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 Post subject: George A. Romero
PostPosted: Sun Apr 08, 2007 3:07 pm 

Joined: Thu Nov 04, 2004 3:27 am
George Romero (1940-)


Filmography


Director:

Night of the Living Dead (1968) Elite (R1) Millennium Edition improved release

There's Always Vanilla (1971) Anchor Bay (R1) as supplemental feature with Season of the Witch

Season of the Witch (1972) Anchor Bay (R1) comes with supplemental feature There's Always Vanilla

The Crazies (1973) Blue Underground (R0)

O.J. Simpson: Juice on the Loose (1974)

Martin (1977) Anchor Bay (R1) out of print / Lionsgate (R1) - improperly matted

Dawn of the Dead (1978) Anchor Bay (R1) 4-disc Ultimate Edition contains every official alternate cut

Knightriders (1981) Anchor Bay (R1)

Creepshow (1982) Warner (R1) / Universal (R2) special edition upcoming

Day of the Dead (1985) Anchor Bay (R1) 2-disc special edition available

Monkey Shines (1987) MGM (R1)

Two Evil Eyes (1990) Blue Underground (R0) 2-disc limited edition available

The Dark Half (1993) MGM (R1) pan & scan only / MGM (R2 UK) - widescreen

Bruiser (2000) Lionsgate (R1)

Land of the Dead (2005) Universal (R1) unrated edition widescreen

Diary of the Dead (2007)


Writer & Producer:

Creepshow 2 (1987) Anchor Bay (R1)

Tales from the Darkside: The Movie (1990) Paramount (R1)

Night of the Living Dead (1990) Sony (R1)


Forum Discussions

Anchor Bay Entertainment

Land of the Dead

Diary of the Dead


Web Resources

Diary of the Dead MySpace Site

George A. Romero - Brian Wilson (Senses of Cinema, 2006)

Interview - Noel Murray (Onion AC Club, 2008)


Books

The Cinema of George A. Romero: Knight of the Living Dead (Tony Williams, 2003)

The Zombies that Ate Pittsburgh: The Films of George A. Romero (Paul R. Gagne, 1987)


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 Post subject:
PostPosted: Tue Oct 07, 2008 6:49 am 
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Joined: Fri Apr 27, 2007 6:02 am
Location: London
For anyone interested Romero's Night, Dawn and Day will show as part of a Halloween all-nighter in London's Screen on the Green.


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 Post subject:
PostPosted: Mon Oct 13, 2008 5:01 am 
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Joined: Mon Oct 13, 2008 4:26 am
Romero actually has a new movie coming up, already filming it. It’s some sort of ‘Island of the Dead’. I enjoyed Land of the Dead and Diary of the Dead. Both films had touches of greatness, but also some nasty downsides too, so I‘m not so excited about a new one anymore. Although this time the project seems to be somewhere “in the middle”, with artistic integrity that he didn’t completely have in Land and a bigger budget than in Diary. Diary may have succeeded in somewhat making it look like it was put together by film students, but I‘m not sure if that‘s such a good thing at all, making something intentionally worse. Also the idea of a 60-year-old man (of the hippie generation) getting inside the head of today’s youth is somewhat absurd.

But anyhow, I’m looking forward seeing the documentary Dead On. It was screened in Melbourne International Film Festival and the response was quite positive, although there’s nothing really new in it.


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 Post subject:
PostPosted: Mon Oct 13, 2008 7:57 am 
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Joined: Fri Mar 28, 2008 3:56 pm
Location: Aldershot, Hampshire, UK
MB wrote:
Also the idea of a 60-year-old man (of the hippie generation) getting inside the head of today’s youth is somewhat absurd.

I don't agree. Some of the most successful writers for children and teenagers are in their fifties and sixties - Melvin Burgess and Jacqueline Wilson (respectively) come to mind.

Returning to filmmakers, Eric Rohmer didn't do too badly making films about young people until well into his seventies.

I did like Diary of the Dead a lot - his best film for quite some time. The low budget was inherent in the film's premise, so that didn't hurt it.


