Essential Fellini

La strada

Part of a multi-title set


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One hundred years after his birth, Federico Fellini still stands apart as a giant of the cinema. The Italian maestro is defined by his dualities: the sacred and the profane, the masculine and the feminine, the provincial and the urbane. He began his career working in the slice-of-life poetry of neorealism, and though he soon spun off on his own freewheeling creative axis, he never lost that grounding, evoking his dreams, memories, and obsessions on increasingly grand scales in increasingly grand productions teeming with carnivalesque imagery and flights of phantasmagoric surrealism while maintaining an earthy, embodied connection to humanity. Bringing together fourteen of the director’s greatest spectacles, all beautifully restored, this centenary box set is a monument to an artist who conjured a cinematic universe all his own: a vision of the world as a three-ring circus in which his innermost infatuations, fears, and fantasies take center stage.

Picture 8/10

The fourth dual-layer disc in Criterion’s Essential Fellini box set upgrades their DVD edition of La strada to Blu-ray, presenting the film in its original aspect ratio of 1.37:1 and with a 1080p/24hz high-definition encode. The new 4K restoration comes from a scan of a 35mm duplicate negative.

Though it may not be the best new presentation to be found in the set I found the upgrade for La strada to be the most impressive, and a lot of that has to do with the original Criterion DVD holding up surprisingly well. Despite the DVD more than likely being source from a standard-definition restoration, the original negative was used for the scan and detail could be very impressive, especially for the limited format. The restoration had also be rather vigorous. Contrast was maybe a little off, and I felt blacks could be a bit heavy, but it otherwise looked pretty good. Some of the other titles in this set—Variety Lights, The White Sheik, and ESPECIALLY And the Ship Goes On—offer upgrades over what are, at best, borderline disasters, so it’s expected that the improvements offered by the Blu-rays would be substantial, even if the resulting high-def presentations were mediocre.

Since I didn’t think the original DVD for La strada was in as dire a need of an upgrade like some other titles in the set, I couldn’t help but be just astounded by what this high-definition presentation offers. It looks unbelievably good, very film-like and sharp, rendering grain gorgeously, and delivering the fine details with ease. The DVD’s presentation is sharp, and detail is impressive, but the finer details and textures of the costumes, the greasiness of Masina’s clown make-up, and the facial stubble on Quinn, all look just so much clearer in this new high-definition picture. You can also just about make out every granule of sand found in several beach scenes. Grayscale is far better as well, with smoother blending, and black levels aren’t as “thick” or heavy here, meaning the nighttime sequences are easier to see.

Some damage does remain, from a few lines to some other minor marks and mild fluctuations, and there are a couple of dupier looking scenes: they’re scattered about but a longer sequence at the wedding party, just before Masina’s character goes up to see the child hiding out in bedroom, looks a little blown out and blurry. But outside of those issues, this is an incredible looking upgrade and I doubt I could be more pleased.

Audio 6/10

Like the DVD, Criterion offers two audio options: the original Italian soundtrack in lossless PCM 1.0 monaural, and the English-dub, featuring the original voices of Anthony Quinn and Richard Basehart, and presented in Dolby Digital 1.0 mono.

The Italian soundtrack has been cleaned up a bit more, presenting no obvious issues, but it is fairly weak and low, probably filtered a bit. Dialogue is still easy to hear, and music sounds fine, but there’s no punch to it.

The English track replicates what was on the DVD: I’m pretty sure they just ported that exact track over. But it doesn’t sound too bad in the end. It can be a bit edgy, and noise is more evident, but voices sound more powerful as does the music. Interestingly the English track has more sound effects in the background, whether it be birds or crickets, or a crackling fire. The Italian track is either missing these things or they sound slightly different. This is also how it is on the original DVD, so I don’t think anything has been messed up during the restoration, and each track was just mixed differently at the time.

Ultimately it will come down to personal preference, but I actually didn’t have much of a problem with the English-dub.

Extras 7/10

All on-disc content from the DVD gets ported over to this edition. Though that DVD was a 2-disc edition it actually didn't have all that much on it, and I assume they used the second disc to help with the bitrate on the main feature, which did pay off.

Criterion first includes the same 13-minute introduction by Martin Scorsese, recorded for that DVD, featuring the filmmaker recalling how he first saw the film as a child and the impression it left on him. He explains how he was recognizing Italian neorealism at the time and how the film fit into that, before talking about how the film has influenced his work—mentioning how Quinn’s Zampanò came to mind when working on Taxi Driver and Raging Bull—and then discussions he had with Fellini through the years.

