Female Filmmakers
- Cinephrenic
- Joined: Tue Nov 02, 2004 2:58 pm
- Location: Paris, Texas
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- Joined: Fri Nov 19, 2004 9:22 am
- Mr Pixies
- Joined: Sat Nov 06, 2004 10:03 pm
- Location: Fla
- Contact:
http://chaumurky.net/criterion/catalogpage-200.htmlAvenging Robot wrote:That's not funny!cbernard wrote:Barbara Streisand
What's in a price? Etc.
- Cinephrenic
- Joined: Tue Nov 02, 2004 2:58 pm
- Location: Paris, Texas
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- Joined: Tue Nov 02, 2004 3:59 pm
- Location: LA, CA
i'm surprised to see that Trinh Minh-ha is getting some love here. I had never heard of her or any of her films until I had a class with her at Cal.
She is the worst professor I have ever had. She is condescending to college students because they do not share the same enthuiasm that she has for certain films or because they disagree with her readings of certain films.
This one time, Prof. Trinh gives her usual long-winded interpretation of some two-minute short film she screened for us. Some kid asks if maybe there was another way of looking at it and provides filmic evidence to support his ideas. Without hestitation, she whispers into her microphone, "No," points to another student, "Next." All in one breath.
Grading was mostly based on participation, and by the end of the semester there were students repeating word for word what she had just said in order to get those participation points.
My memory of one such discussion
Professor Trinh: I believe the colors this filmmaker uses tell a different story from the obvious narrative.
Student Looking For Participation Points: Professor Trinh. I noticed that the colors this filmmaker uses tell a different story from the obvious narrative.
Professor Trinh: Very good. Next.
Another Such Student: I think that the filmmaker's use of color tells a very different story from the obvious narrative.
Professor Trinh: Very good. Next.
End Scene.
I'm curious about her films but, on principle, would not drop a penny to see them, especially if they came with a director's commentary track.
Let's get some Ackerman into the collection.
She is the worst professor I have ever had. She is condescending to college students because they do not share the same enthuiasm that she has for certain films or because they disagree with her readings of certain films.
This one time, Prof. Trinh gives her usual long-winded interpretation of some two-minute short film she screened for us. Some kid asks if maybe there was another way of looking at it and provides filmic evidence to support his ideas. Without hestitation, she whispers into her microphone, "No," points to another student, "Next." All in one breath.
Grading was mostly based on participation, and by the end of the semester there were students repeating word for word what she had just said in order to get those participation points.
My memory of one such discussion
Professor Trinh: I believe the colors this filmmaker uses tell a different story from the obvious narrative.
Student Looking For Participation Points: Professor Trinh. I noticed that the colors this filmmaker uses tell a different story from the obvious narrative.
Professor Trinh: Very good. Next.
Another Such Student: I think that the filmmaker's use of color tells a very different story from the obvious narrative.
Professor Trinh: Very good. Next.
End Scene.
I'm curious about her films but, on principle, would not drop a penny to see them, especially if they came with a director's commentary track.
Let's get some Ackerman into the collection.
- Jun-Dai
- 監督
- Joined: Thu Nov 04, 2004 4:34 am
- Location: London, UK
- Contact:
- Brian Oblivious
- Joined: Sat Nov 06, 2004 4:38 pm
- Location: 'Frisco
- Contact:
Three played the Toronto Film Festival as a program entitled Cinévardaphoto. It's coming to New York's Film Forum in February.harri wrote: I would love to see Varda's shorts on DVD, let's hope this happens.
The three are:
Ydessa, les ours et etc... (2004)
Ulysse (1982)
Salut les Cubains (1963)
Can a DVD release be far behind? (Criterion or otherwise?)
- zedz
- Joined: Sun Nov 07, 2004 7:24 pm
Maybe I skimmed this too fast, but am I really the first person to suggest Claire Denis? Several great possibilities there, but I'd be especially thrilled by Nenette et Boni.
And Kira Muratova is a major filmmaker woefully underexposed. Something like The Asthenic Syndrome could certainly benefit from Criterion-style contextual material, but most of her films deserve the treatment.
It would also be great to see Chytilova's Daisies out - what a wild film! If that's not wild enough, though, how about Ulrike Ottinger? It'd be nice to find out once and for all that Dorian Gray As Represented in the Popular Press wasn't just a hallucination.
And Kira Muratova is a major filmmaker woefully underexposed. Something like The Asthenic Syndrome could certainly benefit from Criterion-style contextual material, but most of her films deserve the treatment.
It would also be great to see Chytilova's Daisies out - what a wild film! If that's not wild enough, though, how about Ulrike Ottinger? It'd be nice to find out once and for all that Dorian Gray As Represented in the Popular Press wasn't just a hallucination.
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- Joined: Wed Nov 03, 2004 10:32 am
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- Joined: Wed Nov 03, 2004 1:00 pm
Bertrand Tavernier would make a spectacular film professor -- he knows and loves film, and is a superbly engaging public speaker. I would certainly agree about Scorsese as well.Jun-Dai wrote:Anyways, there are probably very few filmmakers that I would actually want as professors (Scorsese? Bogdanovich?)
On topic: Suzannne Schiffman is credited as co-director on the full length version of Rivette's Out 1. So if Criterion releases it, not only will they finally give us the opportunity to see a legendary but impossible to see film, they will be releasing a film by a woman director as well.
Ted
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- Joined: Fri Nov 05, 2004 12:26 pm
- Location: Somewhere in England
This was addressed on the previous page... I love Criterion's subtle but barbed hint that Streisand is a nightmare to work with (I particularly like the arch use of the word "granting"):Prince of Tides anyone ?
She brought the same high standards to this disc, refining it over two years before granting us her approval.
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- Joined: Wed Nov 03, 2004 2:03 am
- Location: LA CA
Sandrine Veysset's "Will It Snow for Christmas?" or any other of her works would make me cream!
More Claire Denis? Yes! With commentary, please. Heard her talk about Beau Travail at the DGA a couple years back. Intelligent and huh-larious.
Agnes Merlet's "Son of a Shark" was nice, and not yet available.
More Claire Denis? Yes! With commentary, please. Heard her talk about Beau Travail at the DGA a couple years back. Intelligent and huh-larious.
Agnes Merlet's "Son of a Shark" was nice, and not yet available.
- Doctor Sunshine
- Joined: Tue Nov 02, 2004 10:04 pm
- Location: Brain Jail
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- Joined: Fri Nov 19, 2004 5:19 pm
- Location: Cambridge, MA
I met Sara a couple of months ago after a screening of "When Pigs Fly;" she mentioned that she was just about to get the rights back and was going to get it released on DVD. She did not mention any companies, and it sounded like she was going to maybe do in independently.
The film is a mixed bag (esp. acting). RM's images are amazing and it is full of antiquated special effects. They actually got to meet with the camera man for Cocteau's Beauty and the Beast and used a lot of the same in-camera techniques based on their conversations with him. It would be great to get this disc with a commentary by Sara and Robby talking about the production though. Those techniques are soon to be lost to history.
The film is a mixed bag (esp. acting). RM's images are amazing and it is full of antiquated special effects. They actually got to meet with the camera man for Cocteau's Beauty and the Beast and used a lot of the same in-camera techniques based on their conversations with him. It would be great to get this disc with a commentary by Sara and Robby talking about the production though. Those techniques are soon to be lost to history.