Criterion has carried all of the supplements from the previous lone re-release of the film, which means, unfortunately, it still doesnít carry over the short film Antoine and Colette. The boxset, called The Adventures of Antoine Doinel is still the only currently to get the short film.
Criterion again includes the two commentaries. I just sort of refreshed my memory with them, flipping through them.
The first commentary presents Brian Stonehill, who offers a scholarly analysis of the film, talking about the shooting style, the look, and giving a history of the production. He also offers quotes from some of Truffautís friends and peers, offered through a translator. Itís a nice commentary and Iím glad Criterion has managed to port it through all of their releases, definitely getting their moneyís worth out of it.
The second commentary is an interview of sorts with Robert Lachenay, a lifelong friend of Truffaut's. The track is in French with English subtitles. This is the same commentary that appeared on the re-release DVD, but not the same French commentary that appeared on the original Criterion DVD (more on this in the next paragraph.) On the track Lachenay covers a variety of topics on his friendship with Truffaut, his work, and the influences from their lives that appear in the film. Itís a charming track, if filled with dead space. Iím not a big fan of subtitled commentaries (not really sure why) but it is a decent track and worth viewing the film with.
I suspect the French commentary comes from a French DVD release. The original French commentary track on Criterionís first DVD release was recorded exclusively for Criterion in 1992 and featured both Marcel Moussy and Robert Lachenay. That track was divided into two parts, the first half presenting Moussy and the second half (beginning at around the 46-minute point) featured Lachenay. Unfortunately that track didnít come with English subtitles so Iím not completely sure what is exactly being discussed, though gathered that Moussy was talking about working with Truffaut on a variety of projects, including The 400 Blows and Fahrenheit 451. Lachenay talks about his friendship with Truffaut and influences that appear in the film. I find it odd and sort of disappointing Criterion didnít port this track over and translate it, instead getting another track for the release.
Now for the remaining supplements, all found under ďSupplements".
First up is Audition Footage, which is a rather cool feature, quite funny to watch. The first section of it is an interview with Leaud and it clearly shows what Truffaut obviously saw in him. It's funny how he seems kind of shy but incredibly cocky at the same time. I liked his attitude, which giving the idea he didnít care whether he got the role or not. You also get to see a rehearsal between Leaud and Patrick Auffay as well as a rather amusing bit with Richard Kanayan. I'm surprised they could find this stuff and it makes a great addition.
A supplement called Reflets de Cannes 1959 is a short piece with footage about The 400 Blows' reception at the film festival. It has some great archival footage, especially of Leaud's reception in the theater, and it also has a nice interview with the star, who talks about the truth in the film and how he pulled off the interview scene.
Cinťastes de notre temps presents a 1965 episode from a television program that looks at Truffaut and his films, specifically the the two Antoine Doinel films at the time, The 400 Blows and Antoine and Colette. It lasts about a half hour, offering interviews with Truffaut, who is an incredibly energetic speaker with an incredible passion for the movies, his friends and cast members, including Leaud and Albert Remy. It covers his career as a critic and then makes its way through his film career at the time. Most interesting is how Truffaut managed to work some of Hitchcockís style into The 400 Blows. A nice addition.
Cinepanorama presents a 7-minute portion from a television interview with Truffaut after his return from the US. The interviewer begins in English and Truffaut speaks in French, but then the interviewer herself begins talking in French. Again Truffaut makes for a great interview subject and I found the highlight to be where he talks about the reception of The 400 Blows in some of the countries (the film bombing in Italy and Germany) and even criticizes the film, refusing to call it a masterpiece that others have, saying it is fairly amateurish. Obviously he was his own worst critic.
And then you will also find a theatrical trailer, which was also included on the original release and the re-release DVDs. The only supplement that hasnít made it through from the original DVD is the restoration demonstration, but since the transfers all differ (greatly) this shouldnít be a shock.
Exclusive to the Blu-ray release (and all Blu-ray titles from Criterion) is the Timeline. You can open it from the pop-up menu, or by pressing the RED button on your remote. This is a timeline that shows your current position in the film. It lists the index chapters for the film and the two commentary tracks, and you can also switch to the commentary tracks from here. You also have the ability to ďbookmarkĒ scenes by pressing the GREEN button and return to them by selecting them on the timeline. You can also delete bookmarks by pressing the BLUE button. This is pretty common on Blu-ray (also common on HD DVD) so itís nothing new, but a nice presentation still.
(Since I rented this release I do not have the booklet that come with it and cannot comment on it. Once a pick up the release I will comment on it.)
If you own the previous re-release DVD then you more than likely arenít concerned about the supplements, and Iím sure the ďTimelineĒ isnít a huge deal. But for those that donít own the film on DVD, or still own the original release, the supplements add quite a bit to the release and make it worth picking up. 8/10