Philippe Garrel
- Ovader
- Joined: Wed Nov 03, 2004 1:56 am
- Location: Canada
Philippe Garrel
Philippe Garrel (1948-present)
Filmography
Une plume pour Carole (1962) - Intentionally destroyed by Garrel in 1970
Les Enfants désaccordés (1964) Re-voir
Droit de visite (1965)
Anémone (1966)
Marie pour mémoire (1967) Re-voir
Les Chemins perdus (1965-67) - Television (segments on The Who, Marianne Faithfull, a Donovan concert, Zouzou etc.)
Le Révélateur (1968) Re-voir
La Concentration (1968)
Actua 1 (1968) Re-voir
Le Lit de vierge (1969) Re-voir
La Cicatrice intérieure/The Inner Scar (1972) Why Not Productions / Re-voir
Athanor (1972)
Les Hautes solitudes (1974) Re-voir
Un ange passe (1975)
Le Berceau de cristal (1976)
Voyage au jardin des morts (1978)
Le Bleu des origines (1978)
L'Enfant secret (1979-1982) Re-voir
Liberté, la nuit (1983) Why Not Productions
Rue Fontaine (1984) mk2
Elle a passé tant d'heures sous les sunlights... (1985) Why Not Productions / Re-voir
Les Ministères de l'art (1988) - Television
Les Baisers de secours/Emergency Kisses (1989) Cahiers du cinéma / Zeitgeist Films
J'entends plus la guitare/I Can No Longer Hear The Guitar (1991) Cahiers du cinéma / Zeitgeist Films
La Naissance de l'amour (1993) Why Not Productions
Le Coeur fantôme (1995)
Le vent de la nuit (1999) Why Not Productions
Sauvage innocence (2001) Why Not Productions
Les Amants réguliers/Regular Lovers (2005) Curzon Artificial Eye / Zeitgeist Films
La Frontière de l'aube/Frontier of Dawn (2008) MPI Home Video
Un Été brûlant/A Burning Hot Summer (2011) Wild Bunch / MPI Home Video
La Jalousie/Jealousy (2013) Wild Bunch / Cinema Guild
L’Ombre des femmes/In The Shadow Of Women (2015) Wild Bunch / Icarus Films
L'Amant d'un jour/Lover For A Day (2017) Blaq Out / Zima Entertainment
Le Sel des larmes/The Salt Of Tears (2020) Wild Bunch / Distrib Films US
La Lune crevée/Le grand chariot/The Plough (2022) Wild Bunch
Forum Discussions
La Frontière de l'aube
Web Resources (Audio/Visual)
MUBI Page
Anémone
Un ange passe
Rue Fontaine
Part 1 and Part 2 of conversation between Serge Daney and Philippe Garrel after the release of Les Baisers de secours (no English subtitles)
Adrian Martin on L’Enfant secret
La Frontière de l'aube/Frontier of Dawn Cannes Film Page
Right and True: An Interview with Philippe Garrel
Philippe Garrel - Directors Dialogue - NYFF55
The Film Comment Podcast: Berlinale 2020 #1 (THE SALT OF TEARS segment starts at 22 minute mark) by Film Comment Editor in Chief Nicolas Rapold & FC Assistant Editor Devika Girish
Facebook Page *This page is not managed by Philippe Garrel himself.
Philippe Garrel Fans Facebook Group *Active Group.
The Experimental Films of Philippe Garrel Facebook Group *Inactive Group.