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 Post subject:
PostPosted: Mon Oct 13, 2008 11:14 am 
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Joined: Mon Oct 13, 2008 4:26 am
GaryC wrote:
MB wrote:
Also the idea of a 60-year-old man (of the hippie generation) getting inside the head of today’s youth is somewhat absurd.

I don't agree. Some of the most successful writers for children and teenagers are in their fifties and sixties - Melvin Burgess and Jacqueline Wilson (respectively) come to mind.

Returning to filmmakers, Eric Rohmer didn't do too badly making films about young people until well into his seventies.

Maybe I generalised that a little. Everybody has been young sometime and all that, but what I mean is, that I don’t believe Romero did too much research on today’s youth (Like Nicholas Ray hanged around with James Dean when they prepared to shoot Rebel Without a Cause), and the movie really gave the feel that this was a view from somebody‘s couch, not from the street. In some instances the situations in Diary appear somewhat stiff and these young people don’t behave very naturally. Bad acting? Well, maybe that’s the issue too, but this is the feeling I got from the movie.

I'm nobody to say how George should be directing his movies, but I felt that there wasn‘t too much room for improvisation (which I‘d like to see in this kind of a movie, although for that one has to be a good actor too) and also the dialogue could have used some helping hand to make it sound like it would come out of these people‘s mouths. Here‘s the real issue though, Romero really pushed the limits with this kind of style. Where Cloverfield and Blair Witch tried to document reality, Diary went to document this movie world with clearly movie dialogue and some way over the top stuff. Sort of left me puzzled, Romero tried to pull you in to these events with this cinema verite style, but he also pushed you away with all that unbelievable stuff.

The social commentary is something that I found to be quite interesting. It is true that the form of internet that’s out there divides people more into tribes than really connects them together. Of course not saying that the corporate control is too much better than anarchy, a tough question. I just hoped the film had been equally good compared to it’s argument.


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 Post subject: Re: George A. Romero
PostPosted: Sat Nov 09, 2013 9:13 am 
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Joined: Tue Jun 28, 2005 1:59 pm
Location: Cheltenham, England
From the BFI's YouTube channel: Ask a Filmmaker - George A. Romero answers your questions.


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 Post subject: Re: George A. Romero
PostPosted: Tue Nov 12, 2013 3:51 pm 

Joined: Wed Jul 24, 2013 12:59 am
Romero's Martin (1978) is one of the most underrated films of the 1970's. I'm not sure if I can define it as an actual horror flick, but it would definitely fit into that general category. Liked the creepy unease that permeated the whole movie, as well as the urban scenes of 1970's Pittsburgh.

[Reveal] Spoiler:
The revelation that Martin wasn't actually a vampire, but was driven to think he was by a disturbed/crazy member of his family was quite bizzare & horrific.


Also, I enjoyed both Land of the Dead & Diary of the Dead. There are so many zombie movies & TV shows these days that it's hard to put any kind of original "spin" on the genre, but I think these films succeeded in being interesting. A group of wealthy people living in a high-rise while all of the less fortunate on the ground suffered a post-apocalyptic nightmare is not new in film/fiction, but I think it worked well in LOTD. And, I didn't mind the hand-held camera aspect in Diary, since I don't think using that in films has been overused (yet)...


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 Post subject: Re: George A. Romero
PostPosted: Sat Oct 28, 2017 2:18 pm 
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Joined: Fri Mar 04, 2005 4:22 am
Location: NYC
I was going to see Dawn of the Dead at MoMI but I see it's listed as a "digital projection" (not even a DCP, which they would indicate as such if it were). Didn't Koch release a 4k restoration of the European cut last year? Wondering if it is due to screen here in the U.S. sometime in the near future.

EDIT: Just did some research - it appears that the definitive cut of this film (the US theatrical cut) has never had an adequate BD release, which is astounding considering that there have been quite a few. Problems abound in all of them.


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 Post subject: Re: George A. Romero
PostPosted: Sun Oct 29, 2017 10:54 am 
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Joined: Wed Dec 05, 2007 6:39 pm
Location: Los Angeles
George A. Romero posthumously received Hollywood Star last week


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