Wolf Forrest "cryptkeeper" (tucson, az)
Raymond Louis Llompart (NYCity)This has to be on many lists for the worst movie of all time, and it is. It's pretentious "art house" nonsense masquerading as a deep movie. Admittedly, some of the visual compositions are striking,and it HAS influenced many films(like "Melancholia", another yawner) but the dialogue is so insipid that that it renders any appreciation for its visuals meaningless. This film would be better served if it were re-cut(something I would never advocate for ANY other film) down to thirty minutes, and a new voice-over created, so that the finished product would resemble something like Chris Marker's LA JETEE. I actually bought the screenplay of LAST YEAR AT MARIENDBAD in the 1970s to see if it was just as bad as the movie--and it was. Resnais and Robbe-Grillet are just pulling the wool over your eyes, as did Warhol with an eight-hour movie of a man sleeping. Forget this "masterpiece". Or, you could just spend millions on a painting created by a chimp with a squirt gun, and marvel over his mastery of the complexities of the universe.
Last Pear at Marienbad", August 31, 2009emptiness...........
This SILLY, unnecessary, pathetically dated, pretentious, vacuous exercise of directorial arrogance somehow managed (and continues to manage) to impress Venice so much in 1961 that it received the "grand Prize"-----or some such.......
Forget about the intellectuals trying to convince you of some profound "logic" to it all-------there is none.
Having said that, the "film" renders a number of VISUAL pleasures: a group of exquisitely turned out women-------and I mean CLASSICALLY turned out (no one is wearing the equivalent of Versace here------more like Balenciaga!), there are rooms that would be perfectly at ease at Versailles, and Louis XIV would salivate for the exquisite parterre----a dream of mine if I win the Lotto........
Basically plotless, you could call it a "dream"--------much more a NIGHTMARE, really, since Resnais decides to "pleasure" us with some Baroque organ music that would make BACH throw up his hands at its mediocrity, and which ended up giving me a headache.
Perhaps we could say that this is the HELL in which the "idle rich" live in, but not even, as such a culture of whispers, aristocratic elegance, grand chateaus, and delicate hinting is just about dead, having been replaced with the coarseness of "celebrity".....
Again, looking for plot? well, a man is obsessed with a hollow, soignee woman who keeps insisting that they have never had an affair before, which may or may not have taken place. His voice-over (intermittently turned into dialogue) comes to weary----and EXHAUST----you by the middle of the film.....
Meanwhile, her cadaverous husband (?)---who bears an uncanny resemblance to that repugnant person by the name of Joseph Goebbels---- always wins at a table game that, if indeed a real game, seems fascinating (yes, I shall Google it).
It is interesting to watch, as a one-shot deal. Anyone who wastes her time with a second viewing is the type who finds JEFF KOONS a revelation. Hahahahahahahahahahahahaha..........
By
Bartok Kinski "A casual stroll through the lu... (Prague)
Quel dommage!, January 20, 2005This is a Boring, basic "French" movie, although I wouldn't put it in the same sentence with "The Seventh Seal". It's a movie with questionable Claude Levi-Strauss language in spots, some meaningless New Wave scenes, no character development in others, and a somewhat predictable ending that altogether serves to pass the time away and/or play in the background while you do something else.
Not exactly a landmark of French film making. Technically speaking, this movie is well made, which somehow makes it even worse.
By
thisisgibbie (Indianapolis)
In Alain Resnais' 1961 feature there is A, X et M posing in decontructionist metaphors a Chanel.
Whether the movie has to do with "The Invention of Morel", the anthropological archetypes of Claude Levi-Strauss or whether or not it is a French or Italian film is meaningless.
Because, whatever angle you take, it just doesn't matter.
What the hell is going on?
By
Carrie Elizabeth (Washington state)
Why see this film?I decided to get this movie because the plot sounded interesting and most people gave it rave reviews. From the moment I pushed play I had no idea what was going on. This dramatic instrumental music that didn't fit with some of the scenes gave me a major headache, but I kept watching, hoping the movie would get, I don't know, normal, I guess. It didn't. Supposedly, this film has great cinematography...again, it just gave me a headache. By the time the movie was done, I still knew nothing about the characters, and I felt like I was having an anxiety attack!
By
P. A. Cirio (Missouri)
And some of the positive reviews:This is without a doubt the most impenetrable film ever made. There is no plot, and we see over and over again the same action. A visual Steve Reich piece. A must see for all serious film buffs, just to say you have done it. You must stay to the end.
There will NOT be a Criterion edition of this movie., August 18, 2005
By
Arturo Serrano "Arturo" (Caracas Venezuela)
Greatest achievement of IntellectI'm afraid that despite what someone said in these reviews, I wrote to Criterion and they said that they were NOT going to release this movie in the near or far future since they do not hold the rights. I think we should all write to Fox Lorber and ask them to release it again.
As for the movie you just have to see it, it's breathtaking. Its beauty, its mistery... A classic.
By A Customer
BOO YA! This movie is AWESOME!Very conforting and reasuring film. What we see is pure mind.
By
Dr. X-Ray Spex
After I got out of the hospital last fall I decided to do a bunch of things I'd been meaning to do but hadn't ever done. The first was eat eggs. Mission accomplished. (I don't know why I'd been avoiding eggs all those years. They're actually pretty good!) The second was to see "Last Year at Marienbad," since I'd heard that it was the ultimate "art" movie, and all my friends who'd seen it were, like, "Dude, that movie makes no sense!" Well, I knew everyone had to be wrong on both counts, since "Begotten" is still the ultimate art movie, since it's mostly just grainy black and white images squirming around together, and even though I couldn't understand it, it gave me terrible nightmares for months afterward. And I knew that this movie couldn't make any less sense than "Star Wars: The Phantom Menace." Still, I wanted to see this flick and see what all the hoopla was about. Dude, this movie is AWESOME! I don't know what my friends were all talking about. It makes PERFECT sense. It's all in black and white. Everybody speaks like they're doped up on Thorazine (which, after being in the hospital for a whole summer I know a little something about). That hot lady from "La rouge aux lèvres" is in it, only with black hair instead of blond. This dude does this game with matchsticks that only he can win. There's freaky organ music playing during the whole movie. What could make any LESS sense? This movie is all there, dude! You just have to be open to its subliminal messages. Believe me, it's totally awesome! You just have to view it with an open mind.