Articles
Liberté, la nuit by Jon Auman
PHILIPPE GARREL: MODERNITY'S SECRET CHILD by Philippe Azoury
A Life in the Theater: Philippe Garrel on Jealousy by Miriam Bale
L'Enfant Secret by Eric Barroso
Love Runs Its Bittersweet Course in the Films of Philippe Garrel by Ela Bittencourt
Early Garrel: The Holy Familiar by Uncas Blythe
Cinema of Secrets: An Interview with Philippe Garrel by Julia Bozzone
Philippe Garrel’s LA CONCENTRATION (1968) – Seeing Rare Films In The Present by Grant Bromley
Colloidal Images: The Silent Films of Philippe Garrel by Grant Bromley
Le Révelateur: Philippe Garrel, May ’68 and the Zanzibar group by Pip Chodorov
To Circle the Empty Space: Philippe Garrel’s Marie pour mémoire and Le bleu des origines by Gérard Courant
Philippe Garrel’s L’Enfant secret (1982) by Serge Daney
The Cost of Living: Philippe Garrel’s J’entends plus la guitare by Adrian Danks
Grace Notes: To Be Young and in Paris in 1968 by Manohla Dargis
A Family’s Films, Like No Home Movies You’ve Seen by Manohla Dargis
Mirrors of Love, Unapologetically Yours by Manohla Dargis
‘Les Hautes Solitudes,’ the Silent Sides of Jean Seberg (Mostly) by Manohla Dargis
A Man and a Woman (and Another Woman) in ‘Lover for a Day’ by Manohla Dargis
'L'Enfant Secret' by John DeFore
Stéphane Delorme on L'Enfant secret by Stéphane Delorme
‘Look at us in the mirror’: Art and Intimacy in Philippe Garrel’s Emergency Kisses (Les baisers des secours, 1989) by Joanna Di Mattia
Cannes 2015. Of Men and Bad Faith: Philippe Garrel's "In the Shadow of Women" by Marie-Pierre Duhamel
Philippe Garrel by Nicholas Elliott
Au revoir Chantal: Philippe Garrel Remembers Chantal Akerman
I MADE A FILM WITH JEAN SEBERG by Philippe Garrel
'The Birth of Love' by Stephen Holden
A French Director Who Turned the Experience of May ‘68 into Intimate Cinema by Craig Hubert
Philippe Garrel in New York by David Hudson
Hong and Garrel at the Berlinale by David Hudson
A Conversation with Philippe Garrel (Part 1) by Darren Hughes, Eric Hynes, Vadim Rizov
A Conversation with Philippe Garrel (Part 2) by Darren Hughes, Eric Hynes, Vadim Rizov
A Conversation with Philippe Garrel (Part 3) by Darren Hughes, Eric Hynes, Vadim Rizov
Berlinale 2020 Dispatch 2: The Salt of Tears, Siberia, Undine by Darren Hughes
A Life in Film: Philippe Garrel Talks About His Newest Work 'Jealousy' in Film Comment by Alexander Hunter
A Family Puts Itself Under the Lens by Eric Hynes
"Sad and Proud of It: The Films of Philippe Garrel" by Kent Jones
Right and True: An Interview with Philippe Garrel by Daniel Kasman
Cannes 2017. A Parisian Triangle—Philippe Garrel's "Lover for a Day" by Daniel Kasman
One Man's Love Life by Dave Kehr
The Everyday Fantasies of Philippe Garrel by Colleen Kelsey
NYFF51 Spotlight: Philippe Garrel Delves Into His Past in "Jealousy" by Julia Kennedy
The Crushed Romanticism of Philippe Garrel’s ‘L’Enfant Secret’ by Glenn Kenny
TIFF RETROSPECTIVE: FROM HIPPIE FILMMAKER TO REVERED 'UNDERRATED GENIUS,' PHILIPPE GARREL'S DRAMAS REFLECT LIFE by Liam Lacey
Philippe Garrel’s L’enfant secret (1979) by Peter Larkin
A Tale of Two Conferences: For Ever Godard and Garrel Éternel by Maximilian Le Cain
Voyeurism of the Soul: The Films of Philippe Garrel by Maximilian Le Cain
White of the Origins: LIBERTÉ, LA NUIT by Cristina Álvarez López
Foreplays #21: Watch Philippe Garrel’s “Rue Fontaine” by Cristina Álvarez López
"Philippe Garrel, The Early Years: The Light and the Dark" by Adrian Martin
"A cinema of intimate spectacle: the poetics of Philippe Garrel" by Adrian Martin
"Les hautes solitudes": A Film at Wit’s End by Adrian Martin
Garden of Stone: L’enfant secret (Philippe Garrel, 1982) by Adrian Martin
