Criterion Cover Art & Packaging Babble-on Vol.2
- toiletduck!
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- Andre Jurieu
- Joined: Tue Nov 02, 2004 3:38 pm
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Damn, that's hilarious!toilet dcuk wrote:That strawberry looks so happy to be crazed! I think we could all learn a valuable lesson from it.
Is anyone else creeped out by how buffed-up all these Crazed Fruit appear? Their athletic builds and access to fierce weaponry make me feel inferior. I wouldn't mind using that cover-art, but I doubt my fragile masculine ego could handle it.
- Andre Jurieu
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- Jun-Dai
- 監督
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- Jean-Luc Garbo
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- Gregory
- Joined: Tue Nov 02, 2004 4:07 pm
It's the original release of Spillane, which contains a piece called "Forbidden Fruit" dedicated to the film Crazed Fruit and its star Ishihara. FYI, the CD Godard/Spillane is a fantastic release but it's not really a reissue of Spillane. It doesn't contain the second side of the Spillane album, and it also lacks the photo and has different liner notes. An explanation of the piece from the original notes:
P.S. I wonder if Zorn showed Criterion the photo and talked with them about this film when he was working with them on Suzuki extras!
Also, I'll add that the photo on the record cover is much less cropped and claustrophbic. I guess chopping into the images of people they put on their covers, as someone observed in detail in this thread, really is part of Criterion's visual style.John Zorn wrote:To balance the dramatic, narrative style of Spillane and the hot, live band quality of Two-Lane Highway, I came upon the idea of writing something for a more 'pure music' context when I was in Tokyo in January of 1987. I settled on an instrumentation featuring the Kronos Quartet; Christian Marclay, using only records of string music; and one of my very favorite voices in the world, Ohta Hiromi. The piece really came together, however, in July 1987, when, devastated by the sudden death of the great Japanese film star Ishihara Yujiro, I felt an inescapable desire to write a tribute piece for him and include it in this album. I worked quickly on a set of variations, inspired largely by the photo of him with his wife, Kitahara Mie, and Tsugawa Masahiko, from his debut film Kurutta Kajitsu. Mie is unbelievably gorgeous in this photo.
The actual theme of the variations is a set of twelve sound blocks - for instance, having all four instruments play glissandos - which instead of being presented in direct sequence are spread out over the entire duration of the piece. Composed of sixty sections in all, four sets of twelve variations each, and the twelve themes, all squeezed into ten minutes, this is perhaps my most compact and fast-moving piece to date.
P.S. I wonder if Zorn showed Criterion the photo and talked with them about this film when he was working with them on Suzuki extras!
- godardslave
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- denti alligator
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- Tribe
- The Bastard Spawn of Hank Williams
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The cover seems lazy. I wish that Criterion wouldn't do this so often. Many covers look ok when they take photos/frames from the movie, but doing it so often (especially lately) just makes it boring and shows a lack of originality and creativeness.
This release is probably one where they could easily gain by employing a good artist for it.
This release is probably one where they could easily gain by employing a good artist for it.
- Lino
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Hah! Good one! But apparently that whole donkey mutilation scene was ultimately left out from the final product. Maybe on the third instalment of the America Trilogy he will re-insert it to a even more devastating effect (this time causing the whole cast and crew to quit en masse! ).Tribe wrote:Let's just be grateful that all Balthazar had to deal with was Robert Bresson, and not Lars von Trier.
Tribe
- cdnchris
- Site Admin
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I don't know. The chick on the Au Hasard... cover is hotter than the ass, so it definitely wins for sex appeal.
Anyways, found the disc art for The Life Aquatic. Wasn't sure where to post it, but figured this was the safest place to post it.
I like them.
Anyways, found the disc art for The Life Aquatic. Wasn't sure where to post it, but figured this was the safest place to post it.
I like them.
- What A Disgrace
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DVDEmpire has the back cover for Hoop Dreams.
http://www.dvdempire.com/Exec/v4_item.a ... b=5&back=1
http://www.dvdempire.com/Exec/v4_item.a ... b=5&back=1
- Hrossa
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I don't really care for either of those covers. I'm not sure about the Gate of Flesh cover. The jury's still in deliberation. I think my problem with it is the major contrast between the still from the film and the rest of the cover. I think I'd like it more without the screen capture, which frankly looks like a faded image from DVDBeaver. I'm curious to see if the Story of a Prostitute cover compliments it a la the YOTB/FE and BTK/TD pairs.
- Lino
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I'm having trouble with the Visconti cover. It just seems too dark although I like the mood it conveys which fits the film perfectly. And I wonder why they went with the original film's title instead of the english version one - maybe a nod to a discussion on this forum about the correct italian writing of "white" and "nights"...
Still, I hope they revise it.
As for the Suzuki one - way too many words around the picture. It just suffocates it. I like the concept, though.
Still, I hope they revise it.
As for the Suzuki one - way too many words around the picture. It just suffocates it. I like the concept, though.
- the dancing kid
- Joined: Tue Nov 02, 2004 7:35 pm
I'm not really feeling the Gate of Flesh cover. I'm glad they included to Japanese flag on it, but the abstract design of the patterns against the screen capture makes for a weird contrast. It just feels really angular and conflicted. I would have preferred some kind of blending of the main character's face into the flag. It's also interesting that the main character, Maya, doesn't appear on this cover.
I wonder if Story of a Prostitutep will be in the same style, since the other Suzuki releases (which always come in pairs) have had similar looks to one another.
I wonder if Story of a Prostitutep will be in the same style, since the other Suzuki releases (which always come in pairs) have had similar looks to one another.
- Hrossa
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Is it just me, or has that Gate of Flesh cover changed since I looked at it this morning? I don't remember the duplication of Suzuki's name being legible, or the bars of pink and green at the bottom of the image. I think we should expect for this one to change, at least a bit, before they release it.
- Cinephrenic
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