was made, but at the same time I am aware that Criterion looks better and Im sure BFI would make a much better work as of now.

I somehow doubt that any of Pasolini movies will get a full 4k restauration/4k uhd blu ray release.. Probably too expensive and too risky, am I more or less right, assuming that 2k and blu ray will be as good as it gets for Mr. Pasolini? Given common sense, artistic nature of his works, limited interest, the way most of his movies were shot and possible bad condition of remaining negatives..

Thanks.
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MichaelB
Joined: Fri Aug 11, 2006 10:20 pm
Location: Worthing
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Re: Salò, or the 120 Days of Sodom

#52 Post by MichaelB »

The negative of Salò would need a whole new scan to effect much of an improvement. The problem with that transfer is that many of the problems are baked into it, thanks to the appalling practice of making digital "improvements" at the time of the actual scan. Thankfully this is largely a thing of the past now, but that isn't much help for existing masters afflicted by this.
Moshrom
Joined: Mon May 27, 2013 6:53 am
Location: Canada

Re: Salò, or the 120 Days of Sodom

#53 Post by Moshrom »

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MichaelB
Joined: Fri Aug 11, 2006 10:20 pm
Location: Worthing
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Re: Salò, or the 120 Days of Sodom

#54 Post by MichaelB »

Upgraded version to be released on 16 September:
Pasolini’s Salò, or 120 Days of Sodom (1975) remains one of the most controversial films ever released. As with The Trilogy of Life, a High Definition master new to the UK will be utilised for this reissue that will feature new as well as existing extras.
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Finch
Joined: Mon Jul 07, 2008 9:09 pm
Location: United States

Re: Salò, or the 120 Days of Sodom

#55 Post by Finch »

Updated 4K specs

Commentary and booklet and archival Pasolini interview added

Newly restored in 4K
Original Italian language, and alternative English language versions
Audio commentary by film critic Kat Ellinger
Audio commentary by film historians Troy Howarth and Eugenio Ercolani
Pier Paolo Pasolini: The Interview Under the Tree (1975, 6 mins) an interview with the director conducted by Gideon Bachmann
‘OSTIA (The Death of Pasolini)’ Coil’s 1986 track with video accompaniment from 2008
Open Your Eyes! (2008, 21 mins): Pasolini and his actors at work on the set of Salò
Walking with Pasolini(2008, 22 mins): documentary featuing Neil Bartlett and Noam Chomsky
Whoever Says the Truth Shall Die (1981, 61 mins): classic documentary on the life and death of Pasolini
Salò: Fade to Black(2001, 24 mins): documentary exploring Pasolini’s Salò
Ostia(1987, 27 mins): features Derek Jarman, and also includes optional audio commentary by Julian Cole
The End of Salò(2008, 41 mins): documentary looking at the film’s production
Enfants de Salò(2009, 19 mins): French filmmakers including Gaspar Noé deconstruct Salò
Original Italian trailer
**FIRST PRESSING ONLY** Illustrated booklet featuring a new essay by Zoë Rose Smith and archival writing by Sam Rohdie, Peter Christopherson, and on Ostia by Orianne Bastar
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