Spirits In The Night - A reply to Adrian Martin on Garrel's L'Enfant secret by Fergus Daly
J'entends plus la guitare by Adrian Martin
Sauvage innocence by Adrian Martin
Un été brûlant: Love and Art by Adrian Martin
Jealousy: Terms of Endearment by Adrian Martin
All Tomorrow’s Parties by Cristina Álvarez López and Adrian Martin
Video Essay. Walkers: A Motif in Philippe Garrel by Cristina Álvarez López and Adrian Martin
Fugitive variations: Philippe Garrel’s elliptical cinema of a life by Cristina Álvarez López and Adrian Martin
Lover for a Day by Cristina Álvarez López and Adrian Martin
Philippe Garrel: Portraits by Cristina Álvarez López and Adrian Martin
Philippe Garrel: Tell-Tale Heart by Cristina Álvarez López and Adrian Martin
Sauvage Innocence/Wild Innocence (2001): Directed by Philippe Garrel by Cillèin McEvoy
Regular Lovers/Les Amants réguliers (2005): Directed by Philippe Garrel by Cillèin McEvoy
J'entends plus la guitare: Elliptical Invocations by Tony McKibbin
Le vent de la nuit: Suicide and Silence by Tony McKibbin
Regular Lovers: Signifiers of Tenderness by Tony McKibbin
Frontier Dawn: Rest in Peace by Tony McKibbin
Speaking of the Dead (Garrel, Truffaut and Godard) by Tony McKibbin
Interior Exile: Close-Up on Philippe Garrel’s "L'enfant Secret" by Savina Petkova
*"RIDERS ON THE STORM: THE ZANZIBAR FILMS AND THE DANDIES OF MAY '68" by Andréa Picard
*On to Zanzibar: Philippe Garrel and the “Dandies of May ’68” by Andréa Picard *This essay was originally written for the TIFF Cinematheque retrospective of the Zanzibar Group films in Fall 2007.
This Time Tomorrow: The Zanzibar Films by Andréa Picard
WAVE AFTER WAVE by Tony Pipolo
Masculine Subjectivity and the Representation of Woman: the films of Philippe Garrel by Hilary Radner
“Africa is a Revolutionary Country”: Sally Shafto’s Zanzibar: The Zanzibar Films and the Dandies of May 1968 by Keith Reader
Jealousy or, What Does Philippe Garrel Want? by Vadim Rizov
Film of the Week: Les Hautes Solitudes by Jonathan Romney
The Birth Of Love by Jonathan Rosenbaum
Confessions Of An Opium Eater by Jonathan Rosenbaum
Voluptuous Defeat: Philippe Garrel and Les Amants réguliers by Jonathan Rosenbaum
Mirror Image by Michael Joshua Rowin
NYFF ’15: In The Shadow of Women and No Home Movie by Sarah Salovaara
Love May Not Be All You Need After All by A.O. Scott
Love and Unhappiness, in Soft Shades of Gray by A.O. Scott
‘In the Shadow of Women’ Focuses on the Female Sides of a Triangle by A.O. Scott
Heiress at the Revolution by Sally Shafto
The new, new wave by Sally Shafto
“My Production Costs the Same as a Digital Film”: Philippe Garrel on The Salt of Tears by Christopher Small
Le Révélateur and The Grandmother by Brad Stevens
Books
Philippe Garrel en substance by Philippe Azoury
Film: The Front Line 1984 by David Ehrenstein
Philippe Garrel, une esthétique de la survivance by Thibault Grasshoff
Philippe Garrel by Michael Leonard
Une caméra à la place du coeur by Philippe Garrel and Thomas Lescure
The Legacy of the New Wave in French Cinema by Douglas Morrey
Traiettorie dello sguardo: Il cinema di Philippe Garrel by RosaMaria Salvatore
Les films ZANZIBAR et les dandys de Mai 1968/The ZANZIBAR Films and the Dandies of May 1968 by Sally Shafto
Monographie "Philippe Garrel" N°24 de la Collection Théâtres au cinéma Bobigny 2013
Philippe Garrel - L'Enfant secret by Serge Daney, Philippe Garrel, Adrian Martin and Alain Philippon
Filmography
Une plume pour Carole (1962) - Intentionally destroyed by Garrel in 1970
Les Enfants désaccordés (1964) Re-voir
Droit de visite (1965)
Anémone (1966)
Marie pour mémoire (1967) Re-voir
Les Chemins perdus (1965-67) - Television (segments on The Who, Marianne Faithfull, a Donovan concert, Zouzou etc.)
