Passages

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flyonthewall2983
Joined: Mon Jun 27, 2005 3:31 pm
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Re: Passages

#3201 Post by flyonthewall2983 » Sun Mar 04, 2012 10:39 am


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antnield
Joined: Tue Jun 28, 2005 1:59 pm
Location: Cheltenham, England

Re: Passages

#3202 Post by antnield » Mon Mar 05, 2012 10:18 am


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Roger Ryan
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Re: Passages

#3203 Post by Roger Ryan » Tue Mar 06, 2012 12:35 pm


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Feego
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Re: Passages

#3204 Post by Feego » Tue Mar 06, 2012 6:13 pm

The music of Robert and Richard Sherman was a major part of my childhood, particularly this piece. Good show, old man.

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antnield
Joined: Tue Jun 28, 2005 1:59 pm
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Re: Passages

#3205 Post by antnield » Sat Mar 10, 2012 9:00 am

Jean Giraud, aka Moebius. (No English-language link as yet.)

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Jean-Luc Garbo
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Re: Passages

#3206 Post by Jean-Luc Garbo » Sat Mar 10, 2012 12:52 pm

antnield wrote:Jean Giraud, aka Moebius. (No English-language link as yet.)
BBC News has it. This is depressing as fuck as his comic art is some of the best ever drawn. Anyone not interested in comic books should give his work a try at the very least. He was a visionary and will be sorely missed.

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kinjitsu
Joined: Sat Feb 12, 2005 1:39 pm
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Re: Passages

#3207 Post by kinjitsu » Sat Mar 10, 2012 1:30 pm

Actor Leonardo Cimino

Peter Bergman, co-founder of Firesign Theatre

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knives
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Re: Passages

#3208 Post by knives » Sat Mar 10, 2012 4:32 pm

antnield wrote:Jean Giraud, aka Moebius. (No English-language link as yet.)
That's really unfortunate. Though I wonder what Jodorowsky will do now.

ianungstad
Joined: Wed Mar 16, 2005 9:20 pm

Re: Passages

#3209 Post by ianungstad » Sat Mar 10, 2012 5:28 pm

His work with Jodorowsky on The Incal was brilliant. He'll be missed.
knives wrote:
antnield wrote:Jean Giraud, aka Moebius.
That's really unfortunate. Though I wonder what Jodorowsky will do now.
Humanoids have been having some financial problems over the last few years. Hopefully Jodorowsky takes it as a sign he should devote his time to making at least one more film before he dies. It's sad that he can't get financing for anything, even relatively low budget fare like Kingshot. I can easily see him being at the top of his game if given the chance. Years of scripting comic books have done wonders for his writing. His scripts still have all the nutty surrealism that people love about Holy Mountain/El Topo but also some pretty solid structure in terms of plot, characterization, etc.

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Peacock
Joined: Mon Dec 22, 2008 7:47 pm
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Re: Passages

#3210 Post by Peacock » Sat Mar 10, 2012 7:51 pm

If he wanted to make a film then I'm sure he could. People all over the film are making no-budget films on digital cameras, it wouldn't be a King Shot but could lead to more publicity and funding for one last big film.

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manicsounds
Joined: Tue Nov 02, 2004 10:58 pm
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Re: Passages

#3211 Post by manicsounds » Mon Mar 12, 2012 10:33 pm

OK, my girlfriend and I are disagreeing with the pronunciation.

She says Moebius is pronounced "Moby-Us", I say "Mebby-Us"

Who is right?

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jwd5275
Joined: Tue Jun 08, 2010 12:26 pm
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Re: Passages

#3212 Post by jwd5275 » Mon Mar 12, 2012 10:51 pm

Was watching french news this morning and the anchor distinctly said moby-us. The cavaet is that it was the english language service of the broadcast...

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kinjitsu
Joined: Sat Feb 12, 2005 1:39 pm
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Re: Passages

#3213 Post by kinjitsu » Mon Mar 12, 2012 10:53 pm


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jbeall
Joined: Sat Aug 12, 2006 9:22 am
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Re: Passages

#3214 Post by jbeall » Tue Mar 13, 2012 12:05 am

kinjitsu wrote:Peter Bergman, co-founder of Firesign Theatre
Just saw this today. Sad news. Anybody who's never listened to the Firesign Theater, especially their album "Don't Crush that Dwarf, Hand Me the Pliers" is in for a treat.

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antnield
Joined: Tue Jun 28, 2005 1:59 pm
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Re: Passages

#3215 Post by antnield » Wed Mar 14, 2012 7:38 am



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MichaelB
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Re: Passages

#3217 Post by MichaelB » Wed Mar 21, 2012 5:19 am

Duncan Hopper wrote:Ulu Grosbard
Now that is a seriously freaky coincidence - I read his Wikipedia biog only on Monday.

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puxzkkx
Joined: Fri Jul 17, 2009 12:33 am

Re: Passages

#3218 Post by puxzkkx » Wed Mar 21, 2012 5:25 am

Duncan Hopper wrote:Ulu Grosbard
He did some very interesting work - not always successful but always interesting. One film that was successful was the masterful Georgia, one of the 90s' best films. RIP. :(

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Duncan Hopper
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Re: Passages

#3219 Post by Duncan Hopper » Wed Mar 21, 2012 5:31 am

MichaelB wrote:
Duncan Hopper wrote:Ulu Grosbard
Now that is a seriously freaky coincidence - I read his Wikipedia biog only on Monday.
May I direct you to the wiki page of Piers Morgan?

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MichaelB
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Re: Passages

#3220 Post by MichaelB » Wed Mar 21, 2012 5:32 am

The reason why I was looking up his Wikipedia biog was that I was curious as to why heavyweight actors like Dustin Hoffman and Robert Duvall seemed to work with him a lot. In fact, the NYT obituary makes this even more explicit: they specifically wanted him as their director.

I've always got the impression that he was an outstanding actors' director, probably an outstanding stage director (at least by reputation), but he never seemed to get on with film to quite the same extent. But there's no shame in that.

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domino harvey
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Re: Passages

#3221 Post by domino harvey » Wed Mar 21, 2012 6:47 am

Georgia is a grossly misunderstood masterpiece

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MichaelB
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Re: Passages

#3222 Post by MichaelB » Wed Mar 21, 2012 8:32 am


Perkins Cobb
Joined: Tue Apr 29, 2008 12:49 pm

Re: Passages

#3223 Post by Perkins Cobb » Wed Mar 21, 2012 8:43 am

I didn't like Georgia, but The Subject Was Roses is one of my favorite films. Patricia Neal (still visibly hobbled by her stroke) gives a towering performance, and Grosbard's direction is the textbook example of how to involve the audience in a filmed play without "opening it up."

I saw Grosbard speak about the film last year, and he seemed fine; too bad to see him go.

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dustysomers
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Re: Passages

#3224 Post by dustysomers » Wed Mar 21, 2012 1:17 pm

MichaelB wrote:The reason why I was looking up his Wikipedia biog was that I was curious as to why heavyweight actors like Dustin Hoffman and Robert Duvall seemed to work with him a lot. In fact, the NYT obituary makes this even more explicit: they specifically wanted him as their director.

I've always got the impression that he was an outstanding actors' director.
Straight Time is one of Hoffman's best performances, and it has strong early turns from Gary Busey, Theresa Russell and Kathy Bates as well. Grosbard's reputation should be better just based on this one alone.

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MichaelB
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Re: Passages

#3225 Post by MichaelB » Wed Mar 21, 2012 2:01 pm

Robert Fuest.

Link to follow.

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