528-531 Three Silent Classics by Josef von Sternberg
- Matt
- Joined: Tue Nov 02, 2004 12:58 pm
528-531 Three Silent Classics by Josef von Sternberg
Three Silent Classics by Josef von Sternberg
Vienna-born, New York–raised Josef von Sternberg (Shanghai Express, Morocco) directed some of the most influential, extraordinarily stylish dramas ever to come out of Hollywood. Though best known for his star-making collaborations with Marlene Dietrich, Sternberg began his movie career during the final years of the silent era, dazzling audiences and critics with his films' dark visions and innovative cinematography. The titles in this collection, made on the cusp of the sound age, are three of Sternberg's greatest works, gritty evocations of gangster life (Underworld), the Russian Revolution (The Last Command), and working-class desperation (The Docks of New York) made into shadowy movie spectacle. Criterion is proud to present these long unavailable classics of American cinema, each with two musical scores.
Underworld
Josef von Sternberg's riveting breakthrough is widely considered the film that launched the American gangster genre. George Bancroft is the main heavy, "Bull" Weed, an urban criminal kingpin whose jealous devotion to his moll, Feathers (Evelyn Brent), gets him into hot water with a rival hood and, ultimately, the authorities. Further complicating matters is the attraction blossoming between Feathers and an alcoholic former lawyer (Clive Brook). With its supple, endlessly expressive camera work, and a screenplay by legendary scribe Ben Hecht (who won a best original story Oscar the first year the awards were given), Underworld solidified Sternberg's place as one of Hollywood's most exciting new talents.
The Last Command
Emil Jannings won the first best actor Academy Award for his passionate, heartbreaking performance as a sympathetic tyrant, an exiled Russian military officer turned Hollywood actor whose latest part—a czarist general—brings about his emotional downfall. With its brilliantly realized Russian Revolution sequences, virtuoso camera work, and grandly designed sets and effects, Josef von Sternberg's The Last Command is a gripping silent melodrama that grapples with tumultuous recent history, as well as a striking portrait of one man's increasing blurring of the line between fantasy and reality.
The Docks of New York
Roughneck stoker Bill Roberts (George Bancroft) gets into all sorts of trouble during a brief shore leave when he falls hard for Mae (Betty Compson), a wise and weary dance hall girl, in Josef von Sternberg's evocative portrait of lower-class waterfront folk. Fog-enshrouded cinematography by Harold Rosson (The Wizard of Oz), expressionist set design by Hans Dreier (Sunset Boulevard), and sensual performances make this one of the legendary director's finest works, and one of the most exquisitely crafted films of its era.
SPECIAL EDITION THREE-DISC SET FEATURES
• High-definition digital restorations of all three films
• Six scores: by Robert Israel for all three films, Alloy Orchestra for Underworld and The Last Command, and Donald Sosin and Joanna Seaton for The Docks of New York
• Two video essays from 2010, one by UCLA film professor Janet Bergstrom and the other by film scholar Tag Gallagher
• Swedish television interview from 1968 with director Josef von Sternberg
• PLUS: A booklet featuring essays by critic Geoffrey O'Brien, scholar Anton Kaes, and author and critic Luc Sante; notes on the scores by the composers; Ben Hecht's original treatment for Underworld; and an excerpt from von Sternberg's 1965 autobiography, Fun in a Chinese Laundry, on actor Emil Jannings
Vienna-born, New York–raised Josef von Sternberg (Shanghai Express, Morocco) directed some of the most influential, extraordinarily stylish dramas ever to come out of Hollywood. Though best known for his star-making collaborations with Marlene Dietrich, Sternberg began his movie career during the final years of the silent era, dazzling audiences and critics with his films' dark visions and innovative cinematography. The titles in this collection, made on the cusp of the sound age, are three of Sternberg's greatest works, gritty evocations of gangster life (Underworld), the Russian Revolution (The Last Command), and working-class desperation (The Docks of New York) made into shadowy movie spectacle. Criterion is proud to present these long unavailable classics of American cinema, each with two musical scores.
Underworld
Josef von Sternberg's riveting breakthrough is widely considered the film that launched the American gangster genre. George Bancroft is the main heavy, "Bull" Weed, an urban criminal kingpin whose jealous devotion to his moll, Feathers (Evelyn Brent), gets him into hot water with a rival hood and, ultimately, the authorities. Further complicating matters is the attraction blossoming between Feathers and an alcoholic former lawyer (Clive Brook). With its supple, endlessly expressive camera work, and a screenplay by legendary scribe Ben Hecht (who won a best original story Oscar the first year the awards were given), Underworld solidified Sternberg's place as one of Hollywood's most exciting new talents.
