In the dystopic masterpiece Brazil, Jonathan Pryce plays a daydreaming everyman who finds himself caught in the soul-crushing gears of a nightmarish bureaucracy. This cautionary tale by Terry Gilliam, one of the great films of the 1980s, now ranks alongside antitotalitarian works by the likes of George Orwell, Aldous Huxley, and Kurt Vonnegut Jr. And in terms of set design, cinematography, music, and effects, Brazil, a nonstop dazzler, stands alone.
Audio commentary by Gilliam
30-minute on-set documentary What Is Brazil?
Criterion's original exposť The Battle of "Brazil": A Video History, which reassembles players in the battle over the film's U.S. release
Hundreds of storyboards, drawings, and publicity and production stills
Rare raw and behind-the-scenes footage
Exclusive video interviews with the production team
Original theatrical trailer
The 94-minute "Love Conquers All" version of Brazil, with all the changes Gilliam refused to make
An audio essay by journalist David Morgan for "Love Conquers All" version