It's a great little overview of the film, which is then expanded upon in the 2003 audio commentary featuring author Peter Bondanella. Author of Italian Cinema: From Neorealism to Present, he does talk about the how film fits under neorealism and Fellini’s relationship with it, while also pointing out the elements that hint at the path that Fellini’s films would eventually take. He also talks about Italian cinema in general from the period, explaining why American actors were often cast, how the language differences could be handled, and the reliance on dubbing during post-production. While most of the focus is on this film and its success both critically and at the box office (even Nino Rota’s soundtrack was a hit seller), he does get into Fellini’s work prior to and following La strada, mentioning how he worked, even how he handled adaptations, and addresses criticisms that have been lobbed at him. It’s a well packed track that has a nice flow, and only screen-specific when it needs to be so Bondanella isn’t simply just regurgitating what’s happening on screen.

Outside of the film’s original trailer, the only other feature is the 55-minute Italian television documentary Federico Fellini’s Autobiography. The documentary, by Paquito del Bosco, is assembled from archival production and interview footage featuring Fellini just musing about filmmaking, his life, and philosophies. Unfortunately, I could always find Fellini a bit much when he gets philosophical, and despite some humorous moments along with some better insights into how he sees the world and how that translates to the films he makes, I do find this one a bit of a chore. That could simply just come down to its structure, though, which is literally just all of these archival pieces stitched together, a good chunk of it from material around the making of La dolce vita. There are some interesting moments and surprises (there’s a part where Fellini and Bergman announce they were going to do a movie together that I had no idea about before I saw this documentary initially), but otherwise there is better material to be found on the director, particularly in this set.

Still not packed, and I can do with or without the documentary, but the commentary and Scorsese intro manage to cover the film wonderfully.


For me this new presentation offers the most impressive upgrade found in the set.

