13 / BD 55 Onibaba
- Pinback
- Joined: Tue Nov 02, 2004 4:50 pm
13 / BD 55 Onibaba
Onibaba
Kaneto Shindo, one of Japan's most prolific directors, received his biggest international success with the release of Onibaba in 1964. Its depiction of violence and graphic sexuality was unprecedented at the time of release. Shindo managed — through his own production company Kindaï Eiga Kyokai — to bypass the strict, self-regulated Japanese film industry and pave the way for such films as Yasuzo Masumura's Mojuu (1969) and Nagisa Oshima's Ai no corrida (1976).
Onibaba is set during a brutal period in history, a Japan ravaged by civil war between rivaling shogunates. Weary from combat, samurai are drawn towards the seven-foot high susuki grass fields to hide and rest themselves, whereupon they are ambushed and murdered by a ruthless mother (Nobuko Otowa) and daughter-in-law (Jitsuko Yoshimura) team. The women throw the samurai bodies into a pit, and barter their armour and weapons for food. When Hachi (Kei Sato), a neighbour returning from the wars, brings bad news, he threatens the women's partnership.
Erotically charged and steeped in the symbolism and superstition of its Buddhist and Shinto roots, Kaneto Shindo's Onibaba is in part a modern parable on consumerism, a study of the destructiveness of sexual desire and — filmed within a claustrophobic sea of grass — one of the most striking and unique films of the last century, winning Kiyomi Kuroda the Blue Ribbon Award for Cinematography in 1965. The memorably frenetic drumming soundtrack was scored by long-time Shindo collaborator Hikaru Hayashi. The Masters of Cinema Series is proud to present this major work in all its newly restored glory for the first time on DVD in the UK.
SPECIAL FEATURES
• Newly restored high-definition transfer, anamorphic 2.35:1 OAR (Gorgeous new 1080p HD transfer on the Blu-ray)
• Full-length director's audio commentary by director Kaneto Shindo and the stars of the film, Kei Sato, and Jitsuko Yoshimura
• Video introduction by Alex Cox
• 8mm footage (40-minutes) shot on location by lead actor Kei Sato
• Optional English subtitles (new translation)
• Original trailer
• Production stills and promotional art gallery
• 24-page booklet (36 pages on the Blu-ray) with a new essay by Doug Cummings, an English translation of the original short Buddhist fable that inspired the film and a statement from writer/director Kaneto Shindo about why he made Onibaba
Kaneto Shindo, one of Japan's most prolific directors, received his biggest international success with the release of Onibaba in 1964. Its depiction of violence and graphic sexuality was unprecedented at the time of release. Shindo managed — through his own production company Kindaï Eiga Kyokai — to bypass the strict, self-regulated Japanese film industry and pave the way for such films as Yasuzo Masumura's Mojuu (1969) and Nagisa Oshima's Ai no corrida (1976).
Onibaba is set during a brutal period in history, a Japan ravaged by civil war between rivaling shogunates. Weary from combat, samurai are drawn towards the seven-foot high susuki grass fields to hide and rest themselves, whereupon they are ambushed and murdered by a ruthless mother (Nobuko Otowa) and daughter-in-law (Jitsuko Yoshimura) team. The women throw the samurai bodies into a pit, and barter their armour and weapons for food. When Hachi (Kei Sato), a neighbour returning from the wars, brings bad news, he threatens the women's partnership.
Erotically charged and steeped in the symbolism and superstition of its Buddhist and Shinto roots, Kaneto Shindo's Onibaba is in part a modern parable on consumerism, a study of the destructiveness of sexual desire and — filmed within a claustrophobic sea of grass — one of the most striking and unique films of the last century, winning Kiyomi Kuroda the Blue Ribbon Award for Cinematography in 1965. The memorably frenetic drumming soundtrack was scored by long-time Shindo collaborator Hikaru Hayashi. The Masters of Cinema Series is proud to present this major work in all its newly restored glory for the first time on DVD in the UK.
SPECIAL FEATURES
• Newly restored high-definition transfer, anamorphic 2.35:1 OAR (Gorgeous new 1080p HD transfer on the Blu-ray)
• Full-length director's audio commentary by director Kaneto Shindo and the stars of the film, Kei Sato, and Jitsuko Yoshimura
• Video introduction by Alex Cox
• 8mm footage (40-minutes) shot on location by lead actor Kei Sato
• Optional English subtitles (new translation)
• Original trailer
• Production stills and promotional art gallery
• 24-page booklet (36 pages on the Blu-ray) with a new essay by Doug Cummings, an English translation of the original short Buddhist fable that inspired the film and a statement from writer/director Kaneto Shindo about why he made Onibaba
Last edited by Pinback on Sat May 07, 2005 5:35 am, edited 1 time in total.
- swingo
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would this cause a suddenly oop condition of CC Onibaba?Pinback wrote:Link to the Criterion thread
Axel.
- mbalson
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- Lino
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Link to the Masters of Cinema article in which they compare the Criterion edition and the japanese Asmik Ace one:
http://www.mastersofcinema.org/reviews/onibaba.html
and a summary of the film's themes:
http://www.filmref.com/directors/dirpages/shindo.html
http://www.mastersofcinema.org/reviews/onibaba.html
and a summary of the film's themes:
http://www.filmref.com/directors/dirpages/shindo.html
Kaneto Shindo presents a harrowing and provocative examination of godlessness, amorality, and barbarism in Onibaba. Using spare, pantheistic landscapes, high contrast, chiaroscuro imagery, unnerving, environmental sounds, and frenetic tribal rhythms (composed by Hikari Hayashi) that evoke a sense of primitivism, Shindo illustrates the manifestation of the corruption of the human soul as a perversion of natural order: the ominous presence of The Hole that reflects the literal and figurative gateway to the underworld; the old woman's recounted story of crop frost in the summer that is further validated by Hachi's anecdote of the rising of a black sun in Kyoto; the echoed sounds of birds in flight as the daughter-in-law rushes through the ubiquitous, lacerating reeds in order to rendezvous with Hachi. An allegory for the underlying hypocrisy and absence of civilized behavior in the conduct of war, Onibaba exposes the man's innate propensity towards violence, narcissism, and inhumanity in the absence of moral and spiritual direction. In the end, the old woman's incessant, reaffirming pleas to the empty, forbidding darkness becomes an unreciprocated, desperate cry for validation and humanity.