Le Révélateur (1968) Re-voir
La Concentration (1968)
Actua 1 (1968) Re-voir
Le Lit de vierge (1969) Re-voir
La Cicatrice intérieure/The Inner Scar (1972) Why Not Productions / Re-voir
Athanor (1972)
Les Hautes solitudes (1974) Re-voir
Un ange passe (1975)
Le Berceau de cristal (1976)
Voyage au jardin des morts (1978)
Le Bleu des origines (1978)
L'Enfant secret (1979-1982) Re-voir
Liberté, la nuit (1983) Why Not Productions
Rue Fontaine (1984) mk2
Elle a passé tant d'heures sous les sunlights... (1985) Why Not Productions / Re-voir
Les Ministères de l'art (1988) - Television
Les Baisers de secours/Emergency Kisses (1989) Cahiers du cinéma / Zeitgeist Films
J'entends plus la guitare/I Can No Longer Hear The Guitar (1991) Cahiers du cinéma / Zeitgeist Films
La Naissance de l'amour (1993) Why Not Productions
Le Coeur fantôme (1995)
Le vent de la nuit (1999) Why Not Productions
Sauvage innocence (2001) Why Not Productions
Les Amants réguliers/Regular Lovers (2005) Curzon Artificial Eye / Zeitgeist Films
La Frontière de l'aube/Frontier of Dawn (2008) MPI Home Video
Un Été brûlant/A Burning Hot Summer (2011) Wild Bunch / MPI Home Video
La Jalousie/Jealousy (2013) Wild Bunch / Cinema Guild
L’Ombre des femmes/In The Shadow Of Women (2015) Wild Bunch / Icarus Films
L'Amant d'un jour/Lover For A Day (2017) Blaq Out / Zima Entertainment
Le Sel des larmes/The Salt Of Tears (2020) Wild Bunch / Distrib Films US
La Lune crevée/Le grand chariot/The Plough (2022) Wild Bunch
Forum Discussions
La Frontière de l'aube
Web Resources (Audio/Visual)
MUBI Page
Anémone
Un ange passe
Rue Fontaine
Part 1 and Part 2 of conversation between Serge Daney and Philippe Garrel after the release of Les Baisers de secours (no English subtitles)
Adrian Martin on L’Enfant secret
La Frontière de l'aube/Frontier of Dawn Cannes Film Page
Right and True: An Interview with Philippe Garrel
Philippe Garrel - Directors Dialogue - NYFF55
The Film Comment Podcast: Berlinale 2020 #1 (THE SALT OF TEARS segment starts at 22 minute mark) by Film Comment Editor in Chief Nicolas Rapold & FC Assistant Editor Devika Girish
Facebook Page *This page is not managed by Philippe Garrel himself.
Philippe Garrel Fans Facebook Group *Active Group.
The Experimental Films of Philippe Garrel Facebook Group *Inactive Group.
Articles
Liberté, la nuit by Jon Auman
PHILIPPE GARREL: MODERNITY'S SECRET CHILD by Philippe Azoury
A Life in the Theater: Philippe Garrel on Jealousy by Miriam Bale
L'Enfant Secret by Eric Barroso
Love Runs Its Bittersweet Course in the Films of Philippe Garrel by Ela Bittencourt
Early Garrel: The Holy Familiar by Uncas Blythe
Cinema of Secrets: An Interview with Philippe Garrel by Julia Bozzone
Philippe Garrel’s LA CONCENTRATION (1968) – Seeing Rare Films In The Present by Grant Bromley
Colloidal Images: The Silent Films of Philippe Garrel by Grant Bromley
Le Révelateur: Philippe Garrel, May ’68 and the Zanzibar group by Pip Chodorov
To Circle the Empty Space: Philippe Garrel’s Marie pour mémoire and Le bleu des origines by Gérard Courant
Philippe Garrel’s L’Enfant secret (1982) by Serge Daney
The Cost of Living: Philippe Garrel’s J’entends plus la guitare by Adrian Danks
Grace Notes: To Be Young and in Paris in 1968 by Manohla Dargis
A Family’s Films, Like No Home Movies You’ve Seen by Manohla Dargis
Mirrors of Love, Unapologetically Yours by Manohla Dargis
‘Les Hautes Solitudes,’ the Silent Sides of Jean Seberg (Mostly) by Manohla Dargis
A Man and a Woman (and Another Woman) in ‘Lover for a Day’ by Manohla Dargis
'L'Enfant Secret' by John DeFore
Stéphane Delorme on L'Enfant secret by Stéphane Delorme
‘Look at us in the mirror’: Art and Intimacy in Philippe Garrel’s Emergency Kisses (Les baisers des secours, 1989) by Joanna Di Mattia
