Jeff wrote:
Fool me once, shame on — shame on you. Fool me — you can't get fooled again.
This is one small example of why I am so on the fence on how to feel with this film. I found it a huge error of Stone to even use this quote in the film. Not because it's such a "shooting fish in a barrel" quote(and one of the easiest of them all, out of a HUGE barrel), but for how carelessly Stone takes the quote out of context to use it to illustrate Bush as somehow cute to his peanut gallery.
It adds a whole new dimension to view this film so closely to his actual deeds as President, to see someone try portray him as a simpleton on a stage(edit: I'll note I don't see this as any singular theme in this film, but certainly something Stone tries to emphasize). While in itself it may be relatively harmless, it's simultaneously almost condescending to think that somehow *this* is a portrait that could be portrayed as a memory of Bush to future generations. Surely this is just a paranoid vision, but then again, so is the Bush legacy.