The Univited

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Synopsis

A pair of siblings from London (Ray Milland and Ruth Hussey) purchase a surprisingly affordable, lonely cliff-top house in Cornwall, only to discover that it actually carries a ghostly price—and soon they’re caught up in a bizarre romantic triangle from beyond the grave. Rich in atmosphere, The Uninvited, directed by Lewis Allen, was groundbreaking for the seriousness with which it treated the haunted-house genre, and it remains an elegant and eerie experience, featuring a classic score by Victor Young. A tragic family past, a mysteriously locked room, cold chills, bumps in the night—this gothic Hollywood classic has it all.

Picture 8/10

Lewis Allen’s The Uninvited comes to Blu-ray from Criterion, just in time for Halloween, in its original aspect ratio of about 1.37:1 on this dual-layer disc. The high-definition transfer is delivered in 1080p/24hz.

There isn’t much to criticize the transfer on. Not all too surprisingly the image is crisp with an exceptional amount of detail present in both close-ups and long shots alike. Film grain is rendered naturally while the transfer lacks any compression issues or other artifacts. Black levels are rich and fairly deep with excellent shadow detail, an important aspect in delivering the film’s atmosphere. The print shows some minor damage but there’s nothing too big, just a few scratches a faint tram lines.

It hasn’t been released in North America since the VHS days and I have to say I’m not entirely sure why. But whatever the case may be the wait was certainly worth it: it looks rather astounding.

Audio 6/10

Despite its age the lossless PCM 1.0 mono presentation of the film’s soundtrack is quite effective. Dialogue sounds clear and fairly natural, the music is pleasantly clean with little distortion, even in the higher ranges, and the quieter effects, like the bumps/cries/laughs in the night, are also clear and easy to hear. It’s still generally flat in nature, but it’s effective enough and easy to hear.

Extras 4/10

For a lower tier release it actually has quite a bit on it, starting with a visual essay by filmmaker Michael Almereyda called Giving Up the Ghost. The 26-minute piece actually spends more time on the careers and lives of stars Ray Milland and Gail Russell, with very little about the film itself, other than some comments about the film’s use of ghosts, the basic story, the look and atmosphere, and the music. It does bizarrely add an interview with cultural anthropologist Erin Yerby, who talks about ghosts—er, I mean spirits—and the early days of attempts to communicate with the dead. Otherwise the essay has more on Ministry of Fear (thanks to extensive coverage of Milland’s career) than The Uninvited itself. It’s a decent enough piece, that even offers some criticisms towards the film, but it does feel unfocussed.

Two 30-minute radio adaptations also appear, the first, a 1944 one from the Screen Guild Theater presents Milland and Ruth Hussey reprising their roles, while the second from the Screen Director’s Playhouse only has Milland reprise his role. All ads are still there as well. The disc then closes with a theatrical trailer for the film.

Farren Smith Nehme provides an essay for the film in the included booklet, followed by a reprinting of an excellent interview with director Lewis Allen by Tom Weaver, done in 1997, where he talks about his career and The Uninvited.

Not a substantial amount, and it seems at least one fairly obvious feature (Allen’s follow up film, The Unseen) is missing, but they’re all worth going through, even if the visual essay does feel a little all-over-the-place.

Closing

With some decent supplements, a great transfer, and a lower price, Criterion’s Blu-ray edition of The Uninvited comes with a high recommendation.

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Directed by: Lewis Allen
Year: 1944
Time: 99 min.
 
Series: The Criterion Collection
Edition #: 677
Licensor: Universal Studios Home Entertainment
Release Date: October 22 2013
MSRP: $29.95
 
Blu-ray
1 Disc | BD-50
1.37:1 ratio
English 1.0 PCM Mono
Subtitles: English
Region A
 
 New visual essay by filmmaker Michael Almereyda   Two radio adaptations, from 1944 and 1949, both starring Ray Milland   Trailer   A booklet featuring an essay by critic Farran Smith Nehme and a 1997 interview with director Lewis Allen