The Last Command
Emil Jannings won the first best actor Academy Award for his passionate, heartbreaking performance as a sympathetic tyrant, an exiled Russian military officer turned Hollywood actor whose latest part—a czarist general—brings about his emotional downfall. With its brilliantly realized Russian Revolution sequences, virtuoso camera work, and grandly designed sets and effects, Josef von Sternberg's The Last Command is a gripping silent melodrama that grapples with tumultuous recent history, as well as a striking portrait of one man's increasing blurring of the line between fantasy and reality.
The Docks of New York
Roughneck stoker Bill Roberts (George Bancroft) gets into all sorts of trouble during a brief shore leave when he falls hard for Mae (Betty Compson), a wise and weary dance hall girl, in Josef von Sternberg's evocative portrait of lower-class waterfront folk. Fog-enshrouded cinematography by Harold Rosson (The Wizard of Oz), expressionist set design by Hans Dreier (Sunset Boulevard), and sensual performances make this one of the legendary director's finest works, and one of the most exquisitely crafted films of its era.
SPECIAL EDITION THREE-DISC SET FEATURES
• High-definition digital restorations of all three films
• Six scores: by Robert Israel for all three films, Alloy Orchestra for Underworld and The Last Command, and Donald Sosin and Joanna Seaton for The Docks of New York
• Two video essays from 2010, one by UCLA film professor Janet Bergstrom and the other by film scholar Tag Gallagher
• Swedish television interview from 1968 with director Josef von Sternberg
• PLUS: A booklet featuring essays by critic Geoffrey O'Brien, scholar Anton Kaes, and author and critic Luc Sante; notes on the scores by the composers; Ben Hecht's original treatment for Underworld; and an excerpt from von Sternberg's 1965 autobiography, Fun in a Chinese Laundry, on actor Emil Jannings
- Tom Hagen
- Joined: Mon Apr 14, 2008 12:35 pm
- Location: Salt Lake City, Utah
Re: 'Forthcoming' Lists Discussion and Random Speculation Vo
Get ready for bitch fest round trois that the Sternbergs -- like The Human Condition and The War Trilogy before them -- won't be on Blu.
- med
- Joined: Tue Mar 17, 2009 5:58 pm
Re: 'Forthcoming' Lists Discussion and Random Speculation Vo
I'm willing to give them the benefit of the doubt re: the Sternberg set. Maybe the films weren't up to Blu-quality standards? The War Trilogy didn't appear to be so. Or maybe there will be a Blu announcement in a day or so.
- lubitsch
- Joined: Fri Oct 07, 2005 4:20 pm
Re: 528-531 Three Silent Classics by Josef von Sternberg
There is a god!!! =D> =D> =D>
Now if they would also save Wedding March from Paramount (and maybe Covered Wagon), I'd be a happy man.
Now if they would also save Wedding March from Paramount (and maybe Covered Wagon), I'd be a happy man.
- Tommaso
- Joined: Fri May 19, 2006 10:09 am
Re: 528-531 Three Silent Classics by Josef von Sternberg
Okay, release of the year. No question about it.
YEEEEEESSSS!!!!!
=D> =D> =D> =D> =D> =D>
And it's not even Eclipse
YEEEEEESSSS!!!!!
=D> =D> =D> =D> =D> =D>
And it's not even Eclipse
- swo17
- Bloodthirsty Butcher
- Joined: Tue Apr 15, 2008 10:25 am
- Location: SLC, UT
Re: 528-531 Three Silent Classics by Josef von Sternberg
I'm very much looking forward to this release, but have to ask re: the claim that Underworld "is widely considered the film that launched the American gangster genre," is this accurate? From doing my pre-1920s list homework, it seems like either Griffith's The Musketeers of Pig Alley, Tourneur's Alias Jimmy Valentine, or Walsh's Regeneration hold claim to that title.
Oh, and also, so as not to break the pattern: =D> =D> =D>
Oh, and also, so as not to break the pattern: =D> =D> =D>
- Peacock
- Joined: Mon Dec 22, 2008 7:47 pm
- Location: Scotland
Re: 528-531 Three Silent Classics by Josef von Sternberg
Criterion have just posted on Facebook under someone's complaint about the lack of Blu for these films
'Sorry, we don't have the rights for the Sternbergs on Blu...'
There's some great extras in this set, huge booklet, Tag visual essay, two scores per film, filmed Sternberg interview...
Very excited!!!
'Sorry, we don't have the rights for the Sternbergs on Blu...'
There's some great extras in this set, huge booklet, Tag visual essay, two scores per film, filmed Sternberg interview...