Part of a multi-title set


Year: 1950-1987
Time: 1691 total min.
Series: The Criterion Collection
Licensors: Intramovies  |  Paramount Home Entertainment  |  Cristaldi Films  |  Gaumont  |  Cineteca di Bologna  |  Studio Canal  |  BetaFilm  |  Corinth Films  |  Istituto Luce  |  MGM Home Entertainment
Release Date: November 24 2020
MSRP: $249.95
15 Discs | BD-50
1.33:1 ratio
1.37:1 ratio
1.85:1 ratio
2.35:1 ratio
English 1.0 Dolby Digital Mono
Italian 1.0 PCM Mono
Subtitles: English
Region A
 Fellini: I'm a Born Liar, a feature-length documentary from 2002 by Damian Pettigrew that provides an unorthodox introduction to Federico Fellini's life and work and features extensive interviews with the director himself   First episode of Second Look, Andre Delvaux's 1960 series of interviews with Federico Fellini for Belgian television   Interviews from 2002 with actors Brunella Bovo and Leopoldo Trieste, and Fellini friend and collaborator Moraldo Rossi   Archival audio interviews of Federico Fellini and his friends and family, conducted by critic Gideon Bachmann   Vitellonismo, a 2004 documentary featuring interviews with actors Leopoldo Trieste and Franco Interlenghi, assistant director Moraldo Rossi, Fellini biographer Tullio Kezich, Fellini friend Vincenzo Mollica, and former director of the Fellini Foundation Vittorio Boarini   Second episode of Second Look, Andre Delvaux's 1960 series of interviews with Federico Fellini for Belgian television   Presentation of I vitelloni ephemera from the "Felliniana" archive of collector Don Young   Trailer for I vitelloni   Introduction for La strada from 2003 by filmmaker Martin Scorsese   Audio commentary from 2003 for La strada by Peter Bondanella, author of The Cinema of Federico Fellini   Federico Fellini’s Autobiography, a documentary originally broadcast on Italian television in 2000   Trailer for La strada   New audio commentary for Il bidone by Fellini scholar Frank Burke   Interview from 2013 with filmmaker Dominique Delouche   Giulietta Masina: The Power of a Smile, an hour-long documentary from 2004   Third episode of Second Look, Andre Delvaux's 1960 series of interviews with Federico Fellini for Belgian television   Interview from 1999 with filmmaker Dominique Delouche   Audio interview from 1998 with producer Dino De Laurentiis   Trailers for Nights of Cabiria   Interview from 2014 with filmmaker Lina Wertmüller, an assistant director on La dolce vita   Interview from 2014 with scholar David Forgacs about the period in Italian history when La dolce vita was made   Interview from 2014 with Italian journalist Antonello Sarno   Interview from 1965 with Federico Fellini   Presentation of La dolce vita ephemera from the "Fellinana" archive of collector Don Young   Video essay for La dolce vita from 2014 by filmmaker Kogonada   Fourth episode of Second Look, Andre Delvaux's 1960 series of interviews with Federico Fellini for Belgian television   Documentary from 2009 by Antoine de Gaudemaron on the making of La dolce vita, featuring archival footage and interviews with actor Anouk Aimée and assistant director Dominique Delouche, among others   Introduction to from 2001 by filmmaker Terry Gilliam   Audio commentary from 2001 for , featuring film critic and Fellini friend Gideon Bachmann, and NYU film professor Antonio Monda   The Last Sequence, a 2003 documentary on Fellini's lost alternate ending for    Nino Rota: Between Cinema and Concert, a 1993 documentary about Fellini's longtime composer   Interviews from 2001 with actor Sandra Milo, filmmaker Lina Wertmüller, and cinematographer Vittorio Storaro   Rare photographs for from Bachmann's collection   Gallery of behind-the-scenes and production photos from    U.S. theatrical trailer for    4K restoration for Toby Dammit, Fellini's contribution to the omnibus film, Spirits of the Dead, based on tales by Edgar Allan Poe   Fellini: A Director's Notebook, a film by Fellini from 1969, newly restored in 4K   Reporter's Diary: "Zoom on Fellini," a behind-the-scenes documentary   Familiar Spirits, a 1969 interview with Federico Fellini by actor Ian Dallas   Trailer for Juliet of the Spirits   Audio commentary from 2014 for Fellini Satyricon featuring an adaptation of Eileen Lanouette Hughes’s 1971 memoir On the Set of “Fellini Satyricon”: A Behind-the-Scenes Diary   Ciao, Federico!, Gideon Bachmann’s documentary shot on the set of Fellini Satyricon   Archival interviews with Federico Fellini   Interview from 2011 with cinematographer Giuseppe Rotunno   Documentary from 2014 about Fellini’s adaptation of Petronius’s work, featuring interviews with classicists Luca Canali, a consultant on the film, and Joanna Paul   Interview from 2014 with photographer Mary Ellen Mark about her experiences on the set of Fellini Satyricon and her iconic photographs of Fellini and his film   Presentation of Fellini Satyricon ephemera from the "Felliniana" archive of collector Don Young   Trailer for Fellini Satyricon   Audio commentary for Roma featuring Frank Burke, author of Fellini’s Films   Deleted scenes from Roma   Interview from 2016 with filmmaker Paolo Sorrentino   Interview from 2016 with poet and Fellini friend Valerio Magrelli   Presentation of Roma ephemera from the "Felliniana" archive of collector Don Young   Trailer for Roma   Audio commentary from 2006 for Amarcord by film scholars Peter Brunette and Frank Burke   The Secret Diary of "Amarcord," a 1974 behind-the-scenes documentary on the making of the film   Deleted scene from Amarcord   Fellini's Homecoming, a documentary from 2006 on the relationship between the director and his hometown   Interview from 2006 with actor Magali Noël   Fellini's drawings of characters from the film   Presentation of Amarcord ephemera from the "Felliniana" archive of collector Don Young   U.S. theatrical trailer for Amarcord   Fellini racconta: Diary of a Film, a behind-the-scenes documentary from 1983   Fellini's TV, a 2003 Italian television documentary on Fellini's work in television advertising during the 1980s   Fellini racconta: Passeggiate nella memoria, an Italian television documentary produced in 2000 and featuring several interviews with a late-in-life Fellini looking back on his career   At Home with Federico Fellini, a 1987 interview with Federico Fellini on the importance of Franz Kafka's unfinished novel Amerika to Intervista   Audio interview from the early sixties with actor Marcello Mastroianni by film critic Gideon Bachmann   Marcello Mastroianni: I Remember, 193-minute documentary featuring the actor talking about his life as an actor   Deluxe packaging, including two lavishly illustrated books with hundreds of pages of content: notes on the films by scholar David Forgacs, essays by filmmakers Michael Almereyda, Kogonada, and Carol Morley; film critics Bilge Ebiri and Stephanie Zacharek; and novelist Colm Tóibín, and dozens of images spotlighting Don Young’s renowned collection of Fellini memorabilia