Cannes 2015. Of Men and Bad Faith: Philippe Garrel's "In the Shadow of Women" by Marie-Pierre Duhamel
Philippe Garrel by Nicholas Elliott
Au revoir Chantal: Philippe Garrel Remembers Chantal Akerman
I MADE A FILM WITH JEAN SEBERG by Philippe Garrel
'The Birth of Love' by Stephen Holden
A French Director Who Turned the Experience of May ‘68 into Intimate Cinema by Craig Hubert
Philippe Garrel in New York by David Hudson
Hong and Garrel at the Berlinale by David Hudson
A Conversation with Philippe Garrel (Part 1) by Darren Hughes, Eric Hynes, Vadim Rizov
A Conversation with Philippe Garrel (Part 2) by Darren Hughes, Eric Hynes, Vadim Rizov
A Conversation with Philippe Garrel (Part 3) by Darren Hughes, Eric Hynes, Vadim Rizov
Berlinale 2020 Dispatch 2: The Salt of Tears, Siberia, Undine by Darren Hughes
A Life in Film: Philippe Garrel Talks About His Newest Work 'Jealousy' in Film Comment by Alexander Hunter
A Family Puts Itself Under the Lens by Eric Hynes
"Sad and Proud of It: The Films of Philippe Garrel" by Kent Jones
Right and True: An Interview with Philippe Garrel by Daniel Kasman
Cannes 2017. A Parisian Triangle—Philippe Garrel's "Lover for a Day" by Daniel Kasman
One Man's Love Life by Dave Kehr
The Everyday Fantasies of Philippe Garrel by Colleen Kelsey
NYFF51 Spotlight: Philippe Garrel Delves Into His Past in "Jealousy" by Julia Kennedy
The Crushed Romanticism of Philippe Garrel’s ‘L’Enfant Secret’ by Glenn Kenny
TIFF RETROSPECTIVE: FROM HIPPIE FILMMAKER TO REVERED 'UNDERRATED GENIUS,' PHILIPPE GARREL'S DRAMAS REFLECT LIFE by Liam Lacey
Philippe Garrel’s L’enfant secret (1979) by Peter Larkin
A Tale of Two Conferences: For Ever Godard and Garrel Éternel by Maximilian Le Cain
Voyeurism of the Soul: The Films of Philippe Garrel by Maximilian Le Cain
White of the Origins: LIBERTÉ, LA NUIT by Cristina Álvarez López
Foreplays #21: Watch Philippe Garrel’s “Rue Fontaine” by Cristina Álvarez López
"Philippe Garrel, The Early Years: The Light and the Dark" by Adrian Martin
"A cinema of intimate spectacle: the poetics of Philippe Garrel" by Adrian Martin
"Les hautes solitudes": A Film at Wit’s End by Adrian Martin
Garden of Stone: L’enfant secret (Philippe Garrel, 1982) by Adrian Martin
Spirits In The Night - A reply to Adrian Martin on Garrel's L'Enfant secret by Fergus Daly
J'entends plus la guitare by Adrian Martin
Sauvage innocence by Adrian Martin
Un été brûlant: Love and Art by Adrian Martin
Jealousy: Terms of Endearment by Adrian Martin
All Tomorrow’s Parties by Cristina Álvarez López and Adrian Martin
Video Essay. Walkers: A Motif in Philippe Garrel by Cristina Álvarez López and Adrian Martin
Fugitive variations: Philippe Garrel’s elliptical cinema of a life by Cristina Álvarez López and Adrian Martin
Lover for a Day by Cristina Álvarez López and Adrian Martin
Philippe Garrel: Portraits by Cristina Álvarez López and Adrian Martin
Philippe Garrel: Tell-Tale Heart by Cristina Álvarez López and Adrian Martin
Sauvage Innocence/Wild Innocence (2001): Directed by Philippe Garrel by Cillèin McEvoy
Regular Lovers/Les Amants réguliers (2005): Directed by Philippe Garrel by Cillèin McEvoy
J'entends plus la guitare: Elliptical Invocations by Tony McKibbin
Le vent de la nuit: Suicide and Silence by Tony McKibbin
Regular Lovers: Signifiers of Tenderness by Tony McKibbin
Frontier Dawn: Rest in Peace by Tony McKibbin
Speaking of the Dead (Garrel, Truffaut and Godard) by Tony McKibbin
Interior Exile: Close-Up on Philippe Garrel’s "L'enfant Secret" by Savina Petkova
*"RIDERS ON THE STORM: THE ZANZIBAR FILMS AND THE DANDIES OF MAY '68" by Andréa Picard
*On to Zanzibar: Philippe Garrel and the “Dandies of May ’68” by Andréa Picard *This essay was originally written for the TIFF Cinematheque retrospective of the Zanzibar Group films in Fall 2007.