Very excited!!!
Last edited by Peacock on Fri May 14, 2010 1:09 pm, edited 1 time in total.
- Tommaso
- Joined: Fri May 19, 2006 10:09 am
Re: 528-531 Three Silent Classics by Josef von Sternberg
Any of them, probably. But Criterion simply doesn't know there were films before 1920....swo17 wrote: From doing my pre-1920s list homework, it seems like either Griffith's The Musketeers of Pig Alley, Tourneur's Alias Jimmy Valentine, or Walsh's Regeneration hold claim to that title.
However, it seems they want to out-do MoC with that booklet/book. Very good, and much needed.
-
- Joined: Tue Nov 02, 2004 3:23 pm
Re: 'Forthcoming' Lists Discussion and Random Speculation Vo
They're saying on their FB page that they don't have Blu-Ray rights on the Sternbergs.med wrote:I'm willing to give them the benefit of the doubt re: the Sternberg set. Maybe the films weren't up to Blu-quality standards? The War Trilogy didn't appear to be so. Or maybe there will be a Blu announcement in a day or so.
- Tribe
- The Bastard Spawn of Hank Williams
- Joined: Tue Nov 02, 2004 7:59 pm
- Location: Toledo, Ohio
- Contact:
Re: 528-531 Three Silent Classics by Josef von Sternberg
I don't know about it being the first American gangster movie, but, for whatever it's worth, Silver and Ward list it as the "first" American film noir in the Third Edition of Film Noir: An Encyclopedic Reference to the American Style.swo17 wrote:I'm very much looking forward to this release, but have to ask re: the claim that Underworld "is widely considered the film that launched the American gangster genre," is this accurate?
- Matt
- Joined: Tue Nov 02, 2004 12:58 pm
Re: 'Forthcoming' Lists Discussion and Random Speculation Vo
They probably negotiated their license for these films long before they started releasing Blu-rays. I can't imagine Universal is clutching the Blu-ray rights for these films tightly to their chest.mteller wrote:They're saying on their FB page that they don't have Blu-Ray rights on the Sternbergs.
And who would have thought that von Sternberg would make people go crazy with the clapping emoticon? I guess he is all about excess, after all.
- Tommaso
- Joined: Fri May 19, 2006 10:09 am
Re: 528-531 Three Silent Classics by Josef von Sternberg
Well, three of the most important American silents for the first time on dvd, and a classy edition on top of it instead of Eclipse, and quite generally the inclusion of more silents certainly deserve that emoticon. Wait what happens should they release "Greed" or "The Wind" (unlikely, I know).
- triodelover
- Joined: Sat Jan 27, 2007 2:11 pm
- Location: The hills of East Tennessee
Re: 528-531 Three Silent Classics by Josef von Sternberg
Or The Big Parade or The Four Horsemen (equally unlikely, sigh).Tommaso wrote:Well, three of the most important American silents for the first time on dvd, and a classy edition on top of it instead of Eclipse, and quite generally the inclusion of more silents certainly deserve that emoticon. Wait what happens should they release "Greed" or "The Wind" (unlikely, I know).
- Finch
- Joined: Mon Jul 07, 2008 5:09 pm
- Location: Edinburgh, UK
Re: 528-531 Three Silent Classics by Josef von Sternberg
August can't come soon enough. As for them not being available on Blu: I am just grateful they're being made available at all, and even if Criterion had the rights, the material may not have been in good enough shape to warrant the 1080p upgrade.
- HerrSchreck
- Joined: Sun Sep 04, 2005 11:46 am
Re: 528-531 Three Silent Classics by Josef von Sternberg
I knew this was coming and in fact imminent, but seeing it materialize before my eyes is still causing me to seep a little pre.
Nice, classy, full blown CC edition, some extras... you'd almost think this was 2003 or 4.. hell, you'd think this was Edition Filmmuseum or something!
Bravo-- will be interesting to see what the preservation elements on these look like vs what's been floating aruond back channels for so many years. No doubt DOCKS & LAST COMMAND will look superlative. UNDERWORLD, fingers crossed!
Nice, classy, full blown CC edition, some extras... you'd almost think this was 2003 or 4.. hell, you'd think this was Edition Filmmuseum or something!
Bravo-- will be interesting to see what the preservation elements on these look like vs what's been floating aruond back channels for so many years. No doubt DOCKS & LAST COMMAND will look superlative. UNDERWORLD, fingers crossed!
