Has anyone else seen Rebecca Hall's Passing? I thought it was a terrific debut and a very literate adaptation of what I bet is an even more brilliant novella. Tessa Thompson, Ruth Negga and Andre Holland are excellent and Hall uses 4:3 B&W cinematography in a way that really worked for me in terms of boxing in the characters and also fitting in with the main theme. I saw it in Dolby Vision on Netflix and the visuals really were something, and when paired with the very careful sound design, felt like a dream.
My only criticism is that aspects of this came across as more in tune with a very British sense of repression, rather than an American one.
Passing (Rebecca Hall, 2021)
- Matt
- Joined: Tue Nov 02, 2004 4:58 pm
Re: The Films of 2021
I saw it and liked it, but I don’t think I have much to say about it. I like how the B&W photography emphasizes the tensions regarding skin tone in the story (vs. skin color), and I would not be sorry to see Ruth Negga nominated for (or winning) an Oscar. I would like to see Rebecca Hall continuing to write and direct, and also to act. Her performance in The Night House was a flinty, abrasive marvel.
- Persona
- Joined: Wed Mar 07, 2018 5:16 pm
Re: The Films of 2021
I liked it a good bit, though perhaps its lasting effect was, eh, passing.nitin wrote: Tue Jan 04, 2022 4:29 am Has anyone else seen Rebecca Hall's Passing? I thought it was a terrific debut and a very literate adaptation of what I bet is an even more brilliant novella. Tessa Thompson, Ruth Negga and Andre Holland are excellent and Hall uses 4:3 B&W cinematography in a way that really worked for me in terms of boxing in the characters and also fitting in with the main theme. I saw it in Dolby Vision on Netflix and the visuals really were something, and when paired with the very careful sound design, felt like a dream.
My only criticism is that aspects of this came across as more in tune with a very British sense of repression, rather than an American one.
The cinematography is a great boon to it. As are Negga and Holland. I am somewhat conflicted on Thompson's performance, and find it difficult to parse from an artificiality/intentionality perspective.
I am not familiar with the book but can only presume the film follows it. I am not sure about the overarching dramatic structure and endgame, yet nonetheless it's interesting to mull over.