What seems on the surface a borderline exploitative "evil woman" picture takes on multiple degrees of meaning while you watch it. The story is of a farmer's daughter in a small rural village. After cursing an ex-lover so that he will "never forget her", she becomes known as a witch and is ostracized within the community. The beautiful Daliah Lavi (brilliantly) plays our anti/heroine, significantly named Purificazione, an interesting character that becomes something of a feminist figure by the film's end.
What Rondi seems to be advocating here is sexual freedom for women - like so many women in Italy Puri is treated as an object by the various men in her village, and this objectification is enforced further by the community's women. Differentiating this from any other schlocky horror of the time is the focus on Puri as a protagonist - we begin the film with her, and her mysterious activities are automatically a point of interest. Her first one-on-one interaction with another character - her ex-lover - reinforces this connect with the audience despite her "demonic" behaviour, as he immediately identifies himself as one of the "bad guys" by attacking her sexually and then beating her. There is a huge disconnect in the acting styles of Lavi and the rest of the cast - she is fiercely emotional and completely present in every scene, all of the other actors play their parts to a standard of Bressonian blankness. Each major male character is put at odds with Puri - her ex-lover beats her and ultimately
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kills her,
At the end, it seems like Puri may have gotten her wish - returning to the village on the night of the bonfires, she meets her ex Anto and they make passionate (consensual) love. We are treated to a brilliant vista of mountains and valleys, and we cut to the pair lying on the hillside, grass rippling in the breeze. It's an idyllic scene.
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Anto touches her gently, only to stab her moments later. The feminine ideal is an idea self-destructive to the men that hold it as well as destructive for the women it represents. Anto is left helpless in the chaos of sexual repression and we end the film surveying Puri's lifeless but peaceful face.