This Time Tomorrow: The Zanzibar Films by Andréa Picard
WAVE AFTER WAVE by Tony Pipolo
Masculine Subjectivity and the Representation of Woman: the films of Philippe Garrel by Hilary Radner
“Africa is a Revolutionary Country”: Sally Shafto’s Zanzibar: The Zanzibar Films and the Dandies of May 1968 by Keith Reader
Jealousy or, What Does Philippe Garrel Want? by Vadim Rizov
Film of the Week: Les Hautes Solitudes by Jonathan Romney
The Birth Of Love by Jonathan Rosenbaum
Confessions Of An Opium Eater by Jonathan Rosenbaum
Voluptuous Defeat: Philippe Garrel and Les Amants réguliers by Jonathan Rosenbaum
Mirror Image by Michael Joshua Rowin
NYFF ’15: In The Shadow of Women and No Home Movie by Sarah Salovaara
Love May Not Be All You Need After All by A.O. Scott
Love and Unhappiness, in Soft Shades of Gray by A.O. Scott
‘In the Shadow of Women’ Focuses on the Female Sides of a Triangle by A.O. Scott
Heiress at the Revolution by Sally Shafto
The new, new wave by Sally Shafto
“My Production Costs the Same as a Digital Film”: Philippe Garrel on The Salt of Tears by Christopher Small
Le Révélateur and The Grandmother by Brad Stevens
Books
Philippe Garrel en substance by Philippe Azoury
Film: The Front Line 1984 by David Ehrenstein
Philippe Garrel, une esthétique de la survivance by Thibault Grasshoff
Philippe Garrel by Michael Leonard
Une caméra à la place du coeur by Philippe Garrel and Thomas Lescure
The Legacy of the New Wave in French Cinema by Douglas Morrey
Traiettorie dello sguardo: Il cinema di Philippe Garrel by RosaMaria Salvatore
Les films ZANZIBAR et les dandys de Mai 1968/The ZANZIBAR Films and the Dandies of May 1968 by Sally Shafto
Monographie "Philippe Garrel" N°24 de la Collection Théâtres au cinéma Bobigny 2013
Philippe Garrel - L'Enfant secret by Serge Daney, Philippe Garrel, Adrian Martin and Alain Philippon
Last edited by Ovader on Mon Jan 23, 2023 1:08 pm, edited 133 times in total.
- Lino
- Joined: Wed Nov 03, 2004 6:18 am
- Location: Sitting End
- Contact:
La Cicatrice interieure
These pics look great! I keep reading about this french director and I wouldn't mind picking this particular film up - I believe it's his most famous. What is the film about, anyway?mingus wrote:News regarding a possible R2 DVD in 2005:
Rarovideo:
What confirms this and let's it look even more possible:Okay, LA CICATRICE INTERIEURE was supposed to be on the forthcoming DVD title THE VELVET UNDERGROUND & NICO + VINYL but there are problems with rights which (currently) can not be solved in time for our DVD release so we have had to leave it out. However, there may be a possibility that this title can be released next year.
Recently restored or new prints that screened at Cannes in May include La Cicatrice intérieure (restored by the Cinémathèque francaise) -- source
So let's hope for the best. I for my part cancelled my order of the existing R2 DVD from Japan, which is reported to have a bad transfer and burnt-in japanese subtitles.
some teasers for the unacquainted:
- mingus
- Joined: Wed Nov 03, 2004 7:04 pm
- Location: Vienna
La Cicatrice interieure
That's really hard to say. Ultimately it's about relationship. (sorry, i can't be more specific - but story isn't the important factor here) Philippe Garrel despises most of his early works for relying foremost on images as opposed to telling a story. He may be right that this film hasn't much to "say" (in a straightforward kind of way), but it also never left my mind after seeing it for the first time* at the Vienna International Filmfestival in 1995 (he even attended the screening). That also has to say something about a work of art. One simply doesn't forget Nico's moaning and all the beautifully shot landscapes.Annie Mall wrote:What is the film about, anyway?