- Finch
- Joined: Mon Jul 07, 2008 5:09 pm
- Location: Edinburgh, UK
Re: 528-531 Three Silent Classics by Josef von Sternberg
Only potential downside to this set is the Sosin score (thank heavens for the mute button). Couldn't the Alloy Orchestra have provided the music for the third film as well?
- Tommaso
- Joined: Fri May 19, 2006 10:09 am
Re: 528-531 Three Silent Classics by Josef von Sternberg
What more/else could you want but Robert Israel on all three films?
- HerrSchreck
- Joined: Sun Sep 04, 2005 11:46 am
Re: 528-531 Three Silent Classics by Josef von Sternberg
You know, I erased from my post "I still don't get the Silent Score Mafia that Sosin Israel & Alloy comprise," but I didn't want to piss--even a light gentle sprinkle-- on one of the single most important releases in the line, ever, period, end of convo.Mr Finch wrote:Only potential downside to this set is the Sosin score (thank heavens for the mute button). Couldn't the Alloy Orchestra have provided the music for the third film as well?
But I still truly, genuinely, totally, completely don't get it-- what is this lock that these entirely mediocre-at-best composers have on this niche of film scoring?
- FilmFanSea
- Joined: Wed Nov 03, 2004 1:37 pm
- Location: Portland, OR
Re: 528-531 Three Silent Classics by Josef von Sternberg
Jesus, it seems like I've waited forever for these. Hallelujah. I love that there are choices of scores for each film. I've gotten to the point that I prefer a strong "visual essay" (two, in this case) to a full-blown commentary, particularly when the set is coupled with a 96(!) page booklet. I can live without Blu-ray for these special titles. I feel giddy, oh so giddy...
- zedz
- Joined: Sun Nov 07, 2004 7:24 pm
Re: 528-531 Three Silent Classics by Josef von Sternberg
That attribution for Underworld is pretty standard, and I think the distinction is that those earlier gangster films (let's add The Penalty too), which did indeed set up a lot of the ideas and tropes of the genre, didn't kickstart the genre as a genre - i.e. there wasn't a flood of imitators. Whereas Underworld was swiftly followed by so many features in the same vein that a recognizable genre developed.swo17 wrote:I'm very much looking forward to this release, but have to ask re: the claim that Underworld "is widely considered the film that launched the American gangster genre," is this accurate? From doing my pre-1920s list homework, it seems like either Griffith's The Musketeers of Pig Alley, Tourneur's Alias Jimmy Valentine, or Walsh's Regeneration hold claim to that title.
Oh, and bravo, Criterion! This is going to stop people complaining about the lack of silents for several hours - maybe even a couple of days.
- knives
- Joined: Sat Sep 06, 2008 6:49 pm
Re: 528-531 Three Silent Classics by Josef von Sternberg
I am in heaven right now. The chance to finally get to see these beautiful films, might cry. I can't tell if this or the War Trilogy is the more amazing release from them this year. There's no way Criterion will be able to top themselves unless they pick up von Strohoem's The Merry Widow.
Last edited by knives on Fri May 14, 2010 4:23 pm, edited 1 time in total.
- jbeall
- Joined: Sat Aug 12, 2006 9:22 am
- Location: Atlanta-ish
Re: 528-531 Three Silent Classics by Josef von Sternberg
So nobody's going to say anything about David Duchovny finally entering the collection?
- bigP
- Joined: Thu Mar 20, 2008 10:59 am
- Location: Reading, UK
Re: 528-531 Three Silent Classics by Josef von Sternberg
Ditto. I've become really fond of Tag Gallagher's previous video pieces for the Second Sight Ophuls releases, so I'm sure these will be equally as interesting. I'm sure he'll be in shape and symmetry heaven.FilmFanSea wrote:I've gotten to the point that I prefer a strong "visual essay" (two, in this case) to a full-blown commentary
- Antares
- Joined: Wed Oct 31, 2007 2:35 pm
- Location: Richmond, Rhode Island
Re: 528-531 Three Silent Classics by Josef von Sternberg
I agree with you on the Alloy Orchestra and Sosin, but Israel's scores are usually pretty on the mark when it comes to conveying emotion or setting a mood.HerrSchreck wrote:But I still truly, genuinely, totally, completely don't get it-- what is this lock that these entirely mediocre-at-best composers have on this niche of film scoring?
Just thank God that they didn't give one film to each of them only.
- swo17
- Bloodthirsty Butcher
- Joined: Tue Apr 15, 2008 10:25 am
- Location: SLC, UT
Re: 528-531 Three Silent Classics by Josef von Sternberg
Not to mention David Strathairn, Sean Connery, and Dominique Pinon!jbeall wrote:So nobody's going to say anything about David Duchovny finally entering the collection?