- Pinback
- Joined: Tue Nov 02, 2004 4:50 pm
There are, as detailed in the link proveded by Annie above, problems with Criterion's DVD. Also, MoC have bagged an audio commentary from Shindo for their DVD. As a fan of Onibaba and owner of the Criterion DVD, I won't hesitate to trade up when the MoC version is released...Arn777 wrote:Hmm, I am not sure it makes commercial sense for MoC to release Onibaba on dvd, since there is already a very good Criterion dvd available, and I would suspect that MoC's customer base largely overlaps with Criterion's.
- Lino
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- colinr0380
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- Pinback
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That's fantastic! The footage was fascinating, but with no sound it seemed a little tiresome after a while. Commentary from Shindo will give the footage much more value. Excellent work.peerpee wrote:We've got the Kei Sato footage though, and we can add a full-length audio commentary by Shindo/Sato/Yoshimura
- Lino
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I don't mind the absence of any kind of soundtrack over the Kei Sato footage. It's probably overkill having a commentary for both the film and the footage. Certainly music or moody ambient sound from the film would either jar or detract - frenetic drumming (for an extreme example) as one of the crew plays with a kitten! It's really just a super souped-up moving production stills gallery - though I'm hoping MoC can do something with the picture quality of it - there's quite a bit of strange ghosting going on with it on my television.
- What A Disgrace
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Specs are up.
-Newly restored high-definition transfer, anamorphic 2.35:1 OAR
-Full-length director's audio commentary by director Kaneto Shindo and the stars of the film, Kei Sato, and Jitsuko Yoshimura
-Video introduction by Alex Cox
-8mm footage (40-minutes) shot on location by lead actor Kei Sato
-Optional English subtitles (new translation)
-Production stills gallery
-24-page booklet with a new essay by Doug Cummings, and more...
-Newly restored high-definition transfer, anamorphic 2.35:1 OAR
-Full-length director's audio commentary by director Kaneto Shindo and the stars of the film, Kei Sato, and Jitsuko Yoshimura
-Video introduction by Alex Cox
-8mm footage (40-minutes) shot on location by lead actor Kei Sato
-Optional English subtitles (new translation)
-Production stills gallery
-24-page booklet with a new essay by Doug Cummings, and more...
- Lino
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- Location: Sitting End
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- Lino
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DVDtimes review:
http://www.dvdtimes.co.uk/content.php?contentid=58304
http://www.dvdtimes.co.uk/content.php?contentid=58304
Eureka's Masters of Cinema label has scored another hit with this latest r2UK release, combining strong visuals with solid audio and some excellent extra features that hardcore fans of the film will want to revisit over and over again.
- eerik
- Joined: Sun Mar 22, 2009 4:53 pm
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Re:
Blu-ray announced for 25 February 2013
• Gorgeous new 1080p HD transfer
• Full-length director’s audio commentary by director Kaneto Shindō and the stars of the film, Kei Satō, and Jitsuko Yoshimura
• Video introduction by Alex Cox
• 8mm footage (40-minutes) shot on location by lead actor Kei Satō
• Optional English subtitles
• Original theatrical trailer
• Production stills and promotional art gallery
• 36-PAGE BOOKLET with a new essay by Doug Cummings, an English translation of the original short Buddhist fable that inspired the film and a statement from writer/director Kaneto Shindō about why he made Onibaba
• Gorgeous new 1080p HD transfer
• Full-length director’s audio commentary by director Kaneto Shindō and the stars of the film, Kei Satō, and Jitsuko Yoshimura
• Video introduction by Alex Cox
• 8mm footage (40-minutes) shot on location by lead actor Kei Satō
• Optional English subtitles
• Original theatrical trailer
• Production stills and promotional art gallery
• 36-PAGE BOOKLET with a new essay by Doug Cummings, an English translation of the original short Buddhist fable that inspired the film and a statement from writer/director Kaneto Shindō about why he made Onibaba
- swo17
- Bloodthirsty Butcher
- Joined: Tue Apr 15, 2008 10:25 am
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Re: 13 / BD 55 Onibaba
All of those features were on the original DVD. The only difference I can see (other than the film being in 1080p) is that the booklet is slightly longer, possibly just to accommodate the smaller page size.
Also interestingly (or not), prior to this last post, this thread was the longest any MoC title had gone without an update (more than seven years). In case this is any indication of future Blu-ray upgrades (it isn't), next in line looks like it will be Scandal.
Also interestingly (or not), prior to this last post, this thread was the longest any MoC title had gone without an update (more than seven years). In case this is any indication of future Blu-ray upgrades (it isn't), next in line looks like it will be Scandal.
- swo17
- Bloodthirsty Butcher
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Re: 13 / BD 55 Onibaba
Perhaps this goes without saying but:
MoC Twitter wrote:Old ONIBABA DVD will remain in print.
- manicsounds
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- EddieLarkin
- Joined: Sat Sep 08, 2012 10:25 am
Re: 13 / BD 55 Onibaba
For some reason I had an inexplicable fear that this release would be lacking in the looks department, falling short of Criterion's Kuroneko, but those caps appear to exceed it. I'm quite excited now.