"La cicatrice interi�ure"(with Nico) and "Les hautes solitudes"(with Jean Seberg) are among the most haunting(in a good way) cinema experiences of my life. I 'll never forget that day in 1995 and the atmosphere. I hate directors who think they have grown past their early work and try everything to suppress it from the, at least, video watching public.
-
- Joined: Fri Nov 19, 2004 5:19 pm
- Location: Cambridge, MA
Les Amants reguliers (Garrel, 2005)
from MK2 in May. Pray for subtitles. I wasn't able to find any info on MK2's website yet.
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- not perpee
- Joined: Tue Nov 02, 2004 3:41 pm
Les Amants reguliers
They've done English subs a number of times... Kiarostami's THE WIND WILL CARRY US, the Bresson boxset, etc.davidhare wrote:Very unlikely. MK2 NEVER do English subs.
They are very hit and miss though (with regard to including English subtitles).
- tavernier
- Joined: Sat Apr 02, 2005 7:18 pm
MK2 has also put subs on all of its Truffaut discs (only on some extras), its great 80s Resnais boxset (not on extras), two out of four films in its Pintilie boxed set, along with Pintilie's THE OAK and AN UNFORGETTABLE SUMMER (not on extras), and several Chabrol titles (not on extras).
The moral? Maybe subs on film, but probably not extras.
The moral? Maybe subs on film, but probably not extras.
- Dylan
- Joined: Tue Nov 02, 2004 9:28 pm
Les Amants reguliers
Anybody find out if the Mk2 releaseof Les Amants reguliers has English subtitles? If it doesn't, Brunosh's post certainly seems hopeful that Artifical Eye will get on it by the end of the year.
-
- Joined: Wed Dec 01, 2004 1:27 am
- Location: Los Angeles
- Contact:
Les Amants reguliers
Direct from the mk2 website...
Language : Original version in french
Subtitles : no
Audio : Stereo
DVD1
Préface de Philippe Azoury - 4'
La bande-annonce du film - 3'
DVD2
Zanzibar, Un documentaire de Jackie Raynal sur Zanzibar, le mouvement artistique né de Mai 68 - 26'
6 Cinématons de Gérard Courant : 6 portraits muets filmés mettant en scène : Philippe Garrel, Daniel Pommereulle, Jackie Raynal, Patrick Deval, Frédéric Pardo et Serge Bard - 21'
Vite, moyen métrage de Daniel Pommereulle - 33'
Festival de Venise 2005 : Conférence de presse et interviews de Clotilde Hesme et Louis Garrel - 55'
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- Joined: Wed Mar 08, 2006 5:47 am
- Location: London
For what it's worth, the other films in the French festival I mentioned above which are listed as to be distributed by AE are Moll's Lemming and Ozon's Time to Leave (both opening in London next month) and Le Peron's I Saw Ben Barka Get Killed.
Films listed to other UK distributors (and so a fair bet for English-subtitled R2 DVDs) are 36 Quai des Orfevres (the remake), Cockles and Muscles (also opening next month - looks ghastly judging, probably unfairly, by the trailer I saw today before The Three Burials of Melquiades Estrada), Tanovic's Hell, Russian Dolls, Zilbermann's Bad Spelling, Techine's Strayed (opened in London last month), Giannoli's An Adventure and My Angel.
Films listed to other UK distributors (and so a fair bet for English-subtitled R2 DVDs) are 36 Quai des Orfevres (the remake), Cockles and Muscles (also opening next month - looks ghastly judging, probably unfairly, by the trailer I saw today before The Three Burials of Melquiades Estrada), Tanovic's Hell, Russian Dolls, Zilbermann's Bad Spelling, Techine's Strayed (opened in London last month), Giannoli's An Adventure and My Angel.
- hellboytr
- Joined: Mon Mar 14, 2005 4:23 am
- Location: Istanbul - TURKEY
Garrel's Le Lit de la Vierge
Garrel's Le Lit de la Vierge (1969) [The Virgin's Bed] has recently been released on DVD by re:voir I think it is the first Zanzibar film ever on DVD in the west...
For an interesting article on Zanzibar group, see here. I don't know whether there are English subtitles or not, but i have heard that the film's dialogue is minimal in any case... The DVD can be ordered from revoir's siteLE LIT DE LA VIERGE (The Virgin's Bed)
Directed by Philippe Garrel
France 1969, 35mm, b/w, 114 min.
With Pierre Clementi, Zouzou, Tina Aumont
Born in 1948, Philippe Garrel was the wunderkind of French cinema in the 1960s. His fifth feature, Le Lit de la Vierge, is a parable about Jesus set in modern times. Shot in the aftermath of the uprisings of May 1968, the film reverberates with the rebellious spirit of that period. Pierre ClŽmenti plays a Christ reluctant to assume his earthly mission, while the Virgin Mary (Zouzou, doubly cast as Mary Magdalene) attempts to reconcile him with his duty. Garrel invokes the Christian narrative only to reject a strict retelling in a chronicle that is episodic and nonlinear. In naming his characters Mary and Jesus, Garrel reminds us of the contestatory attitude of the '68 generation, for whom Jesus was a hippie avant la lettre. Made without a script and under the in3Ú4uence of LSD, Le Lit de la Vierge is minimally concerned with traditional religion. It does, however, suggest the ways in which Garrel and his friends saw themselves as belonging to a kind of religious sect, engaging in ritual behavior.
- pro-bassoonist
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It's not a bad idea to consolidate these posts into FilmFanSea's release calendar, which is stickied.
I don't know if Louis Garrel's César would be the reason to see this film as much as Garrel's methodical direction. It's the most honest illustration of the May 68 fallout that I've seen apart from Eustache.
I don't know if Louis Garrel's César would be the reason to see this film as much as Garrel's methodical direction. It's the most honest illustration of the May 68 fallout that I've seen apart from Eustache.
- Le Feu Follet
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I was going to see this film last night, but was called away at the last minute to a meeting. Any good?Le Feu Follet wrote:Alain Tanner's 'Jonah, Who Will be 25 in the Year 2000', sadly somewhat forgetten now, is also a strong contender among '68 fallout' films.It's the most honest illustration of the May 68 fallout that I've seen apart from Eustache.
- Don Lope de Aguirre
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By 'this film' you mean Les Amants Reguliers ?I was going to see this film last night, but was called away at the last minute to a meeting. Any good?
Well...you may find it worth seeing for 'Garrel's methodical direction' and/or for William Lubtchanski's glorious photography...
I for one was very impressed with both. The film itself? I think it would greatly benefit from losing approx. 60 mins. I really don't see this as a film that will be remembered in 5 years time (or even 2 for that matter) but i think it's best if you see it for yourself and make up your own mind as I imagine this film has its supporters (even if i'm not sure entirely why...)
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I saw it as well, and thought it was about as tedious as Bertolucci's 'The Dreamers': short on political substance, long on photogenic youthful poseurs smoking opium for hours on end. There is something incredibly ersatz about both films: a failed attempt to 'recreate' a period too literally, with a cast closer to fashion models than revolutionaries. I kept thinking that for the 'spirit of 68' on film, one should just return to the Godard leading up to that point ('2 ou 3 choses...', 'La Chinoise', 'Week End'). Or maybe we just have to wait for a 68-themed film with more grit and less Louis Garrel.
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I don't know if it's in print, but it has only machine generated, forced Japanese subtitles. But this film has never been subtitled in English. The restored print shown recently in New York was unsubbed. The dialogue is extremely minimal, perhaps 15 lines in the entire film. Some is in English, a small amount in German and a bit in French. The DVD also fogs Clementi's genitals, but other than that it's basically fine. Not to be missed if you ever have the (all too rare) opportunity to see this on film.There's a Japanese dvd but I have no idea if it has subtitles or is even still in print.
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- backstreetsbackalright
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Unfortunately, as of May 2006 Cahiers couldn't sell their DVDs to us Yanks unless we can wire transfer the funds to them, which was expensive enough to scare me off but good!Arn777 wrote:I said it before but one of the 2 Cahiers du Cinema DVD has English subs, the one with Naissance de l'amour & Sauvage Innocence. The latter one is another rehash of his story with Nico, but I find it incredibly moving. See my post above for 2 other garrel films released in September.